Change Over Time-An International Journal of Conservation and the Built Environment最新文献_第3页

4区艺术学

Change Over Time-An International Journal of Conservation and the Built Environment Pub Date : 2021-09-01 DOI: 10.1353/cot.2021.0006

M. Mills

{"title":"Three Aspects Of Integrity","authors":"M. Mills","doi":"10.1353/cot.2021.0006","DOIUrl":"https://doi.org/10.1353/cot.2021.0006","url":null,"abstract":"Abstract:Integrity in differing contexts is illustrated by three short case studies.Louis Kahn Trenton Bath House: Integrity of an Unrealized DesignThe design for Kahn's Trenton Bath House was not fully constructed. A preservation project gave an opportunity to create elements that interpreted Kahn's original intentions. The renovations allow the integrity of unrealized site design to be appreciated.Statue of Liberty Renovations: Integrity of Original MaterialsVisitor facilities were replaced at the statue for fire safety and accessibility by a reimagination of the interior. The NPS defined integrity as limited to the sculptural and structural materials. The two new stairs and three elevators installed within the pedestal create a lively journey to the observation areas and highlight the integrity of the original features.Renovation of Saarinen's Hill College House: Integrity of a Design Idea ExpandedHill College House at the University of Pennsylvania is a Saarinen-designed dormitory of cast concrete. While the hierarchy of the building's major spaces was preserved, the integrity of its design details had been lost. The goal for the renovation was to balance the preservation of a mid-century modern design with expanded facilities for twenty-first-century students.","PeriodicalId":51982,"journal":{"name":"Change Over Time-An International Journal of Conservation and the Built Environment","volume":"88 1","pages":"142 - 158"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90351467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Unsettling "Historic Integrity" at Honouliuli National Heritage Site, O'ahu, Hawai'i 令人不安的“历史完整性”在夏威夷奥胡岛的霍奴柳利国家遗产地

4区艺术学

Change Over Time-An International Journal of Conservation and the Built Environment Pub Date : 2021-09-01 DOI: 10.1353/cot.2021.0008

Desirée Valadares

{"title":"Unsettling \"Historic Integrity\" at Honouliuli National Heritage Site, O'ahu, Hawai'i","authors":"Desirée Valadares","doi":"10.1353/cot.2021.0008","DOIUrl":"https://doi.org/10.1353/cot.2021.0008","url":null,"abstract":"Abstract:This provocation unsettles \"historic integrity\" as defined by the US National Park Service. I argue that historic integrity remains a troublesome concept in preserving Pacific War landscapes with multiple and overlapping histories involving Indigenous populations (federally recognized or unrecognized) and minoritized, diasporic, racialized, and noncitizen groups. I consider the recent designation of Honouliuli National Historic Site in O'ahu, Hawai'i and argue for a broader study of this landscape beyond its defined boundaries and period of significance. Specifically, I argue that categories such as \"location\" and \"setting\" that are used to determine a site's historical integrity must consider how distinct legacies of militarism, carcerality, and colonialism effect land tenure. I conclude by advocating that preservation processes at Pacific War sites restore access, caretaking, and stewardship relations. In addition, I advocate for a wider preservation and interpretive mandate that is inclusive of distinct and varied experiences of civilian and non-citizen populations in these former carceral landscapes.,","PeriodicalId":51982,"journal":{"name":"Change Over Time-An International Journal of Conservation and the Built Environment","volume":"78 1","pages":"178 - 182"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78442190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Integrity of the Cultural Landscape of Persepolis 波斯波利斯文化景观的完整性

4区艺术学

Change Over Time-An International Journal of Conservation and the Built Environment Pub Date : 2021-09-01 DOI: 10.1353/cot.2021.0007

Mehr Azar Soheil

{"title":"Integrity of the Cultural Landscape of Persepolis","authors":"Mehr Azar Soheil","doi":"10.1353/cot.2021.0007","DOIUrl":"https://doi.org/10.1353/cot.2021.0007","url":null,"abstract":"Abstract:This paper examines the condition of integrity of the World Heritage Site of the Royal Ensemble of Persepolis within its territorial context in the region Fars. There are still many Achaemenid elements in this territory that contribute to the significance of the site. Persepolis was built from the sixth to the fourth century BCE according to the original urban plan and architectural concept of Darius I (521–486 BCE), which formed the model followed by successive Achaemenid kings. The original concept prescribed building proportions and the use of the sacred form of square both in plan and in elevation. This system was integrated with sculpted architectural details, bas-reliefs and engraved texts that contributed to the significance of the site. Indeed, it became a new architectural language that symbolized the Achaemenid Empire. It expressed unity in architecture, based on forms and motives derived from the existing cultural context, using the workmanship and materials coming from the various lands of the empire. The new architectural language of the Persepolitan palace layout continued to influence Persian architecture through the following centuries up to modernity.","PeriodicalId":51982,"journal":{"name":"Change Over Time-An International Journal of Conservation and the Built Environment","volume":"30 1","pages":"160 - 177"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79840639","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Questions of Integrity 诚信问题

4区艺术学

Change Over Time-An International Journal of Conservation and the Built Environment Pub Date : 2021-09-01 DOI: 10.1353/cot.2021.0011

J. Jokilehto

{"title":"Questions of Integrity","authors":"J. Jokilehto","doi":"10.1353/cot.2021.0011","DOIUrl":"https://doi.org/10.1353/cot.2021.0011","url":null,"abstract":"Abstract:The condition of integrity is subject to the recognition of the significance of objects and resources resulting from human creativity. Creativity has long been a subject of philosophic and historical inquiry, and these discussions have resulted in various types of outcomes. The notion of a work of art as a major achievement of human creativity reaches back to the time of the Italian Renaissance. Because nature was understood to be God's creation, observing nature as the way to perceive the original divine idea was the model for art. To fully appreciate the work of human creativity as a whole, it is necessary to understand that its significance depends on the \"idea.\" Identifying the elements that contribute to the unity of the whole is part of the process of recognizing the significance of a work of art. This was indeed the starting point for the modern theory of conservation of works of human creativity and the condition of their integrity. In 1922, the League of Nations founded the International Committee on Intellectual Cooperation, chaired by the French philosopher Henri Bergson (1859–1941), a recipient of the Nobel Prize in Literature. In his publication Creative Evolution (1911), Bergson argued that creative capacity endures in the universe as a \"life force\" (élan vital) that generates growth and diversification. Human cultural diversity is the product of such creative evolution.","PeriodicalId":51982,"journal":{"name":"Change Over Time-An International Journal of Conservation and the Built Environment","volume":"79 1","pages":"107 - 94"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85269882","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Lending an Ear to Architectural History: Commemorating Meyershof, ca. 1932 聆听建筑史:纪念迈耶肖夫，约1932年

4区艺术学

Change Over Time-An International Journal of Conservation and the Built Environment Pub Date : 2021-06-24 DOI: 10.1353/cot.2019.0009

Florence Feiereisen, E. Sassin

引用次数: 0

Concert Hall Acoustics and the Sounding Heritage of the Interwar Period in America: The Coolidge Auditorium (Library of Congress, Washington, DC, 1925) 美国两次世界大战期间的音乐厅声学和声音遗产:柯立芝礼堂(国会图书馆，华盛顿特区，1925年)

4区艺术学

Change Over Time-An International Journal of Conservation and the Built Environment Pub Date : 2021-06-24 DOI: 10.1353/cot.2019.0012

M. A. Pottinger

{"title":"Concert Hall Acoustics and the Sounding Heritage of the Interwar Period in America: The Coolidge Auditorium (Library of Congress, Washington, DC, 1925)","authors":"M. A. Pottinger","doi":"10.1353/cot.2019.0012","DOIUrl":"https://doi.org/10.1353/cot.2019.0012","url":null,"abstract":"Abstract:Starting in 1895 with the work of Wallace Clement Sabine (1868–1919), the science of architectural acoustics was born. Sabine's work on the materialization of sound influenced countless architects and physicists alike, including the famous New York City–based architect Charles A. Platt (1861–1933) and MIT physics instructor Clifford Melville Swan (1877–1951), a former student of Sabine. Both Platt and Swan collaborated on the design of the Coolidge Auditorium, housed in the Thomas Jefferson Building of the Library of Congress in Washington, DC. Built in 1925, the five-hundred-plus seat chamber hall highlights the idealized listening environment of the interwar period in America, which was still reeling from the noise-filled horrors of World War I as it embarked on a progressive agenda to build the modern urban metropolis. In spite of the increased popularity at the time for large purpose-built halls to house films, big band jazz performances, and grand spectacle entertainment, the Coolidge Auditorium presented a small, intimate space with an explicit desire to reform music in America. In this article I explore this early twentieth-century listening environment and conclude by comparing the Coolidge Auditorium to the concert hall of today, which I argue is directly connected to the built environment of the early twentieth century, with its growing fascination with radio transmission and electronically reproduced music.","PeriodicalId":51982,"journal":{"name":"Change Over Time-An International Journal of Conservation and the Built Environment","volume":"77 1","pages":"214 - 231"},"PeriodicalIF":0.0,"publicationDate":"2021-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83889120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Listening Beyond the Visible 看不见的倾听

4区艺术学

Change Over Time-An International Journal of Conservation and the Built Environment Pub Date : 2021-06-24 DOI: 10.1353/cot.2019.0007

Pamela Jordan

引用次数: 0

Overhearing History: Sound as Historical Material 偷听历史:声音作为历史材料

4区艺术学

Change Over Time-An International Journal of Conservation and the Built Environment Pub Date : 2021-06-24 DOI: 10.1353/cot.2019.0008

Pamela Jordan, Sabine von Fischer

引用次数: 0

Sound Archives and Online Repositories 声音档案和在线存储库

4区艺术学

Change Over Time-An International Journal of Conservation and the Built Environment Pub Date : 2021-06-24 DOI: 10.1353/cot.2019.0014

P. Jordan

引用次数: 0

Soundscape as an Outstanding Universal Value: An Introduction with Case Studies of Chinese World Cultural Heritage Sites 声景观作为一种突出的普遍价值——以中国世界文化遗产地为例

4区艺术学

Change Over Time-An International Journal of Conservation and the Built Environment Pub Date : 2021-06-24 DOI: 10.1353/cot.2019.0013

Jun Zheng

{"title":"Soundscape as an Outstanding Universal Value: An Introduction with Case Studies of Chinese World Cultural Heritage Sites","authors":"Jun Zheng","doi":"10.1353/cot.2019.0013","DOIUrl":"https://doi.org/10.1353/cot.2019.0013","url":null,"abstract":"Abstract:Sound was an important element in residential and landscape design in ancient China. Acoustic sources of geophony, ecophony (tianlai and dilai in Chinese, meaning sound of heaven and earth), and anthrophony (renlai, man-made sound) are frequently used together with landscape, and sometimes also with scentscape, to make the living environs an ideal microcosm for cultivating minds and achieving unity with nature, a philosophical idea of Confucianism and Daoism that the elite class of society has pursued in the past. Dictated by this functional purpose, only sounds regarded as elegant or bestowed with philosophical, cultural, and religious meanings are chosen in the design. Currently, many of these designs have been preserved as soundscape heritage.By 2019, of the forty-one Chinese cultural and mixed World Heritage properties designated by UNESCO, twenty-eight have sound as an important attribute testifying to the outstanding universal values. This paper gives an introduction to the Chinese perception of sound, followed by a detailed analysis of soundscapes of three world cultural heritage sites in terms of their philosophical and cultural meanings and design techniques, and finally a brief discussion of the challenges on the conservation and management of soundscape heritage.","PeriodicalId":51982,"journal":{"name":"Change Over Time-An International Journal of Conservation and the Built Environment","volume":"28 1","pages":"232 - 255"},"PeriodicalIF":0.0,"publicationDate":"2021-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73046495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 4