{"title":"大屠杀幽默与我们对美国种族灭绝的审美敏感性","authors":"LISSA SKITOLSKY","doi":"10.1111/jaac.12679","DOIUrl":null,"url":null,"abstract":"<div>\n \n <p>The specific form of holocaust humor that I will address—as developed by comedians Larry David, Sarah Silverman, Rachel Bloom, Ilana Glazer, and Abbi Jacobson—is neither trivial nor trivializes the suffering of the Jews but rather can expose the complicity of our narratives about the holocaust with our own white indifference to the pervasive ruthlessness of American genocide against black communities and our failure to bear witness to the survival of certain genocidal logics from the past in the American present.</p>\n </div>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":null,"pages":null},"PeriodicalIF":1.0000,"publicationDate":"2019-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12679","citationCount":"1","resultStr":"{\"title\":\"Holocaust Humor and Our Aesthetic Sensibility of American Genocide\",\"authors\":\"LISSA SKITOLSKY\",\"doi\":\"10.1111/jaac.12679\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<div>\\n \\n <p>The specific form of holocaust humor that I will address—as developed by comedians Larry David, Sarah Silverman, Rachel Bloom, Ilana Glazer, and Abbi Jacobson—is neither trivial nor trivializes the suffering of the Jews but rather can expose the complicity of our narratives about the holocaust with our own white indifference to the pervasive ruthlessness of American genocide against black communities and our failure to bear witness to the survival of certain genocidal logics from the past in the American present.</p>\\n </div>\",\"PeriodicalId\":51571,\"journal\":{\"name\":\"JOURNAL OF AESTHETICS AND ART CRITICISM\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.0000,\"publicationDate\":\"2019-10-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1111/jaac.12679\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF AESTHETICS AND ART CRITICISM\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://onlinelibrary.wiley.com/doi/10.1111/jaac.12679\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF AESTHETICS AND ART CRITICISM","FirstCategoryId":"1085","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/jaac.12679","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Holocaust Humor and Our Aesthetic Sensibility of American Genocide
The specific form of holocaust humor that I will address—as developed by comedians Larry David, Sarah Silverman, Rachel Bloom, Ilana Glazer, and Abbi Jacobson—is neither trivial nor trivializes the suffering of the Jews but rather can expose the complicity of our narratives about the holocaust with our own white indifference to the pervasive ruthlessness of American genocide against black communities and our failure to bear witness to the survival of certain genocidal logics from the past in the American present.
期刊介绍:
The Journal of Aesthetics and Art Criticism publishes current research articles, symposia, special issues, and timely book reviews in aesthetics and the arts. The term aesthetics, in this connection, is understood to include all studies of the arts and related types of experience from a philosophic, scientific, or other theoretical standpoint. The arts are taken to include not only the traditional forms such as music, literature, landscape architecture, dance, painting, architecture, sculpture, and other visual arts, but also more recent additions such as photography, film, earthworks, performance and conceptual art, the crafts and decorative arts, contemporary digital innovations, and other cultural practices, including work and activities in the field of popular culture.