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Parchment, Parchemin, Pergament: 18th-, 19th-, and 20th-Century Authors on the History and Manufacture of Parchment 羊皮纸、羊皮纸、羊皮纸:18世纪、19世纪和20世纪关于羊皮纸历史和制造的作者
Art in Translation Pub Date : 2021-10-02 DOI: 10.1080/17561310.2021.1950900
Caroline Danforth
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引用次数: 1
Parchment 羊皮纸
Art in Translation Pub Date : 2021-10-02 DOI: 10.1080/17561310.2021.1951965
W. Wattenbach, Caroline Danforth, Andrew Griebeler
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引用次数: 0
Skins and Hides for Making Parchment: An Overview of Parchment’s Histologic Features that are Helpful when Identifying Raw Source Material 制作Parchment的皮肤和皮：Parchment组织学特征概述，这些特征有助于识别原料
Art in Translation Pub Date : 2021-10-02 DOI: 10.1080/17561310.2021.1951968
Gerhard Moog, Caroline Danforth
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引用次数: 3
A Monumental Book: Ottoman Architecture at the 1873 Vienna World’s Fair 纪念性书籍：1873年维也纳世界博览会上的奥斯曼建筑
Art in Translation Pub Date : 2021-07-03 DOI: 10.1080/17561310.2020.1827769
M. Roberts, Samuel Williams
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引用次数: 0
Title page, abstract, keywords 标题页，摘要，关键词
Art in Translation Pub Date : 2021-07-03 DOI: 10.1080/17561310.2021.1934225
Edited by Mary Roberts and Samuel Williams Translated by Gay McAu
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引用次数: 0
Translation 翻译
Art in Translation Pub Date : 2021-07-03 DOI: 10.1080/17561310.2020.1827773
Gay McAuley
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引用次数: 0
‘Concept’ Art and Conceptual Aspects “概念”艺术和概念方面
Art in Translation Pub Date : 2021-01-17 DOI: 10.1080/17561310.2020.1876822
Simón Marchán Fiz, Isabel Adey
{"title":"‘Concept’ Art and Conceptual Aspects","authors":"Simón Marchán Fiz, Isabel Adey","doi":"10.1080/17561310.2020.1876822","DOIUrl":"https://doi.org/10.1080/17561310.2020.1876822","url":null,"abstract":"Abstract Del arte objetual al arte de concepto by Simón Marchán Fiz has been called one of the most important books on contemporary published in Spanish in the 1970s. This chapter from the book gives a broad yet detailed survey of the genealogy, philosophy and practice of Conceptual art in the US and Europe in the 1960s and early 1970sd.","PeriodicalId":53629,"journal":{"name":"Art in Translation","volume":"12 1","pages":"314 - 340"},"PeriodicalIF":0.0,"publicationDate":"2021-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17561310.2020.1876822","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43518115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Body Art: Paradigms of Transformation in Contemporary Art 人体艺术:当代艺术转型的范式
Art in Translation Pub Date : 2021-01-17 DOI: 10.1080/17561310.2020.1876828
P. Režek, Eva Spišiaková
{"title":"Body Art: Paradigms of Transformation in Contemporary Art","authors":"P. Režek, Eva Spišiaková","doi":"10.1080/17561310.2020.1876828","DOIUrl":"https://doi.org/10.1080/17561310.2020.1876828","url":null,"abstract":"Abstract This text by the Czech philosopher and art theorist Petr Rezek investigates the phenomenology of Body art and the resulting issues of aesthetic boundaries and the intersection of art object and “real reality.” The principal focus of the study is the sculpture of George Segal.","PeriodicalId":53629,"journal":{"name":"Art in Translation","volume":"12 1","pages":"361 - 378"},"PeriodicalIF":0.0,"publicationDate":"2021-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17561310.2020.1876828","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47253475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pop Art and Anglo-American Art Criticism: Against Bourgeois Propaganda in the Sphere of Art 波普艺术与英美艺术批评：反对艺术领域的资产阶级宣传
Art in Translation Pub Date : 2021-01-16 DOI: 10.1080/17561310.2020.1876830
T. Yureva, C. Lodder
{"title":"Pop Art and Anglo-American Art Criticism: Against Bourgeois Propaganda in the Sphere of Art","authors":"T. Yureva, C. Lodder","doi":"10.1080/17561310.2020.1876830","DOIUrl":"https://doi.org/10.1080/17561310.2020.1876830","url":null,"abstract":"Abstract Based on her reading of the survey of Pop Art, edited by Lucy Lippard (1966) and the Time-Life book American Painting 1900 − 1970 (1971), the Soviet art historian Tatyana Yureva analyzes US Pop art, seeing in it a perfectly comprehensible movement of 1960s postmodernism, emerging from the local political culture with its own precise rules and well-defined creative aspirations. Although firmly grounded on a Marxist analysis, her account served to introduce US Pop art to the Soviet Russian public and confirmed the broadening interests of the Russian readers on the eve of perestroika.","PeriodicalId":53629,"journal":{"name":"Art in Translation","volume":"12 1","pages":"385 - 396"},"PeriodicalIF":0.0,"publicationDate":"2021-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17561310.2020.1876830","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41715573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Imagination conquers the Earth 想象力征服地球
Art in Translation Pub Date : 2021-01-15 DOI: 10.1080/17561310.2020.1876816
T. Trini, L. Byatt
{"title":"Imagination conquers the Earth","authors":"T. Trini, L. Byatt","doi":"10.1080/17561310.2020.1876816","DOIUrl":"https://doi.org/10.1080/17561310.2020.1876816","url":null,"abstract":"Abstract This text addresses the reception in Italy of American Post-minimalist experiments such as Earth art, Antiform, and Process Art. Trini describes the Earthworks by Walter De Maria, Claes Oldenburg, Robert Smithson, Dennis Oppenheim, Robert Morris, Michael Heizer, and the exhibition Earthworks, held at Virginia Dwan Gallery, New York, 1968.","PeriodicalId":53629,"journal":{"name":"Art in Translation","volume":"12 1","pages":"309 - 313"},"PeriodicalIF":0.0,"publicationDate":"2021-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17561310.2020.1876816","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47645212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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