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A Comedian and a Fascist Walk into Freud's Bar: On the Mass Character of Stand-Up Comedy 一个喜剧演员和一个法西斯主义者走进弗洛伊德的酒吧:单口喜剧的大众特征
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-11-09 DOI: 10.1111/jaac.12764
MARTIN SHUSTER
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引用次数: 0
The Comic in the Midst of Tragedy's Grief with Tig Notaro, Hannah Gadsby, and Others 与蒂格·诺塔罗、汉娜·加兹比和其他人一起创作的《悲剧中的喜剧》
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-11-09 DOI: 10.1111/jaac.12765
CYNTHIA WILLETT, JULIE WILLETT
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引用次数: 3
Roasting Ethics 烘焙伦理
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-11-09 DOI: 10.1111/jaac.12757
LUVELL ANDERSON
{"title":"Roasting Ethics","authors":"LUVELL ANDERSON","doi":"10.1111/jaac.12757","DOIUrl":"10.1111/jaac.12757","url":null,"abstract":"<div>\u0000 \u0000 <p>What are the rules of the comedic roast? Initially, there might seem to be a tension between “the comedic” and “roasting” or “insult.” The comedic is concerned with the funny or mirth while insults are mean-spirited in nature, tools of injury. So how can the two be combined to produce something fun? In this article, I entertain a few views that attempt a resolution of this apparent tension. I conclude with a proposal that suggests when they are successful, roasts employ mechanisms that redirect attention from the joke's content to its formal properties; it is when those mechanisms fail that roasting becomes disagreeable.</p>\u0000 </div>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"78 4","pages":"451-464"},"PeriodicalIF":0.8,"publicationDate":"2020-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12757","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133424719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Is Stand-Up Comedy Art? 单口喜剧是艺术吗?
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-11-09 DOI: 10.1111/jaac.12763
IAN BRODIE
{"title":"Is Stand-Up Comedy Art?","authors":"IAN BRODIE","doi":"10.1111/jaac.12763","DOIUrl":"10.1111/jaac.12763","url":null,"abstract":"<div>\u0000 \u0000 <p>Stand-up so closely resembles—and is meant to resemble—the styles and expectations of everyday speech that the idea of technique and technical mastery we typically associate with art is almost rendered invisible. Technique and technical mastery is as much about the understanding and development of audiences as collaborators as it is the generation of material. Doing so requires encountering audiences in places that by custom or design encourage ludic and vernacular talk—social spaces and third spaces such as bars, coffee houses, and clubs. Cultivating uncultivated speech and cultivating real audiences in found settings form the background of developing the stand-up comedian, neither of which lend themselves to the conservatory tradition we think of when we think of the development of artists. This article addresses two areas of the overall question of stand-up as art, starting with the ontological question of stand-up comedy: if it is an art where is it located, and what we may mean by “artworks” and “artworld” in stand-up comedy? Then I consider whether stand-up comedy as practiced can be reconciled with several recent definitions for art and note some of the special conditions and contexts for stand-up.</p>\u0000 </div>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"78 4","pages":"401-418"},"PeriodicalIF":0.8,"publicationDate":"2020-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12763","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129541061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Winning Over the Audience: Trust and Humor in Stand-Up Comedy 赢得观众:单口喜剧中的信任和幽默
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-11-09 DOI: 10.1111/jaac.12760
DANIEL ABRAHAMS
{"title":"Winning Over the Audience: Trust and Humor in Stand-Up Comedy","authors":"DANIEL ABRAHAMS","doi":"10.1111/jaac.12760","DOIUrl":"10.1111/jaac.12760","url":null,"abstract":"<p>This article advances a novel way of understanding humor and stand-up comedy. I propose that the relationship between the comedian and her audience is understood by way of trust, where the comedian requires the trust of her audience for her humor to succeed. The comedian may hold (or fail to hold) the trust of the audience in two domains. She may be trusted as to the form of the humor, such as whether she is joking. She may also be trusted as to the content of the joke. This approach has two distinct virtues. The first is that it makes sense of partial successes. These are cases where the humor neither completely succeeds nor fails because the audience does not fully trust the comedian. The second is that it explains intuitions about ethically dubious humor and why certain classes of humor, especially those dealing in racialized and gendered identities, are more readily (but not necessarily) accepted from humorists of those identities.</p>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"78 4","pages":"491-500"},"PeriodicalIF":0.8,"publicationDate":"2020-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12760","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114542640","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Index: Volume 78 索引:第78卷
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-11-09 DOI: 10.1111/jaac.12768
{"title":"Index: Volume 78","authors":"","doi":"10.1111/jaac.12768","DOIUrl":"https://doi.org/10.1111/jaac.12768","url":null,"abstract":"","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"78 4","pages":"561-564"},"PeriodicalIF":0.8,"publicationDate":"2020-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12768","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134804348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Why Can't You Take a Joke? The Several Moral Dimensions of Pilfering a Ha-Ha 为什么开不了玩笑?偷窃的几个道德层面——哈哈
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-11-09 DOI: 10.1111/jaac.12767
DARREN HUDSON HICK
{"title":"Why Can't You Take a Joke? The Several Moral Dimensions of Pilfering a Ha-Ha","authors":"DARREN HUDSON HICK","doi":"10.1111/jaac.12767","DOIUrl":"10.1111/jaac.12767","url":null,"abstract":"<div>\u0000 \u0000 <p>This article investigates the moral wrongness of joke theft. Working through a trove of real-world cases, and using the sitcom <i>The Marvelous Mrs. Maisel</i> as a touchstone, I argue, ultimately, for a pluralist approach, contending that there are several wrongs that may be present in any case of joke theft, but which cannot be reduced to each other and which are collectively irreducible to any sort of “superwrong.”</p>\u0000 </div>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"78 4","pages":"465-476"},"PeriodicalIF":0.8,"publicationDate":"2020-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12767","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131341540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
What Could It Mean to Say That Today's Stand-Up Audiences Are Too Sensitive? 当今的单口喜剧观众过于敏感意味着什么?
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-11-09 DOI: 10.1111/jaac.12755
PHILLIP DEEN
{"title":"What Could It Mean to Say That Today's Stand-Up Audiences Are Too Sensitive?","authors":"PHILLIP DEEN","doi":"10.1111/jaac.12755","DOIUrl":"10.1111/jaac.12755","url":null,"abstract":"<div>\u0000 \u0000 <p>Contemporary comedy audiences are accused by some comedians of being too morally sensitive to appreciate humor. To get closer to an answer, I will first briefly present the argument over audience sensitivity as found in the nonphilosophical literature. Second, I then turn to the philosophical literature and begin from the idea that “funny” is a response-dependent property. I present a criticism of this response-dependence account of “funny” based in the claim that funniness is not determined by what normal audiences actually laugh at, but by what merits laughter. Third, I argue that excessive or deficient moral sensitivity distorts audience receptivity to humor. Fourth, I turn to candidates for ideally sensitive audiences. I conclude by returning to the particular cases of supposed oversensitivity or undersensitivity to jokes to see how we might judge them.</p>\u0000 </div>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"78 4","pages":"501-512"},"PeriodicalIF":0.8,"publicationDate":"2020-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12755","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122187048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Comic Impossibilities 漫画不可能
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-11-09 DOI: 10.1111/jaac.12762
JASON LEDDINGTON
{"title":"Comic Impossibilities","authors":"JASON LEDDINGTON","doi":"10.1111/jaac.12762","DOIUrl":"10.1111/jaac.12762","url":null,"abstract":"<div>\u0000 \u0000 <p>Magic and stand-up comedy have a lot in common. For example, when successful, both tend to elicit laughter, and many magicians regularly perform in comedy clubs. Nevertheless, the close relationship between magic and comedy is poorly understood. The goal of this article is to explore this relationship and to defend the thesis that magic is actually a form—arguably a limit case—of stand-up comedy. This requires first introducing definitions of both stand-up comedy and magic. The core argument then deploys one of today's best-developed philosophical theories of comic amusement to show that magic, when successful, is humorous. In this way, the article contributes to our understanding of both the emotional response to magic and the nature and scope of comedy. The article begins with an analysis of Steve Martin's 1968 TV debut on the <i>Smothers Brothers Comedy Hour</i>, in which he performs a “socko-boffo comedy routine” that seamlessly integrates absurdist comedy with magic tricks.</p>\u0000 </div>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"78 4","pages":"547-558"},"PeriodicalIF":0.8,"publicationDate":"2020-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12762","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123643529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Notes from the Editors 编者注
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-11-09 DOI: 10.1111/jaac.12761
{"title":"Notes from the Editors","authors":"","doi":"10.1111/jaac.12761","DOIUrl":"https://doi.org/10.1111/jaac.12761","url":null,"abstract":"","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"78 4","pages":"395-396"},"PeriodicalIF":0.8,"publicationDate":"2020-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12761","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134804229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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