一个喜剧演员和一个法西斯主义者走进弗洛伊德的酒吧:单口喜剧的大众特征

IF 1 2区艺术学 0 ART

JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-11-09 DOI:10.1111/jaac.12764

MARTIN SHUSTER

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引用次数: 0

摘要

本文探讨了单口喜剧表演和法西斯集会之间的精神分析共同点，认为两者都与创造“大众”观众有关。本文探讨了这一类比的政治意义，认为虽然单口喜剧不像法西斯集会那样倒退，但它们的“群众性”确实与它们在提高批判意识方面可能抱有的任何政治愿望背道而驰。

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A Comedian and a Fascist Walk into Freud's Bar: On the Mass Character of Stand-Up Comedy

This article explores the psychoanalytic points of commonality between stand-up comedy shows and fascist rallies, arguing that both are concerned with the creation of a “mass” audience. The article explores the political significance of this analogy by arguing that while stand-up shows are not as regressive as fascist rallies, their “mass” character does run counter to any political aspirations they may have toward the end of critical consciousness raising.

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来源期刊

JOURNAL OF AESTHETICS AND ART CRITICISM Multiple-

CiteScore

1.50

自引率

25.00%

发文量

期刊介绍： The Journal of Aesthetics and Art Criticism publishes current research articles, symposia, special issues, and timely book reviews in aesthetics and the arts. The term aesthetics, in this connection, is understood to include all studies of the arts and related types of experience from a philosophic, scientific, or other theoretical standpoint. The arts are taken to include not only the traditional forms such as music, literature, landscape architecture, dance, painting, architecture, sculpture, and other visual arts, but also more recent additions such as photography, film, earthworks, performance and conceptual art, the crafts and decorative arts, contemporary digital innovations, and other cultural practices, including work and activities in the field of popular culture.