Change Over Time-An International Journal of Conservation and the Built Environment最新文献

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Lazaretto Ambiguity in the Early Nineteenth-Century Mediterranean 十九世纪早期地中海的拉扎雷托歧义
4区 艺术学
Alex Chase-Levenson
{"title":"Lazaretto Ambiguity in the Early Nineteenth-Century Mediterranean","authors":"Alex Chase-Levenson","doi":"10.1353/cot.2022.0014","DOIUrl":"https://doi.org/10.1353/cot.2022.0014","url":null,"abstract":"Abstract:This article considers the ambiguity surrounding the lazarettos status as institutions of Mediterranean port cities by examining the contradiction between their vital economic role, the numerous regulations that proscribed access to these institutions, and the novel ways they were governed. The argumentative spine will be a comparison of the contrasting trajectories of the lazarettos of Marseille and Malta. The former complex was known as the preeminent institution in the Mediterranean as the nineteenth century began, yet the Marseille Board of Health resolutely sought to retain its traditional Independence from France's central government. The sprawling building complex itself (the Lazaret d'Arenc) was long ago dismantled. The Lazaretto of Malta took over as the busiest quarantine station in the Mediterranean by the 1830s, and it was always governed with more flexibility. This complex has survived and is the subject of a modern restoration effort. This article considers the way in which early nineteenth century histories of administration, demarcation, and proscription of access played a role in the long-term fate of both institutions after universal, mandatory quarantine broke down in the 1850s.","PeriodicalId":51982,"journal":{"name":"Change Over Time-An International Journal of Conservation and the Built Environment","volume":"57 1","pages":"36 - 56"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89239187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Artistic Inversions of Isolation and Confinement: Public Art, Architecture, and the Liberation of Space on Roosevelt Island 隔离与限制的艺术反转:罗斯福岛上的公共艺术、建筑与空间解放
4区 艺术学
D. Vess
{"title":"Artistic Inversions of Isolation and Confinement: Public Art, Architecture, and the Liberation of Space on Roosevelt Island","authors":"D. Vess","doi":"10.1353/cot.2022.0016","DOIUrl":"https://doi.org/10.1353/cot.2022.0016","url":null,"abstract":"Abstract:Blackwell's Island, now called Roosevelt Island, was originally an isolated location between Manhattan and Queens used to confine petty criminals, the mentally disabled, and those with serious illnesses. Many of these were ethnic minorities labeled as \"undesirables.\" The island was a microcosm of the exclusion of ethnic and disabled groups and of ongoing debates as to who was an American. The architect James Renwick designed the Smallpox Hospital to embrace principles of humane care for others in the same style as St. Patrick's Cathedral, symbolically integrating Blackwell's with Manhattan. While islands with similar histories were abandoned, Roosevelt Island's proximity to Manhattan brought urban renewal and transformed the asylum into an apartment complex. Softly lit ruins extend the Manhattan nightscape, and public art celebrates freedoms denied earlier residents. Like the inversions of Louis Kahn, Roosevelt Island is itself an inversion, connected now to Manhattan and home to many foreign-born commuters from the United Nations. Cornell Tech, on the site of the old penitentiary, aptly named its final building the Bridge. Now \"a little Manhattan,\" the island's public art bridges the gulf between exclusionary spaces of the past and the ongoing commentary on a more inclusive American identity.","PeriodicalId":51982,"journal":{"name":"Change Over Time-An International Journal of Conservation and the Built Environment","volume":"19 819 1","pages":"103 - 80"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86438375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Anticipating a Covid-19 Memorial Landscape: Quarantine and Migration Heritage as a Template? 展望2019冠状病毒病纪念景观:以检疫和移民遗产为模板?
4区 艺术学
G. Hoskins, J. Maddern
{"title":"Anticipating a Covid-19 Memorial Landscape: Quarantine and Migration Heritage as a Template?","authors":"G. Hoskins, J. Maddern","doi":"10.1353/cot.2022.0010","DOIUrl":"https://doi.org/10.1353/cot.2022.0010","url":null,"abstract":"Abstract:This paper examines the role and function of migration and quarantine heritage in the circulation of health-related stories of national purity and biological vigor (which continue to be enacted and normalized through emerging COVID-19 remembrance practices). After examining how material cultures of quarantine have defined the parameters of the \"healthy\" nation-state, we outline the role of heritage venues in seeding national stories and symbols of the contemporary pandemic era. What clues do existing heritage sites provide about the form and function of emerging COVID-19 memorial landscapes? What continuities and differences can we identify? What can previous interpretive regimes around disease, movement, identity, and foreignness reveal about the objects and landscapes that will persist as symbols of our current predicament? And what are the implications for the management of museum landscapes?","PeriodicalId":51982,"journal":{"name":"Change Over Time-An International Journal of Conservation and the Built Environment","volume":"4 1","pages":"122 - 139"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76358771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Fluid Land: Vietnamese Refugee Camps and Hong Kong 流动的土地:越南难民营与香港
4区 艺术学
Kei Yat Shun (Juliana), Daniel M. Cooper
{"title":"Fluid Land: Vietnamese Refugee Camps and Hong Kong","authors":"Kei Yat Shun (Juliana), Daniel M. Cooper","doi":"10.1353/cot.2022.0009","DOIUrl":"https://doi.org/10.1353/cot.2022.0009","url":null,"abstract":"Abstract:Between the 1970s and 1990s, more than 230,000 Vietnamese asylum seekers arrived in Hong Kong and were detained in former military barracks, industrial buildings, and on remote islands. Although many of the refugee camps were in dense urban areas, the Vietnamese were segregated from Hong Kong's dazzling city life, and their presence was not known to many Hong Kong people. There is no plaque, sign, or demarcation of these structures. This paper retrieves the history of the Vietnamese refugee camps and considers them as an integral part of Hong Kong's urbanscape. In this effort, this research focuses on two case studies: Jubilee Camp in Sham Shui Po and San Yick Camp in Tuen Mun. We argue that the Crown land rule—the government as the owner of almost all land in Hong Kong—defined the Vietnamese refugee camps and their legacy in Hong Kong.","PeriodicalId":51982,"journal":{"name":"Change Over Time-An International Journal of Conservation and the Built Environment","volume":"29 1","pages":"104 - 120"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75518473","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Historic Preservation: An American Perspective on a Professional Discipline 历史保护:美国人对一门专业学科的看法
4区 艺术学
F. Matero
{"title":"Historic Preservation: An American Perspective on a Professional Discipline","authors":"F. Matero","doi":"10.1353/cot.2021.0004","DOIUrl":"https://doi.org/10.1353/cot.2021.0004","url":null,"abstract":"","PeriodicalId":51982,"journal":{"name":"Change Over Time-An International Journal of Conservation and the Built Environment","volume":"58 1","pages":"2 - 7"},"PeriodicalIF":0.0,"publicationDate":"2021-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81997476","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Evolving Role of Contemporary Conservation Architects in India: Beyond Traditional Professional Practice 当代印度保护建筑师的角色演变:超越传统的专业实践
4区 艺术学
A. Krishna
{"title":"The Evolving Role of Contemporary Conservation Architects in India: Beyond Traditional Professional Practice","authors":"A. Krishna","doi":"10.1353/cot.2021.0001","DOIUrl":"https://doi.org/10.1353/cot.2021.0001","url":null,"abstract":"Abstract:India has a centuries-long history of heritage conservation in the public realm; private practice, however, mainly began in the 1980s, led primarily by architects. Contemporary professionals are also typically architects with graduate training in heritage conservation. Their training in architecture, conservation, or both, however, mainly focuses on design and the technical aspects of the field. However, an analysis of narratives collected from conservation architects shows that in the course of a project, they take on various nontraditional roles beyond their training to bring projects to fruition. These roles can be applied to a variety of professional environments involving different stakeholders. This paper examines narratives focusing on projects involving public officials because most conservation projects in India continue to be publicly funded. By framing the narratives within three types of professional environments—constrained, porous, and enabling—this paper discusses how by taking on nontraditional roles, conservation architects can shape the current profession and its future practitioners, with implications for conservation education in India and beyond.","PeriodicalId":51982,"journal":{"name":"Change Over Time-An International Journal of Conservation and the Built Environment","volume":"6 1","pages":"46 - 65"},"PeriodicalIF":0.0,"publicationDate":"2021-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89074594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Pattern Assemblage: Art, Craft, and Conservation 图案组合:艺术、工艺和保护
4区 艺术学
Jennifer S. Minner
{"title":"A Pattern Assemblage: Art, Craft, and Conservation","authors":"Jennifer S. Minner","doi":"10.1353/cot.2021.0000","DOIUrl":"https://doi.org/10.1353/cot.2021.0000","url":null,"abstract":"Abstract:The Northland Pattern Wall: City of Past and Future Craft is an assemblage artwork created by artist and architecture professor Dennis Maher with coinstructors and students of the Society for the Advancement of Construction-Related Arts (SACRA) program. SACRA is an arts-based vocational training program providing construction skills training to individuals in need. It is based at Assembly House 150, an artist-led experiential learning center in Buffalo, New York. This article employs qualitative methods inspired by the hermeneutic spiral to examine the Northland Pattern Wall, SACRA, and Assembly House 150. This article highlights takeaways for heritage conservation, as well as allied professions, about the relevance of building trades and creative practices that help to shape and conserve the built environment. The story behind the Northland Pattern Wall is used as an opportunity to reflect on the potential to build stronger alliances between professionals, tradespersons, and artists in designing creatively out of the patterns of the past to build a more sustainable and equitable future city.","PeriodicalId":51982,"journal":{"name":"Change Over Time-An International Journal of Conservation and the Built Environment","volume":"97 1","pages":"26 - 45"},"PeriodicalIF":0.0,"publicationDate":"2021-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80053063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Conservation As Shared Responsibility: Social Equity, Social Justice, and the Public Good 保护作为共同责任:社会公平、社会正义和公共利益
4区 艺术学
A. Meredith, R. Sloggett, M. Scott
{"title":"Conservation As Shared Responsibility: Social Equity, Social Justice, and the Public Good","authors":"A. Meredith, R. Sloggett, M. Scott","doi":"10.1353/cot.2021.0005","DOIUrl":"https://doi.org/10.1353/cot.2021.0005","url":null,"abstract":"Abstract:Social inequity presents a risk to cultural heritage, but conservation has a strong contribution to make to social equity and justice goals. Exploring case studies where access to conservation, and thus the right to heritage, is disrupted by social inequities, this paper argues that conservation—as a normative discipline premised on the idea of a future in which heritage is accessible and open to interpretation, use, and enjoyment—must, like social equity and justice movements, work to create more equitable sociopolitical futures.Theorizing that conservation is a public good, case studies of Aboriginal art centers in remote and regional Australia and conservation education in Australia establish the need to rebalance conservation in areas that have experienced past structural injustice. Drawing on ethical and political philosophy, critical evaluations of the profession that attempt to redefine conservation discourses are proposed to demonstrate the obligation of conservation to account for principles of social equity and justice. Overall, the paper reflects on the philosophical, ethical, and societal implications for the profession of understanding conservation as a public good.","PeriodicalId":51982,"journal":{"name":"Change Over Time-An International Journal of Conservation and the Built Environment","volume":"20 1","pages":"24 - 8"},"PeriodicalIF":0.0,"publicationDate":"2021-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74430036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Preservation at a Crossroads: The Need for Equity Preservation 十字路口的保护:衡平法保护的必要性
4区 艺术学
C. Cheong
{"title":"Preservation at a Crossroads: The Need for Equity Preservation","authors":"C. Cheong","doi":"10.1353/cot.2021.0002","DOIUrl":"https://doi.org/10.1353/cot.2021.0002","url":null,"abstract":"Abstract:Historic preservation has an image problem. The field has evolved from a conversation among an elite few regarding select monumental buildings judged solely for their appearance or national significance, to a dialogue among many about collections of buildings appreciated for their pluralistic contexts and meanings. Despite these advancements, the discipline is still often accused of being elitist, exclusionary, and opposed to equity. Couched within the field's interdisciplinary expansion, preservation's supporters and critics increasingly demand greater and more comprehensive inclusion of minority and marginalized communities in the preservation process to ensure fairer distribution of its costs and benefits. Given the current climate of cause-driven social movements and vibrant social dialogue, ignoring such a clarion call threatens to stagnate the preservation field and its contributions to contemporary issues, as well as substantiate accusations that the field is incompatible with equity. There is extremely limited literature on preservation and equity. This research begins to fill that gap. It starts by tracing the discipline's conceptual evolution toward equity and diversity and emphasizes the anachronistic mismatch between the field's conceptual development and practical implementation. It then examines the scant literature directly connecting preservation and equity, contending that an equity preservation approach addresses three of the most common criticisms levied at the field—which are also among society's significant social challenges—gentrification, diversity, and social justice. The paper concludes by presenting examples of two tools, public-private partnerships and community land trusts, that are particularly well suited to an equity preservation agenda.","PeriodicalId":51982,"journal":{"name":"Change Over Time-An International Journal of Conservation and the Built Environment","volume":"108 1","pages":"66 - 83"},"PeriodicalIF":0.0,"publicationDate":"2021-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76666951","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Integrity as Process and Feature: Cultural Landscapes of Underrepresented Communities 作为过程和特征的完整性:代表性不足社区的文化景观
4区 艺术学
R. Melnick, Andrea Roberts, Julie Mcgilvray
{"title":"Integrity as Process and Feature: Cultural Landscapes of Underrepresented Communities","authors":"R. Melnick, Andrea Roberts, Julie Mcgilvray","doi":"10.1353/cot.2021.0013","DOIUrl":"https://doi.org/10.1353/cot.2021.0013","url":null,"abstract":"Abstract:National Register of Historic Places (NRHP) integrity evaluation is the primary means by which historic resources are documented, designated, managed, and interpreted in the United States, measuring the degree to which a property's defining features, linked to a specific period of significance, are unchanged. Standard application of this integrity process fails to recognize more complex and layered historic places that often comprise contested spaces with underrepresented histories. The cultural landscape concept can strengthen application of the NRHP integrity evaluation, with an understanding of place and placemaking that is both process and feature based, considering these places as evolving systems with critical inherent change.Case studies illustrate how current applications of integrity lack cultural and environmental literacy and how this practice marginalizes, erases, or ignores minoritized groups' heritage. The authors argue that resistance to change, including cultural discontinuity or normative processes of change over time, perpetuate assumptions that marginalize lived experience, local constructions of landscape dynamics, and place meaning. Inequalities, misapplication, and erasure perpetuated by the currently accepted approach to assessing \"integrity\" in historic places is revealed. Recommendations are presented to broaden our thinking and evaluation of integrity with application of the cultural landscape lens to a range of historic resources.","PeriodicalId":51982,"journal":{"name":"Change Over Time-An International Journal of Conservation and the Built Environment","volume":"1989 1","pages":"122 - 140"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82314039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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