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Trivedi, , , Saam. Imagination, Music, and the Emotions: A Philosophical Study. State University of New York Press, 2017, 205 pp., $80.00 cloth. 特里维迪，萨姆。想象、音乐和情感:一项哲学研究。纽约州立大学出版社，2017年，205页，$80.00布。
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-02-04 DOI: 10.1111/jaac.12708
BRANDON POLITE
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引用次数: 0
Documentaries, Docudramas, and Perceptual Beliefs 纪录片、纪实剧和感性信念
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-02-04 DOI: 10.1111/jaac.12703
ENRICO TERRONE
{"title":"Documentaries, Docudramas, and Perceptual Beliefs","authors":"ENRICO TERRONE","doi":"10.1111/jaac.12703","DOIUrl":"10.1111/jaac.12703","url":null,"abstract":"<div>\u0000 \u0000 <p>The main accounts of the documentary in contemporary analytic aesthetics have difficulties in dealing with the distinction between documentaries and docudramas. On the one hand, the assertion-based accounts proposed by Noël Carroll, Trevor Ponech, and Carl Plantinga cannot properly differentiate documentaries from docudramas. On the other hand, Gregory Currie's account can do so by relying on the notion of trace, but this involves an undesirable side effect, namely, the exclusion, from the documentary, of those documentaries that do not include traces of their subjects, as, for instance, documentaries that resort to reenactment. Is there a way to exclude docudramas from the documentary without also excluding other films that we usually treat as documentaries? This article affirmatively answers by relying on the notion of perceptual belief, that is, a belief that one can form by endorsing the demonstrative content of one's perception. While documentaries primarily involve the formation of perceptual beliefs, docudramas invite us to form nonperceptual beliefs by primarily involving the formation of perceptual imaginings. That is why docudramas are not documentaries. By contrast, a documentary that resorts to reenactment primarily involves the formation of perceptual beliefs, namely, perceptual beliefs about the reenactment itself.</p>\u0000 </div>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"78 1","pages":"43-56"},"PeriodicalIF":0.8,"publicationDate":"2020-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12703","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116838405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
Historically Informed Performance: A Reply to Dodd 历史上有见识的表现:对多德的回答
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-02-04 DOI: 10.1111/jaac.12706
MATTEO RAVASIO
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引用次数: 1
Aesthetic Properties: Context Dependent and Perceptual 审美属性:语境依赖与感性
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-02-04 DOI: 10.1111/jaac.12702
KENDALL L. WALTON
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引用次数: 2
Blurred Lines: Ravasio on “Historically Informed Performance” 模糊的界限:拉瓦西奥对“历史知情表演”的看法
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-02-04 DOI: 10.1111/jaac.12710
JULIAN DODD
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引用次数: 3
“Categories of Art” at 50: An Introduction “50岁时的艺术分类:导论”
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-02-04 DOI: 10.1111/jaac.12684
DAN CAVEDON-TAYLOR
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引用次数: 0
Are Some Perfumes Works of Art? 有些香水是艺术品吗?
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-02-04 DOI: 10.1111/jaac.12687
CHIARA BROZZO
{"title":"Are Some Perfumes Works of Art?","authors":"CHIARA BROZZO","doi":"10.1111/jaac.12687","DOIUrl":"10.1111/jaac.12687","url":null,"abstract":"<p>What more do we need to fully appreciate perfumes, beyond considering them objects for aesthetic appreciation? My contention is that our appreciation of some perfumes would be largely incomplete, unless we acknowledged them as works of art. I defend the claim that some perfumes are works of art from the point of view of different definitions. Nick Zangwill's aesthetic definition makes it easy to defend the proposed claim, but is not very informative for the purposes of fully appreciating some perfumes. On the other hand, Jerrold Levinson's intentional-historical definition and Dominic Lopes's approach to defining art make it more challenging to defend the proposed claim. I show that, even so, the challenge may be met. Moreover, the challenge is well worth engaging with, since tackling it uncovers features of some perfumes that are essential to their full appreciation.</p>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"78 1","pages":"21-32"},"PeriodicalIF":0.8,"publicationDate":"2020-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12687","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133541177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Walton, Truth in Fiction, and Video Games: A Rejoinder to Willis 《虚构中的真相与电子游戏:对威利斯的反驳》
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-02-04 DOI: 10.1111/jaac.12707
MARTIN RICKSAND
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引用次数: 5
Evaluating Stand-Up Specials 评价单口喜剧特色菜
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-02-04 DOI: 10.1111/jaac.12711
FRANK BOARDMAN
{"title":"Evaluating Stand-Up Specials","authors":"FRANK BOARDMAN","doi":"10.1111/jaac.12711","DOIUrl":"10.1111/jaac.12711","url":null,"abstract":"<div>\u0000 \u0000 <p>Stand-up specials are not identical to the sets they contain. Nor are they of a kind with either fiction films or documentaries. I argue here that the properties of specials that make them ontologically distinct also demand that we treat them as distinct for the purpose of their evaluation. I then offer some evaluative criteria for specials as well as suggestions for becoming better critics of specials.</p>\u0000 </div>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"78 1","pages":"57-64"},"PeriodicalIF":0.8,"publicationDate":"2020-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12711","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123775443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
“Categories of Art” for Contextualists 情境主义者的“艺术类别”
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-02-04 DOI: 10.1111/jaac.12698
DAVID DAVIES
{"title":"“Categories of Art” for Contextualists","authors":"DAVID DAVIES","doi":"10.1111/jaac.12698","DOIUrl":"10.1111/jaac.12698","url":null,"abstract":"","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"78 1","pages":"75-79"},"PeriodicalIF":0.8,"publicationDate":"2020-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12698","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116580546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
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