JOURNAL OF AESTHETICS AND ART CRITICISM最新文献_第7页

Korsmeyer, Carolyn . Things: In Touch with the Past. Oxford University Press, 2019, 232 pp., $49.95 cloth. 科斯梅尔，卡洛琳。事物:与过去接触。牛津大学出版社，2019年，232页，49.95美元。

IF 0.8 2区艺术学

JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-02-04 DOI: 10.1111/jaac.12696

KATHRYN BROWN

引用次数: 0

Notes from the Editors 编者注

IF 0.8 2区艺术学

JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-02-04 DOI: 10.1111/jaac.12705

引用次数: 0

The Importance of the Playthrough: A Response to Ricksand 游戏通关的重要性:对《Ricksand》的回应

IF 0.8 2区艺术学

JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-02-04 DOI: 10.1111/jaac.12691

MARISSA WILLIS

引用次数: 3

Glued to the Image: A Critical Phenomenology of Racialization through Works of Art 粘着影像:艺术作品中的种族化批判现象学

IF 0.8 2区艺术学

JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2019-10-30 DOI: 10.1111/jaac.12680

ALIA AL-SAJI

{"title":"Glued to the Image: A Critical Phenomenology of Racialization through Works of Art","authors":"ALIA AL-SAJI","doi":"10.1111/jaac.12680","DOIUrl":"10.1111/jaac.12680","url":null,"abstract":"<div>\u0000 \u0000 <p>I develop a phenomenological account of racialized encounters with works of art and film, wherein the racialized viewer feels cast as perpetually past, coming “too late” to intervene in the meaning of her own representation. This points to the distinctive role that the colonial past plays in mediating and constructing our self-images. I draw on my experience of three exhibitions that take Muslims and/or Arabs as their subject matter and that ostensibly try to interrupt or subvert racialization while reproducing some of its tropes. My examples are the Jean-Joseph Benjamin-Constant exhibition at the Montreal Museum of Fine Arts (2015), the exposition <i>Welten der Muslime</i> at the Ethnologisches Museum in Berlin (2011–2017), and a sculpture by Bob and Roberta Smith at the Leeds City Art Gallery, created in response to the imperial power painting, <i>General Gordon's Last Stand</i>, that is housed there. My interest is in how artworks contribute to the experience of being racialized in ways that not only amplify the circulation of images but also constitute difficult temporal relations to images. Drawing on Frantz Fanon's <i>Black Skin, White Masks</i>, I argue that such racialized images are temporally gluey, or stuck, so that we are weighted and bogged down by them.</p>\u0000 </div>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"77 4","pages":"475-488"},"PeriodicalIF":0.8,"publicationDate":"2019-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12680","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116776606","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 8

Audience, Implicit Racial Bias, and Cinematic Twists in Zootopia 《疯狂动物城》中的观众、隐性种族偏见和电影转折

IF 0.8 2区艺术学

JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2019-10-30 DOI: 10.1111/jaac.12672

DAN FLORY

引用次数: 1

Foreword: Toward a Critical Race Aesthetics 前言:走向批判的种族美学

IF 0.8 2区艺术学

JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2019-10-30 DOI: 10.1111/jaac.12677

PAUL C. TAYLOR

引用次数: 0

Holocaust Humor and Our Aesthetic Sensibility of American Genocide 大屠杀幽默与我们对美国种族灭绝的审美敏感性

IF 0.8 2区艺术学

JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2019-10-30 DOI: 10.1111/jaac.12679

LISSA SKITOLSKY

引用次数: 1

The Production of Acceptable Muslim Women in the United States 美国可接受的穆斯林妇女的生产

IF 0.8 2区艺术学

JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2019-10-30 DOI: 10.1111/jaac.12667

FALGUNI A. SHETH

引用次数: 2

Race, Aesthetics, and Shelter: Toward a Postcolonial Historical Taxonomy of Buildings 种族、美学和庇护所:走向后殖民时期建筑的历史分类

IF 0.8 2区艺术学

JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2019-10-30 DOI: 10.1111/jaac.12671

IVAN GASKELL

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引用次数: 1

Art beyond Morality and Metaphysics: Late Joseon Korean Aesthetics 超越道德与形而上学的艺术:朝鲜晚期的韩国美学

IF 0.8 2区艺术学

JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2019-10-30 DOI: 10.1111/jaac.12682

HANNAH H. KIM

{"title":"Art beyond Morality and Metaphysics: Late Joseon Korean Aesthetics","authors":"HANNAH H. KIM","doi":"10.1111/jaac.12682","DOIUrl":"https://doi.org/10.1111/jaac.12682","url":null,"abstract":"<div>\u0000 \u0000 <p>In the history of Chinese philosophy, Mozi calls music a “waste of resources,” considering it an aristocratic extravagance that does not benefit the everyday people. In its defense, Confucians highlight music's moral and metaphysical qualities, arguing that music aids in moral cultivation and that music's form mimics the structure of reality. The aim of this article is to show that Korean philosophers provide yet another reason to think music is important. Music, and art in general, was used to express a national identity at a time Korean philosophers were beginning to develop their own aesthetic consciousness in the seventeenth and eighteenth centuries. A cultural movement called <i>Joseonpoong</i> (조선풍), “Joseon wind,” marked a shift away from Sinocentrism and toward Korea's own unique values and practices. The new attempt to justify art's value apart from its relationship to morality or metaphysics set Joseon thinkers apart from their Chinese predecessors. Using art for identity expression allowed the Koreans to reconceive art's value while Sinocentric cosmological and cultural views were being challenged with the introduction of Western knowledge. Art also became a tool for reversing hermeneutic injustice as new artistic practices and standards allowed the Koreans to meaningfully engage with previously neglected aspects of their lived lives.</p>\u0000 </div>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"77 4","pages":"489-498"},"PeriodicalIF":0.8,"publicationDate":"2019-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12682","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91890856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 4