快乐的优势反对同性恋青年恐慌

IF 0.9 2区艺术学 0 FILM, RADIO, TELEVISION

Critical Studies in Television Pub Date : 2024-04-03 DOI:10.1177/17496020241241996

Timothy Gitzen

{"title":"快乐的优势反对同性恋青年恐慌","authors":"Timothy Gitzen","doi":"10.1177/17496020241241996","DOIUrl":null,"url":null,"abstract":"This article explores both US and European streaming shows that feature a protagonist in scenes of queer youth sex, focusing on how the show treats and frames these scenes as constitutive of a broader representational narrative of queer youth sex(uality). By comparing US and European shows, I argue that queer pleasure supplants panic featured in each show by framing the scenes of queer youth sex as destigmatized and even mundane.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":0.9000,"publicationDate":"2024-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Pleasure’s ascendancy: Against queer youth panic\",\"authors\":\"Timothy Gitzen\",\"doi\":\"10.1177/17496020241241996\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article explores both US and European streaming shows that feature a protagonist in scenes of queer youth sex, focusing on how the show treats and frames these scenes as constitutive of a broader representational narrative of queer youth sex(uality). By comparing US and European shows, I argue that queer pleasure supplants panic featured in each show by framing the scenes of queer youth sex as destigmatized and even mundane.\",\"PeriodicalId\":51917,\"journal\":{\"name\":\"Critical Studies in Television\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2024-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Critical Studies in Television\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/17496020241241996\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Television","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/17496020241241996","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}

引用次数: 0

摘要

本文探讨了美国和欧洲的流媒体节目中主角与同性恋青年发生性关系的场景，重点关注节目如何将这些场景作为同性恋青年性（性）的更广泛代表性叙事的构成部分。通过对美国和欧洲的节目进行比较，我认为，每部节目都将同性恋青年的性爱场面定格为去污名化甚至世俗化的场面，从而使同性恋的快感取代了恐慌。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Pleasure’s ascendancy: Against queer youth panic

This article explores both US and European streaming shows that feature a protagonist in scenes of queer youth sex, focusing on how the show treats and frames these scenes as constitutive of a broader representational narrative of queer youth sex(uality). By comparing US and European shows, I argue that queer pleasure supplants panic featured in each show by framing the scenes of queer youth sex as destigmatized and even mundane.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Critical Studies in Television FILM, RADIO, TELEVISION-

CiteScore

2.10

自引率

30.00%

发文量

期刊介绍： Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.