Theatre Research in Canada-Recherches Theatrales au Canada最新文献

Piercing the Veil: Metatheatrical Utterances in the Stratford Festival’s 2022 Hamlet 穿透面纱:2022年斯特拉特福德艺术节《哈姆雷特》中的元戏剧话语

Theatre Research in Canada-Recherches Theatrales au Canada Pub Date : 2023-08-19 DOI: 10.3138/tric-2023-0006

Marie Trotter

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Listening to Linda Griffiths: Heeding to the Archives of an Emblematic Voice in Canadian Theatre 聆听琳达·格里菲思:聆听加拿大戏剧中一个标志性声音的档案

Theatre Research in Canada-Recherches Theatrales au Canada Pub Date : 2023-08-19 DOI: 10.3138/tric-2022-0007

Amanda Attrell

{"title":"Listening to Linda Griffiths: Heeding to the Archives of an Emblematic Voice in Canadian Theatre","authors":"Amanda Attrell","doi":"10.3138/tric-2022-0007","DOIUrl":"https://doi.org/10.3138/tric-2022-0007","url":null,"abstract":"Linda Griffiths, actor and playwright, was a charismatic and vital presence within Canadian theatre from the early 1970s, writing and performing until her untimely death in 2014. She worked in theatres across Canada all the while maintaining her dedication to her home, Theatre Passe Muraille, creating award-winning pieces that were also audience hits. This article presents and employs an archival methodology that the author calls listening to Linda. In the first part of this piece, the author makes key historiographical interventions in Canadian theatre history based on her recognition of (and attentive listening to) Griffiths’s own historiographical intervention, made via her self-created and deliberately preserved archival record as well as her published autobiographical writing and interviews. Research into the Linda Griffiths fonds sheds new light on the early years of her career (1971–75) that have yet to be discussed in existing studies and rectifies misrepresentations of her story, repositioning her in the field of Canadian theatre. This methodology also sheds new light upon the analysis of her plays. In the case of O.D. in Paradise, by returning attention to this overlooked text the author discovered a multifaceted moment within Griffiths’s growth as a playwright which intertwines with the play’s historical importance. Research into Alien Creature: A Visitation from Gwendolyn MacEwen revivifies the scholarly discussion on this well-known auto/biographical piece by perceiving Griffiths’s voice within her archive and in performance as insisting Canadian women artists be heard, believing in the lasting power of their work. Therefore, by listening to this creator’s voice within her self-curated archive, the author’s methodology enables a shifting of knowledge regarding her contributions to Canadian theatre, the remembering of lost histories, and the lasting effects of performance.","PeriodicalId":53669,"journal":{"name":"Theatre Research in Canada-Recherches Theatrales au Canada","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78787213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Theatrical Recycling as Colonial Prequel: The Provocation!, Nootka Sound, and British Columbia’s “First” Play 戏剧循环作为殖民前传:挑衅!，努特卡声音，以及不列颠哥伦比亚省的“第一”剧

Theatre Research in Canada-Recherches Theatrales au Canada Pub Date : 2023-07-05 DOI: 10.3138/tric-2022-0019

Heather Davis-Fisch

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Mot de la rédaction : Vecteurs de différence 编辑词:差异向量

Theatre Research in Canada-Recherches Theatrales au Canada Pub Date : 2023-05-01 DOI: 10.3138/tric-2023-0016.fr

Nicole Nolette, Naila Keleta-Mae, Selena Couture, P. Thomas

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Allyson Mitchell and Cait McKinney, Inside Killjoy’s Kastle: Dykey Ghosts, Feminist Monsters, and Other Lesbian Hauntings 艾莉森·米切尔和凯特·麦金尼，《扫兴者的城堡内幕:同性恋鬼、女权主义怪物和其他女同性恋鬼》

Theatre Research in Canada-Recherches Theatrales au Canada Pub Date : 2023-05-01 DOI: 10.3138/tric-2022-0018

X. Publius

引用次数: 1

Ric Knowles, International Theatre Festivals and Twenty-First-Century Interculturalism 里克·诺尔斯:《国际戏剧节与21世纪跨文化主义》

Theatre Research in Canada-Recherches Theatrales au Canada Pub Date : 2023-05-01 DOI: 10.3138/tric-2023-0002

Naphtaly Shem-Tov

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Aurélie Lacassagne, Mémoires éclatées, mémoires conciliées : Essai sur le Wild West Show de Gabriel Dumont aurelie拉卡萨涅，破碎的记忆，调和的记忆:关于加布里埃尔·杜蒙狂野西部秀的文章

Theatre Research in Canada-Recherches Theatrales au Canada Pub Date : 2023-05-01 DOI: 10.3138/tric-2023-0005

S. Duval

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Editorial Introduction: Vectors of Difference 编辑导言:差异向量

Theatre Research in Canada-Recherches Theatrales au Canada Pub Date : 2023-05-01 DOI: 10.3138/tric-2023-0016.en

N. Nolette, Naila Keleta-Mae, Selena Couture, Priya Thomas

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“Visual Translation and the Amazing Broken Telephone Kaleidoscope”: A Dialogue “视觉翻译与惊人的破碎电话万花筒”:对话

Theatre Research in Canada-Recherches Theatrales au Canada Pub Date : 2023-05-01 DOI: 10.3138/tric-2023-0015

Kat Germain, Jody H. Cripps, Jessica Watkin, David Stinson

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Soulpepper 2022: Decolonizing Toronto Theatre Soulpepper 2022:去殖民化多伦多剧院

Theatre Research in Canada-Recherches Theatrales au Canada Pub Date : 2023-05-01 DOI: 10.3138/tric-2022-0017

Hanna Shore

{"title":"Soulpepper 2022: Decolonizing Toronto Theatre","authors":"Hanna Shore","doi":"10.3138/tric-2022-0017","DOIUrl":"https://doi.org/10.3138/tric-2022-0017","url":null,"abstract":"This research project, “Decolonizing Toronto Theatre,” examines how Soulpepper, a mainstream Toronto theatre company, and their collaboration with Native Earth Performing Arts are contributing to the equity, diversity, inclusion, and decolonization of Toronto theatre through their recent Indigenous productions: Kamloopa and Where the Blood Mixes. The author watched, read, and analyzed both plays to explore how these two productions transform and redefine the intellectual, political, and artistic conventions of Anglo-Canadian theatre. Her analyses of these plays are informed by the various texts centered around Canadian Indigenous history and Indigenous theatre. She also used an ethnographic approach by talking to people involved in both productions. She conducted interviews with the playwrights, the associate artistic director at Soulpepper, and some artists involved in both plays. These conversations with the people involved allowed her to understand these plays beyond their content: the inner workings of how a production comes to fruition. The conversations also allowed for a reflection on the similarities and differences between the creative approaches the artists involved took as well as the positive impacts these productions have had on Toronto theatre. Finally, by applying ethnographic findings and analyses of the plays, this piece compiles the analyses and research conducted over the course of the internship.","PeriodicalId":53669,"journal":{"name":"Theatre Research in Canada-Recherches Theatrales au Canada","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89524139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0