Contemporary French Civilization最新文献

Queer flight: rethinking Maghrebi sexualities 同性恋飞行：重新思考马格里布人的性行为

Contemporary French Civilization Pub Date : 2024-07-02 DOI: 10.3828/cfc.2024.5

Todd W. Reeser

引用次数: 0

Bringing out Abdellah Taïa: sexuality, social mobility, and the discursive contexts of reading 带出阿卜杜拉-塔伊亚：性、社会流动性和阅读的话语语境

Contemporary French Civilization Pub Date : 2024-07-02 DOI: 10.3828/cfc.2024.9

Bishupal Limbu

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引用次数: 0

L’émancipation décoloniale en toutes lettres d’Abdellah Taïa Abdellah Taïa 的非殖民化解放文字

Contemporary French Civilization Pub Date : 2024-07-02 DOI: 10.3828/cfc.2024.10

Thomas Muzart

引用次数: 1

Filming sex, language, and alienation in Morocco: the lens of Nabil Ayouch 在摩洛哥拍摄性、语言和异化：Nabil Ayouch 的镜头

Contemporary French Civilization Pub Date : 2024-07-02 DOI: 10.3828/cfc.2024.11

Salim Ayoub

引用次数: 0

Between diaspora and region: Tony Gatlif and Mehdi Ben Attia 散居地与地区之间：Tony Gatlif 和 Mehdi Ben Attia

Contemporary French Civilization Pub Date : 2024-07-02 DOI: 10.3828/cfc.2024.8

Peter Tarjanyi

引用次数: 0

An aesthetics of intranquillité : fear and anxiety in Le fil and L’intranquille 不安的美学：《Le fil》和《L'intranquille》中的恐惧与焦虑

Contemporary French Civilization Pub Date : 2024-07-02 DOI: 10.3828/cfc.2024.7

Ryan K. Schroth

引用次数: 0

Transing the Maghreb: permeable performances of queerness in Abdellah Taïa, Nina Bouraoui, and beyond 跨越马格里布：Abdellah Taïa、Nina Bouraoui 等人的同性恋渗透表演

Contemporary French Civilization Pub Date : 2024-07-02 DOI: 10.3828/cfc.2024.6

D. N. Maroun

{"title":"Transing the Maghreb: permeable performances of queerness in Abdellah Taïa, Nina Bouraoui, and beyond","authors":"D. N. Maroun","doi":"10.3828/cfc.2024.6","DOIUrl":"https://doi.org/10.3828/cfc.2024.6","url":null,"abstract":"\u0000 This essay explores how a trans theoretical lens can inform interpretations and performances of queer Maghrebi sexualities in various forms of cultural productions like the works of Moroccan author Abdellah Taïa, Algerian author Nina Bouraoui, as well as podcasts and music by Maghrebi artists. It draws from trans theorists to emphasize how a productive performativity resides in the intermediality, the in between of a transition (e.g. transnational) and thus queer transnational sexualities like those depicted in the works of Taïa and Bouraoui can be better understood as always existing at the intersection of the local and global, colonial and indigenous. As a result, by transing queer Maghrebi sexualities, we open new realities of Maghrebi performativity that are not solely conceived of through western ideologies of an itinerary\u0000 towards\u0000 a better existence, demonstrating how queerness and Arabness are inherently trans. The construction of queer Maghrebi sexuality within a “trans-”national critical lens offers multiple axes upon which its performance can exist, and its legacy exchanged. To execute this analysis, this essay first defines its trans theoretical approach and then applies it to selected works from Maghrebi authors Abdellah Taïa and Nina Bouraoui. It then expands its analysis away from literature to other forms of cultural productions to showcase the broad impact of a trans approach to queer Maghrebi sexuality.\u0000","PeriodicalId":53563,"journal":{"name":"Contemporary French Civilization","volume":"29 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141688212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Questions of identity and global visibility: French funding in Latin American and Maghrebi cinema 身份和全球知名度问题：法国对拉丁美洲和马格里布电影的资助

Contemporary French Civilization Pub Date : 2024-04-01 DOI: 10.3828/cfc.2024.3

Kirsten Smith

{"title":"Questions of identity and global visibility: French funding in Latin American and Maghrebi cinema","authors":"Kirsten Smith","doi":"10.3828/cfc.2024.3","DOIUrl":"https://doi.org/10.3828/cfc.2024.3","url":null,"abstract":"This article examines the relationship between French film funding and the regional cinemas of the Southern Cone of Latin America (Cono Sur) and the Maghreb. Since the 1980s, France has steadily increased its support of filmmakers in francophone regions, expanding its funding of organizations and financial aids like Fonds Sud (now Aide aux cinémas du monde) and Fonds Image de la Francophonie in order to promote francophone filmmaking throughout the world. In the cases of the Southern Cone (Argentina, Chile, and Uruguay) and the Maghreb (Algeria, Morocco, and Tunisia), the opportunities provided by French funding and the interest in co-producing global cinema coincides with a rise in local productions within these regions. A French co-production status also promotes the global visibility of other national cinemas. Yet the discourse surrounding the types of narratives shown in French co-productions and the ways in which filmmakers are limited by funding stipulations highlights an ongoing issue that filmmakers from the Southern Cone and the Maghreb face when accepting France’s financial support. The combination of France’s global financing of films and the expanding interest in Southern Cone and North African cinema establishes a complex relationship around French funding institutions, francophone regions (as well as their relationships to the term “francophone”), and identity within an increasingly globalized film space. By examining the history and current state of these regions’ cinemas, as well as their relationships to France, this article analyzes the positive and negative effects of France’s history in financially shaping the national (and regional) cinemas of southern Latin America and the Maghreb, the current landscape of Southern Cone and North African filmmaking, and the possibilities for change in transnational filmmaking in the future.","PeriodicalId":53563,"journal":{"name":"Contemporary French Civilization","volume":"43 44","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140357733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“#AsiatiquesDeFrance”: confronting anti-Asian racism in contemporary France through digital media "#AsiatiquesDeFrance"：通过数字媒体对抗当代法国的反亚洲种族主义

Contemporary French Civilization Pub Date : 2024-04-01 DOI: 10.3828/cfc.2024.1

Elizabeth M. Collins

{"title":"“#AsiatiquesDeFrance”: confronting anti-Asian racism in contemporary France through digital media","authors":"Elizabeth M. Collins","doi":"10.3828/cfc.2024.1","DOIUrl":"https://doi.org/10.3828/cfc.2024.1","url":null,"abstract":"Anti-Asian racism and violence have escalated around the world, coinciding with the start of the COVID-19 pandemic. Yet, in France, racially motivated violence against people perceived as “Asian” was already on the rise, even before the pandemic. Frustrated by the lack of public outrage and the inaction of government authorities, people of Asian heritage in France – who have come from a diverse range of countries, over several generations – have begun mobilizing collectively in new and more ambitious ways. Young people, in particular, have taken to the internet. Using social media platforms, they have not only organized in-person events, including protest marches in central Paris that have numbered in the tens of thousands of people, but have also cultivated online communities focusing on racial solidarity with just as many followers. Social media accounts, hashtags, YouTube webseries, podcasts, and internet-based projects aiming to combat anti-Asian racism while also promoting intersectional racial justice, have thus proliferated in the past few years. This article examines a few prominent examples of these works, including the viral video “#AsiatiquesDeFrance” (2017), to argue that all of these forms convey common messages that deal explicitly with issues of cultural assimilation, national belonging, racial othering, and racism faced by people of Asian heritage in France.","PeriodicalId":53563,"journal":{"name":"Contemporary French Civilization","volume":"3 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140354064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Sachs, Miranda, An Age to Work: Working-Class Childhood in Third Republic Paris Sachs, Miranda, An Age to Work：第三共和国巴黎工人阶级的童年

Contemporary French Civilization Pub Date : 2024-04-01 DOI: 10.3828/cfc.2024.4

Sarah Fishman

引用次数: 0