绘制出巴西电声音乐工作室的起源

IF 0.4 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Computer Music Journal Pub Date : 2023-06-30 DOI:10.1162/comj_a_00639

Felipe de Almeida Ribeiro, Ricardo Thomasi

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引用次数: 0

摘要

摘要:本研究展示了1960年至2000年巴西电声音乐工作室的地图，特别是那些与大学和其他机构有关的工作室。一个主要的标准是将“音乐工作室”理解为文化领域，作为创作、合作和交流的场所。我们呈现了一个时间轴，突出了作曲家、机构和事件的主要轨迹，所有这些都与这些工作室的发展有关。我们采访了作曲家，并调查了各种各样的文件，从学术论文和期刊文章到书籍、录音和网站。因此，时间轴介绍了在巴西培养电声音乐的主要空间，揭示了gambiarra[凑合，变通]的理念，一种巴西DIY文化。

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Mapping Out the Origins of Electroacoustic Music Studios in Brazil

Abstract:This research presents a mapping out of Brazilian electroacoustic music studios from 1960 to 2000, especially those that emerged in connection with universities and other institutions. A major criterion was to understand "music studios" as cultural territories, as places for creation, collaboration, and exchange. We present a timeline highlighting the main trajectories of composers, institutions, and events, all related to the development of these studios. We interviewed composers and investigated a wide variety of documents, ranging from scholarly papers and journal articles through books, recordings, and websites. As a result, the timeline introduces the main spaces that have fostered electroacoustic music in Brazil, revealing the idea of gambiarra [make do, workaround], a sort of Brazilian DIY culture.

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来源期刊

Computer Music Journal 工程技术-计算机：跨学科应用

CiteScore

1.80

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： Computer Music Journal is published quarterly with an annual sound and video anthology containing curated music¹. For four decades, it has been the leading publication about computer music, concentrating fully on digital sound technology and all musical applications of computers. This makes it an essential resource for musicians, composers, scientists, engineers, computer enthusiasts, and anyone exploring the wonders of computer-generated sound. Edited by experts in the field and featuring an international advisory board of eminent computer musicians, issues typically include: In-depth articles on cutting-edge research and developments in technology, methods, and aesthetics of computer music Reports on products of interest, such as new audio and MIDI software and hardware Interviews with leading composers of computer music Announcements of and reports on conferences and courses in the United States and abroad Publication, event, and recording reviews Tutorials, letters, and editorials Numerous graphics, photographs, scores, algorithms, and other illustrations.