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Tennina, Lucía. Cuidado com os poetas! Literatura e periferia na cidade de São Paulo, translated by Ary Pimentel, Zouk, 2017. 网球，Lucía。当心诗人！圣保罗文献，Ary Pimentel译，Zouk，2017。
Journal of Lusophone Studies Pub Date : 2018-11-29 DOI: 10.21471/JLS.V3I2.269
Kacey Carter
{"title":"Tennina, Lucía. Cuidado com os poetas! Literatura e periferia na cidade de São Paulo, translated by Ary Pimentel, Zouk, 2017.","authors":"Kacey Carter","doi":"10.21471/JLS.V3I2.269","DOIUrl":"https://doi.org/10.21471/JLS.V3I2.269","url":null,"abstract":"Cuidado com os poetas! Literatura e periferia na cidade de São Paulo shows how urban peripheral communities of the city, often all referred to erroneously as favelas in the media, are spaces where cultural and literary production flourish. A professor of literature at the University of Buenos Aires with a background in anthropology, Tennina combines literary analysis with first-person interviews to effectively counter popular discourses that associate these communities solely with criminality and drug trafficking.","PeriodicalId":52257,"journal":{"name":"Journal of Lusophone Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43860834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Spectacle and Rebellion in Fin-de-Siècle Brazil: the Commodified Rebel in Machado de Assis's Chronicles. 巴西的奇观与叛乱:Machado de Assis编年史中的商品化叛军。
Journal of Lusophone Studies Pub Date : 2018-11-29 DOI: 10.21471/JLS.V3I2.174
C. Carvalho
{"title":"Spectacle and Rebellion in Fin-de-Siècle Brazil: the Commodified Rebel in Machado de Assis's Chronicles.","authors":"C. Carvalho","doi":"10.21471/JLS.V3I2.174","DOIUrl":"https://doi.org/10.21471/JLS.V3I2.174","url":null,"abstract":"In the present article, I examine Joaquim Maria Machado de Assis’s five chronicles, published between 1894-1897 in the Rio de Janeiro newspaper A Gazeta de Notícias, on the Brazilian Republic’s assault against the Canudos community in Northeasten Brazil. Focusing on Machado’s critique of the role of communication technologies, and particularly print news, in fin de siècle Brazil, I argue that he makes use of the transformation of the messianic community into a national mediatic event to thematize the birth of a consumer society, the violent expansion of global capitalist networks and state power, authoritarianism, and the contradictory values of what he refers to as \"bourgeois industrial society.\"","PeriodicalId":52257,"journal":{"name":"Journal of Lusophone Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68509488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Amaral, Ana Luisa. The Art of Being a Tiger: Poems by Ana Luísa Amaral, translated by Margaret Jull Costa with an introduction by Paulo de Medeiros, Liverpool UP, 2016. 阿马拉尔，安娜·路易莎。《老虎的艺术:安娜Luísa阿马拉尔的诗》，玛格丽特·尤尔·科斯塔译，保罗·德·梅代罗斯作介绍，利物浦，2016年。
Journal of Lusophone Studies Pub Date : 2018-11-29 DOI: 10.21471/JLS.V3I2.268
H. Owen
{"title":"Amaral, Ana Luisa. The Art of Being a Tiger: Poems by Ana Luísa Amaral, translated by Margaret Jull Costa with an introduction by Paulo de Medeiros, Liverpool UP, 2016.","authors":"H. Owen","doi":"10.21471/JLS.V3I2.268","DOIUrl":"https://doi.org/10.21471/JLS.V3I2.268","url":null,"abstract":"There is nothing diminished or softened about The Art of Being a Tiger. It is always a rare pleasure to find an anthology of one’s favorite poems by one of the towering figures of contemporary Portuguese poetry, Ana Luísa Amaral. To find it in a bilingual edition alongside sensitive, probing, and insightful English translations by Margaret Jull Costa is even better. This edition by Aris and Phillips performs the long overdue task of making Amaral’s poetry available to an Anglophone readership, the first full-scale volume dedicated solely to her work, although isolated examples by other translators have appeared on internet sites.","PeriodicalId":52257,"journal":{"name":"Journal of Lusophone Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46741349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Flags of Time: Temporal Decoloniality in Casa de areia and O ano em que meus pais saíram de férias 时间的旗帜:沙屋的时间去殖民化和我父母去度假的那一年
Journal of Lusophone Studies Pub Date : 2018-11-29 DOI: 10.21471/JLS.V3I2.176
Christopher T. Lewis
{"title":"The Flags of Time: Temporal Decoloniality in Casa de areia and O ano em que meus pais saíram de férias","authors":"Christopher T. Lewis","doi":"10.21471/JLS.V3I2.176","DOIUrl":"https://doi.org/10.21471/JLS.V3I2.176","url":null,"abstract":"In the films Casa de areia (2005) and O ano em que meus pais saíram de férias (2006), time serves as an avatar of the larger colonial matrix. Though both films explore other expressions of coloniality, such as race, ethnicity, gender, assimilation, and politics, what sets them apart is that their disobedience against colonial forces takes place on a temporal plane. Both protagonists, Áurea and Mauro, find themselves on geographic or social islands, wrestling against the power of time. Áurea’s story highlights many of the scientific issues of time reckoning. Mauro’s involves rejecting the fusion of a political and temporal colonial project during the 1970 World Cup. In crucial instances of disorientation for each character, they \"delink\" from colonial paradigms of time, revealing that neither coloniality nor time itself is absolute.","PeriodicalId":52257,"journal":{"name":"Journal of Lusophone Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44145771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Confession and the Cultural Turn: Revising the Historical Critique of Lídia Jorge’s The Murmuring Coast 忏悔与文化转向——对Lídia Jorge的《海岸》历史批判的再审视
Journal of Lusophone Studies Pub Date : 2018-11-29 DOI: 10.21471/JLS.V3I2.199
Frans Weiser
{"title":"Confession and the Cultural Turn: Revising the Historical Critique of Lídia Jorge’s The Murmuring Coast","authors":"Frans Weiser","doi":"10.21471/JLS.V3I2.199","DOIUrl":"https://doi.org/10.21471/JLS.V3I2.199","url":null,"abstract":"Lídia Jorge’s A costa dos murmúrios (1988) has been primarily theorized as a subversion of historical discourse. Similar to a number of Jorge’s examinations of social changes emerging as the Estado Novo declined, the novel juxtaposes two competing versions of the past, in this case a fictional representation of the colonial wars and a woman’s testimonial account twenty years later. This article reconsiders the novel’s status as historical deconstruction, arguing that its oral and visual strategies instead correspond to the methodology of cultural historiography that emerged during the 1970s and 1980s. Expanding Helena Kaufman’s reading of the testimonial as “deliterarization,” I analyze how a slippage of critical terminology over time has equated historical fiction with narrative history. After examining the competing agendas of cultural history and literary postmodernism, I demonstrate how reconceiving Jorge’s historical “annulment” as a productive revision of fiction provides a model of complementary history facilitating interdisciplinary engagement.","PeriodicalId":52257,"journal":{"name":"Journal of Lusophone Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43539283","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ferrão, R. Benedito. The Many Lives of Vamona Navelcar. Cinnamon Teal, 2017. 费拉<e:1>， R.贝内迪托。《瓦莫娜·纳维尔卡的多世今生》肉桂绿，2017年。
Journal of Lusophone Studies Pub Date : 2018-11-29 DOI: 10.21471/JLS.V3I2.273
Alia Yunis
{"title":"Ferrão, R. Benedito. The Many Lives of Vamona Navelcar. Cinnamon Teal, 2017.","authors":"Alia Yunis","doi":"10.21471/JLS.V3I2.273","DOIUrl":"https://doi.org/10.21471/JLS.V3I2.273","url":null,"abstract":"There is India, and then there is Goa with a side of India, a state of being that transcends the physical borders of Goa, carving out a national identity that supersedes an Indian one. The Many Lives of Vamona Navelcar is a collection of essays, fiction, poetry and a moving graphic novel that serves as an interpretation of this multicultural transnational state of being. It does so by taking us on an exploration of the Goan painter and artist Vamona Navelcar, told to us by a variety of Goan writers and artists.","PeriodicalId":52257,"journal":{"name":"Journal of Lusophone Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42243501","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Librandi, Marília. Writing by Ear: Clarice Lispector and the Aural Novel. U of Toronto P, 2018. Librandi Marilia。听觉写作:克拉丽斯·利斯佩克特与听觉小说。多伦多大学，2018。
Journal of Lusophone Studies Pub Date : 2018-11-29 DOI: 10.21471/JLS.V3I2.271
M. Méndez
{"title":"Librandi, Marília. Writing by Ear: Clarice Lispector and the Aural Novel. U of Toronto P, 2018.","authors":"M. Méndez","doi":"10.21471/JLS.V3I2.271","DOIUrl":"https://doi.org/10.21471/JLS.V3I2.271","url":null,"abstract":"Writing by Ear, despite its subtitle, is not merely a book about the presence of aurality in Clarice Lispector’s fiction. Marília Librandi’s book closely listens to Lispector’s fiction to find the resonances and reverberations of a mode of writing that informs a large part of Brazilian literature of the modern period. There is a “listening in writing,” the author argues, and she offers three interrelated concepts—“writing by ear,” “aural novel,” and “echopoetics”—to help the reader follow her auditory journey through Lispector’s life and writing.","PeriodicalId":52257,"journal":{"name":"Journal of Lusophone Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44727558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Oswald de Andrade’s Os condenados and the Decay of the Amazonian Aura 奥斯瓦尔德·德安德拉德的奥与亚马逊光环的衰退
Journal of Lusophone Studies Pub Date : 2018-11-29 DOI: 10.21471/JLS.V3I2.180
Sarah J. Townsend
{"title":"Oswald de Andrade’s Os condenados and the Decay of the Amazonian Aura","authors":"Sarah J. Townsend","doi":"10.21471/JLS.V3I2.180","DOIUrl":"https://doi.org/10.21471/JLS.V3I2.180","url":null,"abstract":"This article examines the implications of the Amazonian allusions in the trilogy of novels by Oswald de Andrade now known as Os condenados (originally called Trilogia do exílio). Published between 1922 and 1934, the trilogy revolves around the life and legacy of a young prostitute in São Paulo and is notable for what critics often describe as its cinematic style. My argument picks up on earlier readings that see it as allegorizing the decline of the \"aura\" of art—a process I connect to a shift in the regional dynamics of capital accumulation in Brazil, showing how the aestheticist cult of beauty was associated with the export economy and a mode of uneven development most dramatically exemplified by the Amazonian rubber boom. Ultimately, I gesture toward a reappraisal of the Amazon’s role in the imaginary of Brazilian modernismo.","PeriodicalId":52257,"journal":{"name":"Journal of Lusophone Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47280887","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Diálogos possíveis: entrevista com Natalia Borges Polesso 可能的对话：采访Natalia Borges Polesso
Journal of Lusophone Studies Pub Date : 2018-11-29 DOI: 10.21471/JLS.V3I2.238
P. Dutra
{"title":"Diálogos possíveis: entrevista com Natalia Borges Polesso","authors":"P. Dutra","doi":"10.21471/JLS.V3I2.238","DOIUrl":"https://doi.org/10.21471/JLS.V3I2.238","url":null,"abstract":"Entrevista com Natalia Borges Polesso, ganhadora do Prêmio Jabuti em 2016 com o livro de contos Amora.","PeriodicalId":52257,"journal":{"name":"Journal of Lusophone Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42957773","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
João do Rio in Portugal: Counterfeit Currency and Luso-Brazilian Desleixo jo<s:1> do里约热内卢在葡萄牙:假币和葡巴德莱索
Journal of Lusophone Studies Pub Date : 2018-11-29 DOI: 10.21471/JLS.V3I2.187
R. Newcomb
{"title":"João do Rio in Portugal: Counterfeit Currency and Luso-Brazilian Desleixo","authors":"R. Newcomb","doi":"10.21471/JLS.V3I2.187","DOIUrl":"https://doi.org/10.21471/JLS.V3I2.187","url":null,"abstract":"In this article, I examine an anecdote concerning a counterfeit coin included in João do Rio’s Portugal d’agora (1911). After contextualizing Rio’s interest in Portugal, I argue that the anecdote reveals a latent anxiety about the security of money as a reliable signifier, and about the integrity of the Portuguese monetary system. I contend that this anxiety constitutes one side—the obverse, in numismatic terms—of Rio’s portrait of Portugal during the first years of the 20th century. The \"reverse\" consists of his descriptions of what we, following Sérgio Buarque de Holanda in Raízes do Brasil (1936), might term Luso-Brazilian desleixo. In my conclusion, I connect Rio’s two-sided view of Portugal with his later positions, as articulated in the journal Atlântida (1915-20), which he co-edited with João de Barros.","PeriodicalId":52257,"journal":{"name":"Journal of Lusophone Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46804403","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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