漫画不可能

IF 1 2区 艺术学 0 ART
JASON LEDDINGTON
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引用次数: 0

摘要

魔术和单口喜剧有很多共同之处。例如,当成功时,两者往往会引起笑声,许多魔术师经常在喜剧俱乐部表演。然而,魔术和喜剧之间的密切关系却鲜为人知。本文的目的是探索这种关系,并捍卫魔术实际上是一种形式(可以说是单口喜剧的极限情况)的论点。这需要首先介绍单口喜剧和魔术的定义。然后,核心论点运用了当今最发达的喜剧娱乐哲学理论之一,表明魔术成功时是幽默的。通过这种方式,本文有助于我们理解对魔术的情感反应以及喜剧的性质和范围。这篇文章首先分析了史蒂夫·马丁1968年在《斯莫瑟斯兄弟喜剧时间》(Smothers Brothers Comedy Hour)节目中的首次亮相,他在节目中表演了一套“袜子-boffo喜剧节目”,将荒诞喜剧与魔术完美地结合在一起。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Comic Impossibilities

Magic and stand-up comedy have a lot in common. For example, when successful, both tend to elicit laughter, and many magicians regularly perform in comedy clubs. Nevertheless, the close relationship between magic and comedy is poorly understood. The goal of this article is to explore this relationship and to defend the thesis that magic is actually a form—arguably a limit case—of stand-up comedy. This requires first introducing definitions of both stand-up comedy and magic. The core argument then deploys one of today's best-developed philosophical theories of comic amusement to show that magic, when successful, is humorous. In this way, the article contributes to our understanding of both the emotional response to magic and the nature and scope of comedy. The article begins with an analysis of Steve Martin's 1968 TV debut on the Smothers Brothers Comedy Hour, in which he performs a “socko-boffo comedy routine” that seamlessly integrates absurdist comedy with magic tricks.

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来源期刊
CiteScore
1.50
自引率
25.00%
发文量
54
期刊介绍: The Journal of Aesthetics and Art Criticism publishes current research articles, symposia, special issues, and timely book reviews in aesthetics and the arts. The term aesthetics, in this connection, is understood to include all studies of the arts and related types of experience from a philosophic, scientific, or other theoretical standpoint. The arts are taken to include not only the traditional forms such as music, literature, landscape architecture, dance, painting, architecture, sculpture, and other visual arts, but also more recent additions such as photography, film, earthworks, performance and conceptual art, the crafts and decorative arts, contemporary digital innovations, and other cultural practices, including work and activities in the field of popular culture.
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