{"title":"Librandi Marilia。听觉写作:克拉丽斯·利斯佩克特与听觉小说。多伦多大学,2018。","authors":"M. Méndez","doi":"10.21471/JLS.V3I2.271","DOIUrl":null,"url":null,"abstract":"Writing by Ear, despite its subtitle, is not merely a book about the presence of aurality in Clarice Lispector’s fiction. Marília Librandi’s book closely listens to Lispector’s fiction to find the resonances and reverberations of a mode of writing that informs a large part of Brazilian literature of the modern period. There is a “listening in writing,” the author argues, and she offers three interrelated concepts—“writing by ear,” “aural novel,” and “echopoetics”—to help the reader follow her auditory journey through Lispector’s life and writing.","PeriodicalId":52257,"journal":{"name":"Journal of Lusophone Studies","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2018-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Librandi, Marília. Writing by Ear: Clarice Lispector and the Aural Novel. U of Toronto P, 2018.\",\"authors\":\"M. Méndez\",\"doi\":\"10.21471/JLS.V3I2.271\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Writing by Ear, despite its subtitle, is not merely a book about the presence of aurality in Clarice Lispector’s fiction. Marília Librandi’s book closely listens to Lispector’s fiction to find the resonances and reverberations of a mode of writing that informs a large part of Brazilian literature of the modern period. There is a “listening in writing,” the author argues, and she offers three interrelated concepts—“writing by ear,” “aural novel,” and “echopoetics”—to help the reader follow her auditory journey through Lispector’s life and writing.\",\"PeriodicalId\":52257,\"journal\":{\"name\":\"Journal of Lusophone Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2018-11-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Lusophone Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21471/JLS.V3I2.271\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Lusophone Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21471/JLS.V3I2.271","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Librandi, Marília. Writing by Ear: Clarice Lispector and the Aural Novel. U of Toronto P, 2018.
Writing by Ear, despite its subtitle, is not merely a book about the presence of aurality in Clarice Lispector’s fiction. Marília Librandi’s book closely listens to Lispector’s fiction to find the resonances and reverberations of a mode of writing that informs a large part of Brazilian literature of the modern period. There is a “listening in writing,” the author argues, and she offers three interrelated concepts—“writing by ear,” “aural novel,” and “echopoetics”—to help the reader follow her auditory journey through Lispector’s life and writing.