{"title":"Book Review: Between Habit and Thought in the New Serial Drama","authors":"A. Mascio","doi":"10.1177/17496020231177839","DOIUrl":"https://doi.org/10.1177/17496020231177839","url":null,"abstract":"in China and the West should learn from each other. Documentaries and China’s National Image makes us realise that, although the communication strategies of the national image in Chinese documentaries have undergone various changes over time, the national agenda has always constrained the creation of documentaries within its own framework. The book is rich in case studies within a certain theoretical framework, and this is the first time the book has been translated into English, which opens a window for international readers to understand Chinese documentary creation.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"18 1","pages":"336 - 338"},"PeriodicalIF":1.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48121993","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Review: Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars","authors":"Catalina Iordache","doi":"10.1177/17496020231160816","DOIUrl":"https://doi.org/10.1177/17496020231160816","url":null,"abstract":"television exists for everyone. By attending to the diversity of television and the experiences of those watching, Holdsworth breaks down hierarchies of value and challenges the dominance of “quality” television within television studies. A landmark book that will undoubtedly be a foundational text and a catalyst for further research, On Living with Television offers its reader a much-needed alternate perspective on what it means to watch and live with television.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"18 1","pages":"227 - 229"},"PeriodicalIF":1.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41400275","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Review: On Living with Television","authors":"L. Weston","doi":"10.1177/17496020231160854","DOIUrl":"https://doi.org/10.1177/17496020231160854","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"18 1","pages":"224 - 226"},"PeriodicalIF":1.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46530586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Review: From Telenovelas to Netflix: Transnational, Transverse Television in Latin America","authors":"A. Salichs","doi":"10.1177/17496020231160853","DOIUrl":"https://doi.org/10.1177/17496020231160853","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"18 1","pages":"230 - 232"},"PeriodicalIF":1.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42103349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Review: Celebrity Chefs, Food Media and the Politics of Eating","authors":"K. Geddes","doi":"10.1177/17496020231177825","DOIUrl":"https://doi.org/10.1177/17496020231177825","url":null,"abstract":"Nick Hall is a lecturer in film and television studies at Royal Holloway, University of London. His research focuses on post-war British television technology and production. His publications include The Zoom: Drama at the Touch of a Lever (Rutgers University Press, 2018) and, together with John Ellis, the edited collection Hands on Media History: A New Methodology in the Arts and Social Sciences (Routledge, 2019). Most recently, he has completed a history of the independent producers lobbying organisation, Pact.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"18 1","pages":"330 - 333"},"PeriodicalIF":1.0,"publicationDate":"2023-05-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46376978","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Review: The Early Years of Television and the BBC","authors":"Nick Hall","doi":"10.1177/17496020231177828","DOIUrl":"https://doi.org/10.1177/17496020231177828","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"18 1","pages":"328 - 330"},"PeriodicalIF":1.0,"publicationDate":"2023-05-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41539617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Supporting children’s drama in the on demand age: Assessing the efficacy of forty years of Australian policy frameworks and funding schemes","authors":"A. Potter","doi":"10.1177/17496020231170266","DOIUrl":"https://doi.org/10.1177/17496020231170266","url":null,"abstract":"This is a case study of 40 years of policy approaches in Australian children’s television during which the children’s television production ecology was profoundly altered by new distribution technologies. For decades Australia used quotas, subsidies and screen organisation The Australian Children’s Television Foundation to safeguard supplies of children’s television including drama. Digitisation has caused enormous industrial disruption while delivering abundant children’s content on demand. The article calls for new approaches to supporting local children’s screen content through increased funding of public service media rather than the ad hoc distribution of resources to an organisation without direct pathways to audiences.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"45 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2023-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83824736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘That’s good’: An industrial, ethics-focused analysis of the televised works of Anthony Bourdain","authors":"M. Beattie","doi":"10.1177/17496020231168067","DOIUrl":"https://doi.org/10.1177/17496020231168067","url":null,"abstract":"Despite critical and popular acclaim, the travel/food television series of Anthony Bourdain have not received much academic attention. This paper examines the negotiations required of the series’ production team with regard to industry and ethics, including engagement with multiple forms of ‘quality’ to acquire audience share, which can exist in tension with the ethical requirements of veracity and protecting factual media subjects from harm. Ultimately, this paper shows that, while the series did negotiate both industrial and ethical requirements with regard to the places and cultures they represented, they were prone to ethical slippage with regard to practitioner/subject Bourdain himself.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"4 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2023-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84393277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Review: Woman Up: Invoking Feminism in Quality Television","authors":"K. Gorton","doi":"10.1177/17496020231160827","DOIUrl":"https://doi.org/10.1177/17496020231160827","url":null,"abstract":"Alexandra James Salichs is an HSF Scholar and Ph.D. student at the University of California, Los Angeles. Her research includes Latinx and Latin American representation with a focus on Puerto Rico. She has presented in past conferences such as Visible Evidence, Society for Cinema and Media Studies, Northeast Modern Language Association, and the Midwest Popular Culture Association. She has received awards which include the Roland Wood Fellowship, the Amherst Memorial Fellowship and the Plitt Southern Theatres Employees Fellowship.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"18 1","pages":"233 - 235"},"PeriodicalIF":1.0,"publicationDate":"2023-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41533562","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}