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Signifyin(g) within African American Classical Music: Linking Gates, Hip-Hop, and Perkinson 非裔美国古典音乐中的意义:连接盖茨、嘻哈和Perkinson
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2019-10-30 DOI: 10.1111/jaac.12670
CHRISTOPHER JENKINS
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引用次数: 4
Index: Volume 77 索引:第77卷
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2019-10-30 DOI: 10.1111/jaac.12669
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引用次数: 0
Contributors 贡献者
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2019-10-30 DOI: 10.1111/jaac.12668
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引用次数: 0
Race Magic and the Yellow Peril 种族魔法和黄祸
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2019-10-30 DOI: 10.1111/jaac.12678
MEILIN CHINN
{"title":"Race Magic and the Yellow Peril","authors":"MEILIN CHINN","doi":"10.1111/jaac.12678","DOIUrl":"10.1111/jaac.12678","url":null,"abstract":"<div>\u0000 \u0000 <p>Among the many historical examples in which the Orient has been imaginatively associated with magic, one of the most fascinating involves an actual overlap between race and magic in the popular performances of yellowface magicians at the turn of the twentieth century. I use this example to show and analyze some of the dynamics between magic and the aesthetics of race, especially as these play out through one of the most influential and long-standing contradictions of the “Yellow Peril”: Chinese people are unassimilable, yet Chinese aesthetics are easily appropriated.</p>\u0000 </div>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"77 4","pages":"423-433"},"PeriodicalIF":0.8,"publicationDate":"2019-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12678","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115851090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Spectral Perception and Ghostly Subjectivity at the Colonial Gender/Race/Sex Nexus 殖民时期性别/种族/性别关系中的光谱感知与幽灵主体性
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2019-10-30 DOI: 10.1111/jaac.12673
MARIANA ORTEGA
{"title":"Spectral Perception and Ghostly Subjectivity at the Colonial Gender/Race/Sex Nexus","authors":"MARIANA ORTEGA","doi":"10.1111/jaac.12673","DOIUrl":"10.1111/jaac.12673","url":null,"abstract":"<div>\u0000 \u0000 <p>This article calls for an examination of the spectral operations of the perceptual architecture of colonization in conjunction with the enactment of a decolonial feminism as proposed by María Lugones. The first section discusses both the notion of ghostly subjectivity from Lugones's early work as well as the echoes of this notion in her recent work on the coloniality of gender that emphasizes the gender/race/sex nexus. Subsequently, through a photographic example, the article presents an analysis of the perceptual operations of specter-making in practices of colonization in light of Lugones's understanding of the “light” and “dark” sides of the coloniality of gender. This analysis highlights not only the intricate nexus between racialization and gender and sex norms both in the past and in the present context, but it also points to the necessity for of a decolonial feminism attuned to perceptual practices or a decolonial aesthesis.</p>\u0000 </div>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"77 4","pages":"401-409"},"PeriodicalIF":0.8,"publicationDate":"2019-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12673","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115917296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Selling Literature/Selling the Race: Diamela Eltit's Decolonial Feminist Critique of the Neoliberal Marketplace 出售文学/出售种族:迪亚米拉·埃尔蒂特对新自由主义市场的非殖民化女权主义批判
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2019-10-30 DOI: 10.1111/jaac.12683
MONIQUE ROELOFS
{"title":"Selling Literature/Selling the Race: Diamela Eltit's Decolonial Feminist Critique of the Neoliberal Marketplace","authors":"MONIQUE ROELOFS","doi":"10.1111/jaac.12683","DOIUrl":"10.1111/jaac.12683","url":null,"abstract":"<div>\u0000 \u0000 <p>In the closing episode of Diamela Eltit's 1988 novella <i>The Fourth World</i>, the city of Santiago de Chile—including its inhabitants—goes up for sale. Eltit's investigation of the specter of all-out commodification illuminates the entwinements of aesthetics and race under finance capitalism. Published at the tail end of the Pinochet dictatorship, the novel makes a poignant contribution to the debate over the “lettered city” in Latin America. Briefly situating <i>The Fourth World</i> in this context and placing it in conversation with current lines of reflection on social identity and the notion of the aesthetic, this article analyzes the novel's implications for a philosophical understanding of the aesthetics–race relation: one, the work attests to an expansive conception of racial identity; two, it comprehends aesthetic agency as a much-needed and potentially critical site of transformed racial existence; and, three, it calls for multimodal forms of address to counter neoliberal rationality. The article brings out these points through a close reading of passages and by highlighting the novel's decolonial feminist aesthetic. In ending, the article takes note of the new notions of creativity and political participation that arise.</p>\u0000 </div>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"77 4","pages":"461-473"},"PeriodicalIF":0.8,"publicationDate":"2019-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12683","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121450139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
KIVY, PETER. De Gustibus: Arguing about Taste and Why We Do It. Oxford University Press, 2015, 192 pp., $50.00 cloth KIVY,彼得。De Gustibus:关于品味的争论以及我们为什么这么做。牛津大学出版社，2015年，192页，50美元布
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2019-08-04 DOI: 10.1111/jaac.12664
NILS-HENNES STEAR
{"title":"KIVY, PETER. De Gustibus: Arguing about Taste and Why We Do It. Oxford University Press, 2015, 192 pp., $50.00 cloth","authors":"NILS-HENNES STEAR","doi":"10.1111/jaac.12664","DOIUrl":"https://doi.org/10.1111/jaac.12664","url":null,"abstract":"","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"77 3","pages":"324-327"},"PeriodicalIF":0.8,"publicationDate":"2019-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12664","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91798252","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Costello on the New Theory of Photography 科斯特洛论摄影新理论
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2019-08-04 DOI: 10.1111/jaac.12649
SCOTT WALDEN
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引用次数: 2
LARS AAGAARD-MOGENSEN and JAN FORSEY, eds. On Taste: Aesthetic Exchanges. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2019, 150 pp., 4 b&w illus., £58.99 cloth. 拉斯·阿加德-莫根森和简·福西主编。论品味:审美交流。英国泰恩河畔纽卡斯尔:剑桥学者出版社，2019,150页，4页。，售价58.99英镑。
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2019-08-04 DOI: 10.1111/jaac.12655
MICHAEL SPICHER
{"title":"LARS AAGAARD-MOGENSEN and JAN FORSEY, eds. On Taste: Aesthetic Exchanges. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2019, 150 pp., 4 b&w illus., £58.99 cloth.","authors":"MICHAEL SPICHER","doi":"10.1111/jaac.12655","DOIUrl":"https://doi.org/10.1111/jaac.12655","url":null,"abstract":"","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"77 3","pages":"349-351"},"PeriodicalIF":0.8,"publicationDate":"2019-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12655","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91815396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sad Songs Say So Much: The Paradoxical Pleasures of Sad Music 悲伤的歌曲表达了很多:悲伤音乐的矛盾的快乐
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2019-08-04 DOI: 10.1111/jaac.12659
LAURA SIZER
{"title":"Sad Songs Say So Much: The Paradoxical Pleasures of Sad Music","authors":"LAURA SIZER","doi":"10.1111/jaac.12659","DOIUrl":"10.1111/jaac.12659","url":null,"abstract":"<div>\u0000 \u0000 <p>In this article I revisit the question of why people like to listen to sad music. If music can induce genuine sadness in listeners, why would we deliberately seek out such negative experiences? Drawing from work in both the philosophy and psychology of music, as well as work in the philosophy and science of affect, I argue to shift the focus of the question to music-induced moods, not emotions. This reframes the debate but does not dissolve the puzzle. To understand what is appealing about the affective experience of listening to sad music, I suggest we take into account the unique features of music-induced sad mood. I argue that sad mood and a certain sort of focused music listening are mutually reinforcing in ways that differ from other mood/music interactions. Sad mood and sad music are, in a sense, made for each other.</p>\u0000 </div>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"77 3","pages":"255-266"},"PeriodicalIF":0.8,"publicationDate":"2019-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12659","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132926514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
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