录音

IF 0.4 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Computer Music Journal Pub Date : 2023-06-30 DOI:10.4135/9781412972024.n2140

R. Feller

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引用次数: 0

摘要

詹姆斯-达肖（James Dashow）的第二卷《纯时长的声音》（Soundings in Pure Duration）收录了电子声音作品，其中有几首是为器乐或声乐独奏而作。这位作曲家在电子和计算机音乐界享有盛誉，几十年来创作了大量作品。此次发行的作品包括 "Soundings "系列中创作于 2014 年至 2020 年的最后四部作品，以及重新发行的"......"。在其他时间，距离"，这是一首较早的四声部作品。这张 DVD 包含五首作品的立体声混音和完整的 5.0 环绕声混音。所有立体声版本都经过空间增强处理，以显示比正常音场更宽广的音场。Dashow 最著名的作品可能是空间化。根据内页说明

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Recordings

James Dashow’s second volume of Soundings in Pure Duration features works for electronic sounds, several which are composed for instrumental or vocal soloists. The composer is well known in the electronic and computer music worlds and has produced a large amount of work over many decades. This release contains the last four works in the Soundings series, composed between 2014 and 2020, as well as the rerelease of “. . . At Other Times, the Distances,” an older, quadraphonic composition. This DVD contains stereo mix downs and full 5.0-surround mixes for each of the five compositions. The stereo versions were all spatially enhanced to suggest a wider-than-normal audio field. Dashow is perhaps best known for his work with spatialization. According to the liner notes,

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来源期刊

Computer Music Journal 工程技术-计算机：跨学科应用

CiteScore

1.80

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： Computer Music Journal is published quarterly with an annual sound and video anthology containing curated music¹. For four decades, it has been the leading publication about computer music, concentrating fully on digital sound technology and all musical applications of computers. This makes it an essential resource for musicians, composers, scientists, engineers, computer enthusiasts, and anyone exploring the wonders of computer-generated sound. Edited by experts in the field and featuring an international advisory board of eminent computer musicians, issues typically include: In-depth articles on cutting-edge research and developments in technology, methods, and aesthetics of computer music Reports on products of interest, such as new audio and MIDI software and hardware Interviews with leading composers of computer music Announcements of and reports on conferences and courses in the United States and abroad Publication, event, and recording reviews Tutorials, letters, and editorials Numerous graphics, photographs, scores, algorithms, and other illustrations.