发布求助
文献互助 智能选刊 最新文献

Critical Studies in Television最新文献

筛选
英文 中文
Cultural Diversity in Internationally Coproduced High-end Drama 国际合拍高端戏剧的文化多样性
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2023-03-03 DOI: 10.1177/17496020231161643
Trisha Dunleavy, E. Weissmann
{"title":"Cultural Diversity in Internationally Coproduced High-end Drama","authors":"Trisha Dunleavy, E. Weissmann","doi":"10.1177/17496020231161643","DOIUrl":"https://doi.org/10.1177/17496020231161643","url":null,"abstract":"In January 2023, yielding what was described as a “landmark moment for the creative industry in Wales” (Morris, 2023) it was announced that Netflix had purchased Welsh heist drama Dal y Mellt [Catch the Lightning] (S4C, 2023-present). This acquisition has further extended the already impressive linguistic diversity of Netflix’s TV drama catalogue, will be the first long-form drama on Netflix which was filmed entirely in Cymraeg (Welsh language), and it allows this Welsh drama and Cymraeg itself to reach a multinational audience (Morris, 2023). Since this acquisition occurred within just a few months of this drama’s S4C debut in October 2022, Netflix’s purchase of Dal y Mellt suggests a pleasing level of confidence in its potential to engage this streamer’s nearglobal audience. Although an acquisition rather than a full commission or coproduction for Netflix, this decision provides further evidence of the increasing cultural diversity and specificity of the high-end TV drama that is now on offer to international audiences and of the contributions of Netflix and other multinational premium providers to this development. Entitled ‘Cultural Diversity in Internationally Coproduced High-End Drama’ this themed issue examines an increasing flow of high-end drama productions being produced outside the US, often facilitated by means of transnational coproduction deals that entail full financing or co-financing from leading US-owned premium players. While TV drama continues to be facilitated and produced in traditional ways, and national broadcasters remain the mainstay for this, the most notable recent change, in terms of sustaining this flow of transnational high-end dramas, has been the increasing commissioning activity of multinational subscription video-on-demand (or SVODs), indicatively Netflix, Amazon Prime Video, HBO Max, and Disney+. As the TV drama case studies that comprise this","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2023-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42019359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Finding words: Aesthetic criticism and television 寻找话语:审美批评与电视
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2023-01-30 DOI: 10.1177/17496020231154462
James Walters
{"title":"Finding words: Aesthetic criticism and television","authors":"James Walters","doi":"10.1177/17496020231154462","DOIUrl":"https://doi.org/10.1177/17496020231154462","url":null,"abstract":"Those endorsing or opposing the development of television aesthetics scholarship have exhibited an admirable willingness to reflect upon the rationales and motivations for formulating value judgements. However, very little equivalent attention has been afforded to processes that occur within this area: how scholars conduct analysis and develop claims for achievement in television. In addressing this lack, the following article surveys some of the meanings that ‘criticism’ has encompassed in Television Studies, offering ‘aesthetic criticism’ as a useful term to describe the work of analysis and evaluation, before moving to a series of close readings of aesthetic criticism in practice.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82079937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Netflix, Spanish television, and La casa de papel: Growing global and local TV together in the multiplatform era Netflix、西班牙电视和La casa de paper:在多平台时代共同发展全球和本地电视
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2022-12-30 DOI: 10.1177/17496020221146057
Gary Edgerton
{"title":"Netflix, Spanish television, and La casa de papel: Growing global and local TV together in the multiplatform era","authors":"Gary Edgerton","doi":"10.1177/17496020221146057","DOIUrl":"https://doi.org/10.1177/17496020221146057","url":null,"abstract":"This institutional-industrial analysis evaluates how Netflix’s post-2016 rebranding efforts resulted in its ongoing transition from a centrally-managed multinational corporation, based mainly in Silicon Valley, to a more decentralised transnational operation with multiple interconnected headquarters worldwide. Utilising a blended macro-micro critical perspective, Netflix’s October 2015 debut in Spain is examined as an inflection point for this subscription video on demand (SVOD) change agent, Spain’s then-traditional TV infrastructure and the transnational television industry. Netflix’s eventual integration into the Spanish television landscape and its transnational distribution of La casa de papel [Money Heist] (2017–21) serve as a two-fold object lesson into how glocal relations occur during TVIV.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46485126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Government public relations, audiovisual communication and the informalisation of Sweden 政府公共关系、视听交流和瑞典的非正式化
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2022-12-13 DOI: 10.1177/17496020221146067
E. Stjernholm
{"title":"Government public relations, audiovisual communication and the informalisation of Sweden","authors":"E. Stjernholm","doi":"10.1177/17496020221146067","DOIUrl":"https://doi.org/10.1177/17496020221146067","url":null,"abstract":"This article addresses the role of television as a ‘new media’ in government public relations. Drawing on sociological theories on informalisation, this study analyses three features of the Swedish public information programme Anslagstavlan during the 1970s and 1980s: first, formal techniques such as editing, pacing and use of animations; second, narrative strategies including the utilisation of celebrity advertising and intertextuality; and last, the rhetoric of public information. The study shows that the engineering of informality was a key communication strategy for government agencies and that televised information contributed to the conversationalisation and personalisation of government agencies’ communication in medium-specific ways.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2022-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75011198","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book Review: Television and the Genetic Imaginary 书评:电视和基因想象
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2022-12-12 DOI: 10.1177/17496020221136700
Amy C. Chambers
{"title":"Book Review: Television and the Genetic Imaginary","authors":"Amy C. Chambers","doi":"10.1177/17496020221136700","DOIUrl":"https://doi.org/10.1177/17496020221136700","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2022-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78205335","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book Review: Netflix and Streaming Video: The Business of Subscriber-Funded Video on Demand 书评:Netflix和流媒体视频:用户资助的视频点播业务
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2022-12-12 DOI: 10.1177/17496020221136715
Ryan Stoldt
{"title":"Book Review: Netflix and Streaming Video: The Business of Subscriber-Funded Video on Demand","authors":"Ryan Stoldt","doi":"10.1177/17496020221136715","DOIUrl":"https://doi.org/10.1177/17496020221136715","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2022-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72635510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book Review: Independent Women: From Film to Television 书评:《独立女性:从电影到电视》
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2022-12-06 DOI: 10.1177/17496020221136701
Júlia Havas
{"title":"Book Review: Independent Women: From Film to Television","authors":"Júlia Havas","doi":"10.1177/17496020221136701","DOIUrl":"https://doi.org/10.1177/17496020221136701","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2022-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88166312","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book Review: Watching Game of Thrones: How Audiences Engage with Dark Television 书评:《看权力的游戏:观众如何与黑暗电视互动》
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2022-12-05 DOI: 10.1177/17496020221136727
Bethan Jones
{"title":"Book Review: Watching Game of Thrones: How Audiences Engage with Dark Television","authors":"Bethan Jones","doi":"10.1177/17496020221136727","DOIUrl":"https://doi.org/10.1177/17496020221136727","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2022-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88070820","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book Review: Down in Treme; Race, Place and New Orleans on Television 书评:Down in Treme;电视上的种族，地域和新奥尔良
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2022-12-05 DOI: 10.1177/17496020221136714
Ipek A Celik Rappas
{"title":"Book Review: Down in Treme; Race, Place and New Orleans on Television","authors":"Ipek A Celik Rappas","doi":"10.1177/17496020221136714","DOIUrl":"https://doi.org/10.1177/17496020221136714","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2022-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73850008","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Female representation in Netflix Global Original programming: A comparative analysis of 2019 drama series Netflix全球原创节目中的女性代表性:2019年电视剧的比较分析
IF 1 2区 艺术学
Critical Studies in Television Pub Date : 2022-11-24 DOI: 10.1177/17496020221141625
Kristina Pietaryte, Ana Cristina Suzina
{"title":"Female representation in Netflix Global Original programming: A comparative analysis of 2019 drama series","authors":"Kristina Pietaryte, Ana Cristina Suzina","doi":"10.1177/17496020221141625","DOIUrl":"https://doi.org/10.1177/17496020221141625","url":null,"abstract":"This article investigates the equality of female representation in 2019 Global Original Netflix drama series by identifying trends of female representation across 82 series sample, assessing the quality of female representation in the most watched 2019 drama series and comparing analysis across British, American and International series. Overall, female representation in 2019 Netflix drama series conforms the existing literature on television studies concluding that women are underrepresented on-screen and behind-the-scenes.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2022-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81229896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信