Integrity of the Cultural Landscape of Persepolis

IF 0.6 4区艺术学 0 ARCHITECTURE

Change Over Time-An International Journal of Conservation and the Built Environment Pub Date : 2021-09-01 DOI:10.1353/cot.2021.0007

Mehr Azar Soheil

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Abstract

Abstract:This paper examines the condition of integrity of the World Heritage Site of the Royal Ensemble of Persepolis within its territorial context in the region Fars. There are still many Achaemenid elements in this territory that contribute to the significance of the site. Persepolis was built from the sixth to the fourth century BCE according to the original urban plan and architectural concept of Darius I (521–486 BCE), which formed the model followed by successive Achaemenid kings. The original concept prescribed building proportions and the use of the sacred form of square both in plan and in elevation. This system was integrated with sculpted architectural details, bas-reliefs and engraved texts that contributed to the significance of the site. Indeed, it became a new architectural language that symbolized the Achaemenid Empire. It expressed unity in architecture, based on forms and motives derived from the existing cultural context, using the workmanship and materials coming from the various lands of the empire. The new architectural language of the Persepolitan palace layout continued to influence Persian architecture through the following centuries up to modernity.

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波斯波利斯文化景观的完整性

摘要:本文研究了波斯波利斯皇家合奏团世界遗产在法尔斯地区的领土背景下的完整性状况。在这片土地上仍然有许多阿契美尼德的元素，这有助于该遗址的重要性。波斯波利斯是根据大流士一世(Darius I，公元前521-486年)最初的城市规划和建筑理念建造于公元前6世纪至公元前4世纪，形成了阿契美尼德历任国王所遵循的模式。最初的概念规定了建筑的比例，并在平面和立面上使用神圣的广场形式。该系统与雕刻的建筑细节、浅浮雕和雕刻的文字相结合，为遗址的重要性做出了贡献。事实上，它成为了一种新的建筑语言，象征着阿契美尼德帝国。它表达了建筑的统一，基于源自现有文化背景的形式和动机，使用来自帝国各地的工艺和材料。波斯波利斯宫殿布局的新建筑语言继续影响波斯建筑在接下来的几个世纪直到现代。

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来源期刊

Change Over Time-An International Journal of Conservation and the Built Environment ARCHITECTURE-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： Change Over Time is a semiannual journal publishing original, peer-reviewed research papers and review articles on the history, theory, and praxis of conservation and the built environment. Each issue is dedicated to a particular theme as a method to promote critical discourse on contemporary conservation issues from multiple perspectives both within the field and across disciplines. Themes will be examined at all scales, from the global and regional to the microscopic and material. Past issues have addressed topics such as repair, adaptation, nostalgia, and interpretation and display.