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Architecture and Embodied Free Play 建筑和体现自由游戏
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-05-18 DOI: 10.1111/jaac.12718
EMILY HODGES
{"title":"Architecture and Embodied Free Play","authors":"EMILY HODGES","doi":"10.1111/jaac.12718","DOIUrl":"10.1111/jaac.12718","url":null,"abstract":"<div>\u0000 \u0000 <p>This article argues that architecture makes possible a unique form of aesthetic experience, one involving what I will call, departing from a Kantian perspective, embodied free play. I argue that architecture's purpose is to encourage, cultivate, and enable human activities while also becoming crystallizations of those very activities. I will show that the living system of such interaction is called “place,” as I explore the role of artifacts, movement, activities, and the environment in place creation. I show that when the embodied activities and design of a place harmonize, a fullness of free play is made possible and daily living can involve aesthetic experience.</p>\u0000 </div>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2020-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12718","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115474396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Plato in Therapy: A Cognitivist Reassessment of the Republic's Idea of Mimesis 柏拉图在治疗中:对理想国拟态思想的认知主义再评价
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-05-18 DOI: 10.1111/jaac.12716
JONAS GRETHLEIN
{"title":"Plato in Therapy: A Cognitivist Reassessment of the Republic's Idea of Mimesis","authors":"JONAS GRETHLEIN","doi":"10.1111/jaac.12716","DOIUrl":"10.1111/jaac.12716","url":null,"abstract":"<p>The <i>Republic</i>’s ban on poetry is a major reason for the prominent place that liberal critics assign to Plato among the enemies of the open society, Friedrich Nietzsche's description of Plato as “the greatest enemy of art Europe has yet produced” being often cited. In this article, I argue that, while Plato's ethical stance remains unacceptable for most readers today, his understanding of aesthetic experience in the <i>Republic</i> appears highly perceptive when seen in the light of cognitive studies and can be thought-provoking for current debates. As I try to show in the first half of the article, Plato's assessment of responses to poetry and theater resonate with embodied and enactive views of cognition. To corroborate this thesis, I point out in the second half that while theory has been blind to the significance of Plato's aesthetics, its major ideas are substantiated in practice. Contemporary psychotherapy and its increasing deployment of virtual reality unknowingly and with the opposite intent realize Plato's approach to the cognitive dynamics and ethical potential of aesthetic experience.</p>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2020-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12716","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115586590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Rothfarb, , , Lee and Christoph Landerer. Eduard Hanslick's on the Musically Beautiful: A New Translation. Oxford University Press, 2018, 224 pp., $24.95 cloth. Rothfarb, Lee和Christoph Landerer。爱德华·汉斯立克的《音乐之美:一个新的翻译》牛津大学出版社，2018年，224页，24.95美元。
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-02-04 DOI: 10.1111/jaac.12693
LYDIA GOEHR
{"title":"Rothfarb, , , Lee and Christoph Landerer. Eduard Hanslick's on the Musically Beautiful: A New Translation. Oxford University Press, 2018, 224 pp., $24.95 cloth.","authors":"LYDIA GOEHR","doi":"10.1111/jaac.12693","DOIUrl":"10.1111/jaac.12693","url":null,"abstract":"","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2020-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12693","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128762064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Baer, Nicholas , Maggie Hennefeld, Laura Horak, and Gunnar Iversen, eds. Unwatchable. Rutgers University Press, 2019, 412 pp., 51 b&w illus., $29.95 paper. 拜尔，尼古拉斯，玛吉·亨尼菲尔德，劳拉·霍拉克和加纳·艾弗森编。禁止公映。罗格斯大学出版社，2019年，412页，51页。， 29.95美元。
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-02-04 DOI: 10.1111/jaac.12697
KRISTIN HREHOR
{"title":"Baer, Nicholas , Maggie Hennefeld, Laura Horak, and Gunnar Iversen, eds. Unwatchable. Rutgers University Press, 2019, 412 pp., 51 b&w illus., $29.95 paper.","authors":"KRISTIN HREHOR","doi":"10.1111/jaac.12697","DOIUrl":"10.1111/jaac.12697","url":null,"abstract":"","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2020-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12697","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114162626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Why Trompe l'oeils Deceive Our Visual Experience 为什么错视画欺骗我们的视觉体验
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-02-04 DOI: 10.1111/jaac.12688
GABRIELE FERRETTI
{"title":"Why Trompe l'oeils Deceive Our Visual Experience","authors":"GABRIELE FERRETTI","doi":"10.1111/jaac.12688","DOIUrl":"10.1111/jaac.12688","url":null,"abstract":"<div>\u0000 \u0000 <p>Philosophers suggested that usual picture perception requires the simultaneous occurrence of the perception of the surface and of the depicted object. However, there are special cases of picture perception, such as <i>trompe l'oeil</i> perception, in which, unlike in usual picture perception, the object looks like a real, present object we can interact with, of the kind we are usually acquainted with in <i>face-to-face perception</i>. While philosophers suggested that <i>usual picture perception</i> and <i>trompe l'oeil</i> perception must differ with respect to the perception of the surface, nobody has ever proposed a final explanatory account for such a difference. Here, I propose such an account. I consider the two possible options as candidates for the explanation of the illusory power of <i>trompe l'oeil</i> perception. The first is that, with <i>trompe l'oeil</i>s, we perceive the surface unconsciously. The second is that, with <i>trompe l'oeil</i>s, we cannot perceive the surface at all, that is, we cannot perceive it either consciously or unconsciously. I show that the second option is the unique plausible option, as it is in line with vision science, and with our received view about the nature of <i>usual picture perception</i>.</p>\u0000 </div>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2020-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12688","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123002442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 9
Cox, , , Christoph. Sonic Flux: Sound, Art, and Metaphysics. University of Chicago Press, 2018, viii + 272 pp., 41 b&w illus., $100.00 cloth. 考克斯，克里斯托弗。《声音的流动:声音、艺术和形而上学》芝加哥大学出版社，2018年，8 + 272页，41页。， 100美元布料。
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-02-04 DOI: 10.1111/jaac.12695
WESLEY D. CRAY
{"title":"Cox, , , Christoph. Sonic Flux: Sound, Art, and Metaphysics. University of Chicago Press, 2018, viii + 272 pp., 41 b&w illus., $100.00 cloth.","authors":"WESLEY D. CRAY","doi":"10.1111/jaac.12695","DOIUrl":"10.1111/jaac.12695","url":null,"abstract":"","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2020-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12695","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121100570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Waltonian Perceptualism
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-02-04 DOI: 10.1111/jaac.12685
MADELEINE RANSOM
{"title":"Waltonian Perceptualism","authors":"MADELEINE RANSOM","doi":"10.1111/jaac.12685","DOIUrl":"10.1111/jaac.12685","url":null,"abstract":"","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2020-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12685","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116602651","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 7
Guay, Robert , ed. Dostoevsky's Crime and Punishment: Philosophical Perspectives. Oxford University Press, 2019, xi + 230 pp., $24.95 paper. 罗伯特·盖伊编:《陀思妥耶夫斯基的罪与罚:哲学视角》。牛津大学出版社，2019,xi + 230页，24.95美元。
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-02-04 DOI: 10.1111/jaac.12700
JOHN GIBSON
{"title":"Guay, Robert , ed. Dostoevsky's Crime and Punishment: Philosophical Perspectives. Oxford University Press, 2019, xi + 230 pp., $24.95 paper.","authors":"JOHN GIBSON","doi":"10.1111/jaac.12700","DOIUrl":"10.1111/jaac.12700","url":null,"abstract":"","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2020-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12700","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121262765","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aesthetics and the Containment of Grief 美学与悲伤的遏制
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-02-04 DOI: 10.1111/jaac.12686
KATHLEEN MARIE HIGGINS
{"title":"Aesthetics and the Containment of Grief","authors":"KATHLEEN MARIE HIGGINS","doi":"10.1111/jaac.12686","DOIUrl":"10.1111/jaac.12686","url":null,"abstract":"<div>\u0000 \u0000 <p>My point of departure is the observation that people ubiquitously turn to aesthetic practices in response to the loss of a loved one. I argue that profound loss catapults the bereaved person into an alternate “world” that differs in marked ways from the world we usually occupy, an alternate world lacking even the basic coherence we need to function. Aesthetic practices facilitate restoration of coherence to our experience, as well as reconnection with the social world and recovery from the breakdown that profound loss involves. While the aesthetic notion of closure is frequently invoked in connection with the needs of the bereaved, I suggest that while containing the emotions experienced in connection with loss is vital if they are to be processed, unrealistic aspirations toward closure can encourage expectations that harm the bereaved. By contrast, I suggest that the aims of aesthetically punctuating experience and communicating through aesthetic gestures are beneficial for helping the bereaved adjust to their new circumstances.</p>\u0000 </div>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2020-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12686","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120991122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Trivedi, , , Saam. Imagination, Music, and the Emotions: A Philosophical Study. State University of New York Press, 2017, 205 pp., $80.00 cloth. 特里维迪，萨姆。想象、音乐和情感:一项哲学研究。纽约州立大学出版社，2017年，205页，$80.00布。
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-02-04 DOI: 10.1111/jaac.12708
BRANDON POLITE
{"title":"Trivedi, , , Saam. Imagination, Music, and the Emotions: A Philosophical Study. State University of New York Press, 2017, 205 pp., $80.00 cloth.","authors":"BRANDON POLITE","doi":"10.1111/jaac.12708","DOIUrl":"10.1111/jaac.12708","url":null,"abstract":"","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2020-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12708","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114460488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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