波普艺术与英美艺术批评：反对艺术领域的资产阶级宣传

Q4 Arts and Humanities

Art in Translation Pub Date : 2021-01-16 DOI:10.1080/17561310.2020.1876830

T. Yureva, C. Lodder

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引用次数: 0

摘要

苏联艺术史学家Tatyana Yureva通过阅读Lucy Lippard编辑的《波普艺术概览》(1966)和Time-Life出版的《美国绘画1900 - 1970》(1971)对美国波普艺术进行了分析，认为它是一种完全可以理解的20世纪60年代后现代主义运动，它从当地政治文化中产生，具有自己精确的规则和明确的创作愿望。尽管她的描述坚定地建立在马克思主义分析的基础上，但她将美国波普艺术介绍给了苏联公众，并证实了苏联读者在改革前夕不断扩大的兴趣。

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Pop Art and Anglo-American Art Criticism: Against Bourgeois Propaganda in the Sphere of Art

Abstract Based on her reading of the survey of Pop Art, edited by Lucy Lippard (1966) and the Time-Life book American Painting 1900 − 1970 (1971), the Soviet art historian Tatyana Yureva analyzes US Pop art, seeing in it a perfectly comprehensible movement of 1960s postmodernism, emerging from the local political culture with its own precise rules and well-defined creative aspirations. Although firmly grounded on a Marxist analysis, her account served to introduce US Pop art to the Soviet Russian public and confirmed the broadening interests of the Russian readers on the eve of perestroika.

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来源期刊

Art in Translation Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.20

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0.00%

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