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An Accessible, Browser-Based Gestural Controller for Web Audio, MIDI, and Open Sound Control
IF 0.4
Computer Music Journal Pub Date : 2023-09-01 DOI: 10.1162/COMJ_a_00693
Monica Lim;Natalia Kotsani
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引用次数: 0
Mario Diaz De Leon: Spark and Earth
IF 0.4
Computer Music Journal Pub Date : 2023-09-01 DOI: 10.1162/COMJ_r_00692
{"title":"Mario Diaz De Leon: Spark and Earth","authors":"","doi":"10.1162/COMJ_r_00692","DOIUrl":"https://doi.org/10.1162/COMJ_r_00692","url":null,"abstract":"","PeriodicalId":50639,"journal":{"name":"Computer Music Journal","volume":"47 3","pages":"69-70"},"PeriodicalIF":0.4,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143430561","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Complementary Roles of Note-Oriented and Mixing-Oriented Software in Student Learning of Computer Science plus Music 笔记型和混合型软件在学生计算机音乐学习中的互补作用
Computer Music Journal Pub Date : 2023-08-08 DOI: 10.1162/comj_a_00651
L. McCall, Jason Freeman, Tom McKlin, Taneisha Lee, Michael Horn, Brian Magerko
{"title":"Complementary Roles of Note-Oriented and Mixing-Oriented Software in Student Learning of Computer Science plus Music","authors":"L. McCall, Jason Freeman, Tom McKlin, Taneisha Lee, Michael Horn, Brian Magerko","doi":"10.1162/comj_a_00651","DOIUrl":"https://doi.org/10.1162/comj_a_00651","url":null,"abstract":"\u0000 Many introductory computer science educational platforms foster student interest and facilitate student learning through the authentic incorporation of music. Although many such platforms have demonstrated promising outcomes in student engagement across diverse student populations and learning contexts, little is known about the specific ways in which music and computer science learning are uniquely combined to support student knowledge in both domains. This study looks at two different learning platforms for computer science and music (CS-plus-music), TunePad and EarSketch, which were used by middle school students during a week-long virtual summer camp. Using both platforms, students created computational music projects, which we analyzed for characteristics of music and code complexity across multiple dimensions. Students also completed surveys before and after the workshop about their perceptions of the platforms and their own backgrounds, and we interviewed some students. The results suggest that different connections between music and computing concepts emerge, as well as different progressions through the concepts themselves, depending in part on the design affordances of the application programming interface for computer music in each platform. Coupled with prior findings about the different roles each platform may play in developing situational interest for students, these findings suggest that different CS-plus-musiclearning platforms can provide complementary roles that benefit and support learning and development of student interest.","PeriodicalId":50639,"journal":{"name":"Computer Music Journal","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44663145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Automatic Detection of Cue Points for the Emulation of DJ Mixing 自动检测提示点的模拟DJ混音
Computer Music Journal Pub Date : 2023-08-08 DOI: 10.1162/comj_a_00652
Mickaël Zehren, Marco Alunno, P. Bientinesi
{"title":"Automatic Detection of Cue Points for the Emulation of DJ Mixing","authors":"Mickaël Zehren, Marco Alunno, P. Bientinesi","doi":"10.1162/comj_a_00652","DOIUrl":"https://doi.org/10.1162/comj_a_00652","url":null,"abstract":"\u0000 The automatic identification of cue points is a central task in applications as diverse as music thumbnailing, generation of mash ups, and DJ mixing. Our focus lies in electronic dance music and in a specific kind of cue point, the “switch point,” that makes it possible to automatically construct transitions between tracks, mimicking what professional DJs do. We present two approaches for the detection of switch points. One embodies a few general rules we established from interviews with professional DJs, the other models a manually annotated dataset that we curated. Both approaches are based on feature extraction and novelty analysis. From an evaluation conducted on previously unknown tracks, we found that about 90% of the points generated can be reliably used in the context of a DJ mix.","PeriodicalId":50639,"journal":{"name":"Computer Music Journal","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45202210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Recordings 录音
Computer Music Journal Pub Date : 2023-06-30 DOI: 10.4135/9781412972024.n2140
R. Feller
{"title":"Recordings","authors":"R. Feller","doi":"10.4135/9781412972024.n2140","DOIUrl":"https://doi.org/10.4135/9781412972024.n2140","url":null,"abstract":"James Dashow’s second volume of Soundings in Pure Duration features works for electronic sounds, several which are composed for instrumental or vocal soloists. The composer is well known in the electronic and computer music worlds and has produced a large amount of work over many decades. This release contains the last four works in the Soundings series, composed between 2014 and 2020, as well as the rerelease of “. . . At Other Times, the Distances,” an older, quadraphonic composition. This DVD contains stereo mix downs and full 5.0-surround mixes for each of the five compositions. The stereo versions were all spatially enhanced to suggest a wider-than-normal audio field. Dashow is perhaps best known for his work with spatialization. According to the liner notes,","PeriodicalId":50639,"journal":{"name":"Computer Music Journal","volume":"49 1","pages":"120 - 122"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139367085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mapping Out the Origins of Electroacoustic Music Studios in Brazil 绘制出巴西电声音乐工作室的起源
Computer Music Journal Pub Date : 2023-06-30 DOI: 10.1162/comj_a_00639
Felipe de Almeida Ribeiro, Ricardo Thomasi
{"title":"Mapping Out the Origins of Electroacoustic Music Studios in Brazil","authors":"Felipe de Almeida Ribeiro, Ricardo Thomasi","doi":"10.1162/comj_a_00639","DOIUrl":"https://doi.org/10.1162/comj_a_00639","url":null,"abstract":"Abstract:This research presents a mapping out of Brazilian electroacoustic music studios from 1960 to 2000, especially those that emerged in connection with universities and other institutions. A major criterion was to understand \"music studios\" as cultural territories, as places for creation, collaboration, and exchange. We present a timeline highlighting the main trajectories of composers, institutions, and events, all related to the development of these studios. We interviewed composers and investigated a wide variety of documents, ranging from scholarly papers and journal articles through books, recordings, and websites. As a result, the timeline introduces the main spaces that have fostered electroacoustic music in Brazil, revealing the idea of gambiarra [make do, workaround], a sort of Brazilian DIY culture.","PeriodicalId":50639,"journal":{"name":"Computer Music Journal","volume":"46 1","pages":"107 - 94"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"64509593","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Computer-aided Composition Using a Sound-based Notation 使用基于声音的记谱法的计算机辅助作曲
Computer Music Journal Pub Date : 2023-06-28 DOI: 10.1162/comj_a_00648
Mattias Sköld
{"title":"Computer-aided Composition Using a Sound-based Notation","authors":"Mattias Sköld","doi":"10.1162/comj_a_00648","DOIUrl":"https://doi.org/10.1162/comj_a_00648","url":null,"abstract":"\u0000 This article describes the music data format of the recently introduced Sound Notation system, and how it makes possible computer-aided composition of scores representing sound-based music. The Sound Notation system is an adaptation of Lasse Thoresen's spectromorphological analysis notation, developed for composition and analysis. A detailed description of the data format is followed by two examples of its application in a computer-aided composition process resulting in the sounding interpretation of two score excerpts of an electroacoustic composition. Generating sound structures as symbolic notation data in this way provided possibilities for the creation of sound-based music otherwise limited to works of traditional notation.","PeriodicalId":50639,"journal":{"name":"Computer Music Journal","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45212747","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Products of Interest 感兴趣的产品
IF 0.4
Computer Music Journal Pub Date : 2023-06-13 DOI: 10.1162/comj_r_00671
{"title":"Products of Interest","authors":"","doi":"10.1162/comj_r_00671","DOIUrl":"https://doi.org/10.1162/comj_r_00671","url":null,"abstract":"","PeriodicalId":50639,"journal":{"name":"Computer Music Journal","volume":"47 1","pages":"115-127"},"PeriodicalIF":0.4,"publicationDate":"2023-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142691667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Fuzzy Gestural AI Approach for Expressive Interactivity in Multitouch Digital Musical Instruments Based on Laban Descriptors 基于拉班描述符的多点触控数字乐器表现交互性模糊手势人工智能方法
IF 0.4
Computer Music Journal Pub Date : 2023-06-13 DOI: 10.1162/comj_a_00673
Marie González-Inostroza;Rodrigo F. Cádiz
{"title":"A Fuzzy Gestural AI Approach for Expressive Interactivity in Multitouch Digital Musical Instruments Based on Laban Descriptors","authors":"Marie González-Inostroza;Rodrigo F. Cádiz","doi":"10.1162/comj_a_00673","DOIUrl":"10.1162/comj_a_00673","url":null,"abstract":"","PeriodicalId":50639,"journal":{"name":"Computer Music Journal","volume":"47 1","pages":"22-43"},"PeriodicalIF":0.4,"publicationDate":"2023-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140623296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Carl Stone: Electronic Music from 1972–2022 卡尔-斯通1972-2022 年电子音乐
IF 0.4
Computer Music Journal Pub Date : 2023-06-13 DOI: 10.1162/comj_r_00668
Ross Feller
{"title":"Carl Stone: Electronic Music from 1972–2022","authors":"Ross Feller","doi":"10.1162/comj_r_00668","DOIUrl":"https://doi.org/10.1162/comj_r_00668","url":null,"abstract":"","PeriodicalId":50639,"journal":{"name":"Computer Music Journal","volume":"47 1","pages":"110-113"},"PeriodicalIF":0.4,"publicationDate":"2023-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142691760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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