«EMPIA OH QUANTO FU LA VOCE DI PILATO». UN INEDITO DI PADRE MARTINI NELLA BIBLIOTECA COMUNALE DI BOLOGNA

IF 0.1 4区哲学 0 RELIGION

RIVISTA DI STORIA E LETTERATURA RELIGIOSA Pub Date : 2009-01-01 DOI:10.2307/j.ctt1tqx8cq.15

E. Bernasconi, G. Tallini

引用次数: 0

Abstract

The study presents an unknown musical fragment by padre Giovan Battista Martini, the most famous composer in the XVIII th century Europe and counterpoint teacher of Wolfgang Amadeus Mozart during his Italian journey. The small manuscript (Bologna, Municipal Library, HH23, f. 92r), tells about the personal minding conditions of Pontio Pilato after the Jesus Christ judgement and Passion. Probably wrote as vocal exercise with continuo for a young students choir, describing the state of his soul, also, blames Hebrews to have killed Jesus on the Cross.

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彼拉多的声音多么邪恶啊。马提尼神父在博洛尼亚公共图书馆的原创作品

这项研究展示了一段未知的音乐片段，作者是18世纪欧洲最著名的作曲家，也是沃尔夫冈·阿玛迪斯·莫扎特在意大利旅行期间的对位老师。这个小手稿(博洛尼亚，市政图书馆，HH23, f. 92r)，讲述了本蒂奥·彼拉多在耶稣基督的审判和受难之后的个人思想状况。可能是为一个年轻的学生唱诗班写的，描述了他的灵魂状态，也指责希伯来人在十字架上杀死了耶稣。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

RIVISTA DI STORIA E LETTERATURA RELIGIOSA RELIGION-

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期刊介绍： During its 40 years of activity this journal has studied, from early Christian traditions up to religious hermeneutical ones of 1900, the ways and standards of establishing in their historicity institutions and texts that characterise religious people; beliefs and practices, forms of devotion and of art, history of heretical mentality let alone movements. The periodical has promoted theoretical debates and published monographic issues.