{"title":"自动检测提示点的模拟DJ混音","authors":"Mickaël Zehren, Marco Alunno, P. Bientinesi","doi":"10.1162/comj_a_00652","DOIUrl":null,"url":null,"abstract":"\n The automatic identification of cue points is a central task in applications as diverse as music thumbnailing, generation of mash ups, and DJ mixing. Our focus lies in electronic dance music and in a specific kind of cue point, the “switch point,” that makes it possible to automatically construct transitions between tracks, mimicking what professional DJs do. We present two approaches for the detection of switch points. One embodies a few general rules we established from interviews with professional DJs, the other models a manually annotated dataset that we curated. Both approaches are based on feature extraction and novelty analysis. From an evaluation conducted on previously unknown tracks, we found that about 90% of the points generated can be reliably used in the context of a DJ mix.","PeriodicalId":50639,"journal":{"name":"Computer Music Journal","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2023-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Automatic Detection of Cue Points for the Emulation of DJ Mixing\",\"authors\":\"Mickaël Zehren, Marco Alunno, P. Bientinesi\",\"doi\":\"10.1162/comj_a_00652\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n The automatic identification of cue points is a central task in applications as diverse as music thumbnailing, generation of mash ups, and DJ mixing. Our focus lies in electronic dance music and in a specific kind of cue point, the “switch point,” that makes it possible to automatically construct transitions between tracks, mimicking what professional DJs do. We present two approaches for the detection of switch points. One embodies a few general rules we established from interviews with professional DJs, the other models a manually annotated dataset that we curated. Both approaches are based on feature extraction and novelty analysis. From an evaluation conducted on previously unknown tracks, we found that about 90% of the points generated can be reliably used in the context of a DJ mix.\",\"PeriodicalId\":50639,\"journal\":{\"name\":\"Computer Music Journal\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-08-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Computer Music Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1162/comj_a_00652\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Computer Music Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/comj_a_00652","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS","Score":null,"Total":0}
Automatic Detection of Cue Points for the Emulation of DJ Mixing
The automatic identification of cue points is a central task in applications as diverse as music thumbnailing, generation of mash ups, and DJ mixing. Our focus lies in electronic dance music and in a specific kind of cue point, the “switch point,” that makes it possible to automatically construct transitions between tracks, mimicking what professional DJs do. We present two approaches for the detection of switch points. One embodies a few general rules we established from interviews with professional DJs, the other models a manually annotated dataset that we curated. Both approaches are based on feature extraction and novelty analysis. From an evaluation conducted on previously unknown tracks, we found that about 90% of the points generated can be reliably used in the context of a DJ mix.
期刊介绍:
Computer Music Journal is published quarterly with an annual sound and video anthology containing curated music¹. For four decades, it has been the leading publication about computer music, concentrating fully on digital sound technology and all musical applications of computers. This makes it an essential resource for musicians, composers, scientists, engineers, computer enthusiasts, and anyone exploring the wonders of computer-generated sound.
Edited by experts in the field and featuring an international advisory board of eminent computer musicians, issues typically include:
In-depth articles on cutting-edge research and developments in technology, methods, and aesthetics of computer music
Reports on products of interest, such as new audio and MIDI software and hardware
Interviews with leading composers of computer music
Announcements of and reports on conferences and courses in the United States and abroad
Publication, event, and recording reviews
Tutorials, letters, and editorials
Numerous graphics, photographs, scores, algorithms, and other illustrations.