Theatre Research in Canada-Recherches Theatrales au Canada最新文献_第9页

Theatre Research in Canada-Recherches Theatrales au Canada Pub Date : 2019-11-01 DOI: 10.3138/tric.40.1_2.1

R. Knowles

{"title":"Introduction: Festivals","authors":"R. Knowles","doi":"10.3138/tric.40.1_2.1","DOIUrl":"https://doi.org/10.3138/tric.40.1_2.1","url":null,"abstract":"In Canada, as elsewhere, “the festivalization of culture” proceeds apace (Bennett et al). Even setting aside the ubiquitous music, film, and cultural festivals that have sprung up like mushrooms—not to mention mushroom festivals themselves (such as the “Fungus Among Us” Festival in Whistler, B.C.)—from the Sound Symposium in St. John’s to the Victoria Fringe Festival, and from the Island Unplugged festival on Pelee Island (Canada’s southernmost point) to the Alianait Arts Festival in Iqaluit, Nunavut, festivals dot the theatre and performance landscape in the land now called Canada. Across the country they turn small towns into tourist destinations and urban centres into “festival cities” (see Johannson, Thomasson). In editing the Cambridge Companion to International Theatre Festivals I compiled a list of over forty international theatre, performance, and multi-arts festivals in Canada, a list that does not include music or sound, circus or visual arts festivals, nor does it include the various Shakespeare festivals (from the “Shakespeare by the Sea” festivals on the east coast to Bard on the Beach in BC), the big repertory seasons at Stratford and Niagara-on-the-Lake, or the many festivals such as the peripatetic Magnetic North that have no international component. In addition to all of these, there are twenty-one Canadian members of the Canadian Association of Fringe Festivals (along with nine U.S.-based members), not including other “rogue” fringes.","PeriodicalId":53669,"journal":{"name":"Theatre Research in Canada-Recherches Theatrales au Canada","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87185193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Irena R. Makaryk and Kathryn Prince, eds., Shakespeare in Canada: Remembrance of Ourselves Irena R. Makaryk和Kathryn Prince编辑。莎士比亚在加拿大:纪念我们自己

Theatre Research in Canada-Recherches Theatrales au Canada Pub Date : 2019-11-01 DOI: 10.3138/TRIC.40.1_2.175

Wes D. Pearce

引用次数: 0

Ecology and Site-specificity in Festival Production: A Conversation with Laura Nanni 节日制作中的生态与场地专一性:与劳拉·南尼对话

Theatre Research in Canada-Recherches Theatrales au Canada Pub Date : 2019-11-01 DOI: 10.3138/TRIC.40.1_2.135

Laura Levin

引用次数: 0

Art for Everyone? Mush, Multiculturalism, and the Prismatic Arts Festival 每个人的艺术?Mush，多元文化主义和棱镜艺术节

Theatre Research in Canada-Recherches Theatrales au Canada Pub Date : 2019-11-01 DOI: 10.3138/tric.40.1_2.42

Brittany Kraus

引用次数: 0

Making Knowledge/Playing Culture: Theatre Festivals as Sites of Experiential Learning 创造知识/游戏文化:戏剧节作为体验式学习的场所

Theatre Research in Canada-Recherches Theatrales au Canada Pub Date : 2019-11-01 DOI: 10.3138/tric.40.1_2.83

A. Budde, Sebastian X Samur

引用次数: 0

Roots, Routes, RUTAS 根，路线，RUTAS

Theatre Research in Canada-Recherches Theatrales au Canada Pub Date : 2019-11-01 DOI: 10.7202/1068256ar

Natalie Alvarez

{"title":"Roots, Routes, RUTAS","authors":"Natalie Alvarez","doi":"10.7202/1068256ar","DOIUrl":"https://doi.org/10.7202/1068256ar","url":null,"abstract":"In this article, author Natalie Alvarez examines how the Caminos and RUTAS festivals of Toronto’s Aluna Theatre harness the interactional, mass gathering of the festival and its high visibility to form a theatrical commons grounded in a heterogeneous and intercultural Americas, one that includes Latin American, Latinx, Indigenous, and Afro-Caribbean artists that have historically been excluded both from the Eurocentric vision of “Latin America” and Canadian performance histories. With a producing mandate to foster Canadian-hemispheric cultural exchanges, Beatriz Pizano’s and Trevor Schwellnus’s curatorial practices aim to generate alternate genealogical routes of Canadian performance history for a new generation of artists to travel. The performance routes of these festivals speak to the critical role festivals can play in directing—and redirecting—transnational flows of knowledge and artistic production. But Pizano and Schwellnus’s curatorial aims are also driven by an interest in how festivals like RUTAS and Caminos can generate a structural shift in the kinds of artistic traditions that are sustained on Toronto’s stages and the ways in which they are sustained by fostering hemispheric collaborations and co-productions. The RUTAS and Caminos festivals demonstrate very powerfully the work that a theatrical commons can do to advance alternative producing structures and transnational coalitional politics.","PeriodicalId":53669,"journal":{"name":"Theatre Research in Canada-Recherches Theatrales au Canada","volume":"56 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73431981","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Transformational Kinstellatory Relations and the Talking Stick Festival 转变的幼儿园关系和说话棍节

Theatre Research in Canada-Recherches Theatrales au Canada Pub Date : 2019-11-01 DOI: 10.7202/1068255ar

Lindsay Lachance, Selena Couture

{"title":"Transformational Kinstellatory Relations and the Talking Stick Festival","authors":"Lindsay Lachance, Selena Couture","doi":"10.7202/1068255ar","DOIUrl":"https://doi.org/10.7202/1068255ar","url":null,"abstract":"This article charts the development of, and connections created through, the Vancouver-based Talking Stick Festival to inform how performance- making and gathering over shared interests can maintain artistic relationships and nurture respectful intercultural relations. We demonstrate this through genealogically connecting the Talking Stick Festival to the 1997 Festival of the Dreaming in Sydney Australia linking this theoretically to Indigenous ideas of transformational love, “grounded normativity” and kin relations that cross earthly boundaries. We examine the strategic ways that the annual festival builds networks of communication, including movement around territories, and the valuing of flexibility to honour accountability. And, of immense value to the rebuilding of broken kinship networks is the love and support for emergent artists as well as staff and volunteers who are mentored in the ever-expanding and continuous building of relations. We write explicitly from our own positions and discuss how we, the co-authors of this piece, have ourselves been transformed through interactions with the festival as a way to show how this kind of relationship building can create a shared future. We conclude that the organizers of the Talking Stick Festival create spaces that centre Indigenous resurgence through personal experiences of transformation and kinstellatory relations of co-resistance.","PeriodicalId":53669,"journal":{"name":"Theatre Research in Canada-Recherches Theatrales au Canada","volume":"28 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91181711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Jacqueline Petropoulos, ed., Linda Griffiths, New Essays on Canadian Theatre, Volume 9 杰奎琳·彼得罗普洛斯，编辑，琳达·格里菲斯，加拿大剧院的新散文，卷9

Theatre Research in Canada-Recherches Theatrales au Canada Pub Date : 2019-11-01 DOI: 10.3138/tric.40.1_2.166

Tonya Rae Chrystian

引用次数: 0

Peter Dickinson, C.E. Gatchalian, Kathleen Oliver, and Dalbir Singh, eds., Q2Q: Queer Canadian Theatre and Performance: New Essays on Canadian Theatre, Volume 8 Peter Dickinson, C.E. Gatchalian, Kathleen Oliver和Dalbir Singh主编。， Q2Q:酷儿加拿大戏剧和表演:加拿大戏剧的新散文，卷8

Theatre Research in Canada-Recherches Theatrales au Canada Pub Date : 2019-11-01 DOI: 10.3138/tric.40.1_2.177

X. Publius

引用次数: 0

Spirituality in Actor Training 演员训练中的灵性

Theatre Research in Canada-Recherches Theatrales au Canada Pub Date : 2019-07-25 DOI: 10.7202/1062396AR

James L. Forsythe

引用次数: 2