{"title":"Le guerre di religione di Francia, gli esuli protestanti e la crisi della Riforma italiana","authors":"Simone Maghenzani","doi":"10.17863/CAM.37284","DOIUrl":"https://doi.org/10.17863/CAM.37284","url":null,"abstract":"","PeriodicalId":52051,"journal":{"name":"RIVISTA DI STORIA E LETTERATURA RELIGIOSA","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45070575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Anti-Islamic polemics in Eastern European context : translation and reception of \"Western writings\" on Islam in Polish literature (16th - 18th centuries)","authors":"Stefan Schreiner","doi":"10.15496/PUBLIKATION-13234","DOIUrl":"https://doi.org/10.15496/PUBLIKATION-13234","url":null,"abstract":"","PeriodicalId":52051,"journal":{"name":"RIVISTA DI STORIA E LETTERATURA RELIGIOSA","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67151395","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La religiostà popolare nell'esperienza di un vescovo.","authors":"M. Pellegrino","doi":"10.2307/j.ctt1trkjqp.17","DOIUrl":"https://doi.org/10.2307/j.ctt1trkjqp.17","url":null,"abstract":"","PeriodicalId":52051,"journal":{"name":"RIVISTA DI STORIA E LETTERATURA RELIGIOSA","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68727645","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Il Castelvetro di Muratori. Storia, religione e diritto tra le carte dell'Estense","authors":"Manuela Bragagnolo","doi":"10.7916/D81C1WJF","DOIUrl":"https://doi.org/10.7916/D81C1WJF","url":null,"abstract":"","PeriodicalId":52051,"journal":{"name":"RIVISTA DI STORIA E LETTERATURA RELIGIOSA","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2013-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71364149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"I CAPITOLI BIBLICI DEL MAESTRO E MARGHERITA E LE METAMORFOSI DELLA LORO RICEZIONE","authors":"Jacov Lurie","doi":"10.2307/j.ctt1tqx8cq.13","DOIUrl":"https://doi.org/10.2307/j.ctt1tqx8cq.13","url":null,"abstract":"The article deals with the reception of the \"biblical chapters\" of Michael Bulgakov's main novel in Soviet and post-Soviet literary critics. The author overviews the interpretations of the novel in the range from \"gnostic\" to \"satanist\" and claims that both materialistic and conservative Christian readings of The Master and Margarita were misleading. The author argues that the key element of Bulgakov's artistic manner is the rejection of any doctrinal belief and the eyewitness's point of view.","PeriodicalId":52051,"journal":{"name":"RIVISTA DI STORIA E LETTERATURA RELIGIOSA","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2009-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68727219","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"PONZIO PILATO NELLA CHIESA ANTICA TRA STORIA, ARTE E LEGGENDA: IL CODEX PURPUREUS ROSSANENSIS","authors":"G. Otranto","doi":"10.2307/j.ctt1tqx8cq.6","DOIUrl":"https://doi.org/10.2307/j.ctt1tqx8cq.6","url":null,"abstract":"The sources about Pontius Pilate, the prefect of Judea who scrutinised Jesus, and, granting the request by the Jews, let him to be crucified, are poor and fragmentary. A part from a few references by Philo of Alexandria and Joseph Flavius, Pilate is mentioned in an inscription of the 1 st century, and by the Fathers of the Church who, despite some differences, concordantly point out his weakness and his scarce determination in the fulfilment of his own role. Beginning from the 2 nd century, Pilate becomes one of the actors in a long series of 'apocriphal' texts (Gospels, Acts, Letters), wavering between exculpation and condemnation. In the 4 th century, in the celebration of the triumph of Christianity over Paganism, Pilate enters the imagery of the \"sarcophagi with passion scenes\", and the Council of Costantinople introduces his name in the Credo (\"passus sub Pontio Pilato\") beside the mention of the Virgin and the article of faith in the Holy Spirit. The 5 th century sees the introduction of the image of Pilate in the repertoire of mosaicists and enluminures. One of the most important and solemn representations of Pilate is contained in the Codex Purpureus Rossanensis, a Gospel written and illuminated in a Syriac milieu (6 th century). Here we see the prefect of Judea in the exercise of his judicial duties and with the symbols of his power as a representative of the emperor. In this manuscript, Pilate is the protagonist of two pictures that, thanks to their size, their form and their wealth of details, represent the most refined example in the iconography of Pilate in the ancient Christian art.","PeriodicalId":52051,"journal":{"name":"RIVISTA DI STORIA E LETTERATURA RELIGIOSA","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2009-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68727485","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"«EMPIA OH QUANTO FU LA VOCE DI PILATO». UN INEDITO DI PADRE MARTINI NELLA BIBLIOTECA COMUNALE DI BOLOGNA","authors":"E. Bernasconi, G. Tallini","doi":"10.2307/j.ctt1tqx8cq.15","DOIUrl":"https://doi.org/10.2307/j.ctt1tqx8cq.15","url":null,"abstract":"The study presents an unknown musical fragment by padre Giovan Battista Martini, the most famous composer in the XVIII th century Europe and counterpoint teacher of Wolfgang Amadeus Mozart during his Italian journey. The small manuscript (Bologna, Municipal Library, HH23, f. 92r), tells about the personal minding conditions of Pontio Pilato after the Jesus Christ judgement and Passion. Probably wrote as vocal exercise with continuo for a young students choir, describing the state of his soul, also, blames Hebrews to have killed Jesus on the Cross.","PeriodicalId":52051,"journal":{"name":"RIVISTA DI STORIA E LETTERATURA RELIGIOSA","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2009-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68726984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"LA MOGLIE DI PILATO E LE PRIME DONNE CRISTIANE","authors":"Giuseppe Ellero","doi":"10.2307/j.ctt1tqx8cq.17","DOIUrl":"https://doi.org/10.2307/j.ctt1tqx8cq.17","url":null,"abstract":"Giuseppe Ellero (1866-1925), from Friuli, was a priest, a scholar and a writer accused of Modernism. This neo-testamentary criticism essay, devoted to the theme of Pilate's wife and the first Christian women, is considered an introduction to the play Pilate's wife (1912). It shows with effectiveness the exegetic, historical and religious background of the many different written versions of Pilate's legend. Furthermore, focusing the attention to the converted women who followed Jesus Christ and the Apostles, is the direct answer to that Decadent imagery which had placed Salome and Herodiade amongst the movement's feminine icons.","PeriodicalId":52051,"journal":{"name":"RIVISTA DI STORIA E LETTERATURA RELIGIOSA","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2009-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68727095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"NICHILISMO E INCARNAZIONE NEL PILATUS DI FRIEDRICH DÜRRENMATT","authors":"Sara Tongiani","doi":"10.2307/j.ctt1tqx8cq.14","DOIUrl":"https://doi.org/10.2307/j.ctt1tqx8cq.14","url":null,"abstract":"Friedrich Durrenmatt realized his Pilatus in 1946, while he was imposing himself as the critical consciousness of the Second Word War's Swiss society. Durrenmatt used the Pilate's character metaphorically, according to a specific literary tradition (from the Synoptic and Apocriphal Gospels to Anatole France and Roger Caillois, and later, Michail Bulgakov, Mario Soldati and many others). By using languages and images drawn on theatrical representations, Durrenmatt used to focus on the protagonist's inability to rebel against the burden of the power. Moreover, Pilate acknowledged the divine identity of Jesus but he was incapable to accept it fully. After Jesus conviction and death, Pilate was condemned to live in doubt and fear almost like a new Wandering Jew.","PeriodicalId":52051,"journal":{"name":"RIVISTA DI STORIA E LETTERATURA RELIGIOSA","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2009-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68726959","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"LE TRASLAZIONI DI RELIQUIE IN ETÀ CAROLINGIA (FINE VIII-IX SECOLO): UNO STUDIO COMPARATIVO","authors":"Giorgia Vocino","doi":"10.1400/217671","DOIUrl":"https://doi.org/10.1400/217671","url":null,"abstract":"The Carolingian elites used to confirm and legitimate their respective secular or ecclesiastical authority through sacred ceremonies; and relic translations were certainly one such ceremony. The lines connecting the old and new locations for holy bodies and objects draw a cohesive political network: monasteries and, to a lesser degree, cathedrals were the fundamental junctions working in support of the royal authority. The political meaning and use of the Translationes were exported to the new conquered lands where they were adapted to local needs and peculiarities. They were exploited in pagan lands, where the ancient gods were replaced by Christian saints present in their relics and in new religious foundations that bore their name. They were the pioneers in Saxony and they succeeded in reconnecting permanently the fierce region to the Carolingian network. In Christian areas, the translation of relics ― miraculously found, bought or stolen ― allowed men of the Church and laymen to enrich and strengthen their own religious foundations and churches. In Carolingian Italy the transfer of holy bodies became one of the main strategies for the local policy of claim: claim of control over some areas, claim for a more prestigious position in the hierarchy of towns, claim of autonomy against intrusive neighbours. On these foundations Italian civitates started building up their awareness of being an integrated political subject which could gather around and be represented by its local saint.","PeriodicalId":52051,"journal":{"name":"RIVISTA DI STORIA E LETTERATURA RELIGIOSA","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2008-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66618544","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}