Computer-aided Composition Using a Sound-based Notation

IF 0.4 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Computer Music Journal Pub Date : 2023-06-28 DOI:10.1162/comj_a_00648

Mattias Sköld

引用次数: 0

Abstract

This article describes the music data format of the recently introduced Sound Notation system, and how it makes possible computer-aided composition of scores representing sound-based music. The Sound Notation system is an adaptation of Lasse Thoresen's spectromorphological analysis notation, developed for composition and analysis. A detailed description of the data format is followed by two examples of its application in a computer-aided composition process resulting in the sounding interpretation of two score excerpts of an electroacoustic composition. Generating sound structures as symbolic notation data in this way provided possibilities for the creation of sound-based music otherwise limited to works of traditional notation.

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使用基于声音的记谱法的计算机辅助作曲

本文介绍了最近引入的声音符号系统的音乐数据格式，以及它如何使代表基于声音的音乐的乐谱的计算机辅助合成成为可能。声音符号系统是对Lasse Thoresen的声谱形态分析符号的改编，该符号是为合成和分析而开发的。数据格式的详细描述之后是其在计算机辅助作曲过程中的应用的两个例子，从而对电声作品的两个乐谱摘录进行发音解释。以这种方式生成作为符号记谱数据的声音结构为基于声音的音乐的创作提供了可能性，否则该音乐仅限于传统记谱的作品。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Computer Music Journal 工程技术-计算机：跨学科应用

CiteScore

1.80

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： Computer Music Journal is published quarterly with an annual sound and video anthology containing curated music¹. For four decades, it has been the leading publication about computer music, concentrating fully on digital sound technology and all musical applications of computers. This makes it an essential resource for musicians, composers, scientists, engineers, computer enthusiasts, and anyone exploring the wonders of computer-generated sound. Edited by experts in the field and featuring an international advisory board of eminent computer musicians, issues typically include: In-depth articles on cutting-edge research and developments in technology, methods, and aesthetics of computer music Reports on products of interest, such as new audio and MIDI software and hardware Interviews with leading composers of computer music Announcements of and reports on conferences and courses in the United States and abroad Publication, event, and recording reviews Tutorials, letters, and editorials Numerous graphics, photographs, scores, algorithms, and other illustrations.