Conradiana最新文献

Contributors 贡献者

Conradiana Pub Date : 2023-11-01 DOI: 10.1353/cnd.2019.a910740

{"title":"Contributors","authors":"","doi":"10.1353/cnd.2019.a910740","DOIUrl":"https://doi.org/10.1353/cnd.2019.a910740","url":null,"abstract":"In lieu of an abstract, here is a brief excerpt of the content:\u0000 <ul> <li> Contributors </li> </ul> G. W. STEPHEN BRODSKY, Royal Roads Military College (Retired), is author of Joseph Conrad’s Polish Soul (2016). His articles and reviews on Conrad have appeared in Conradiana, The Conradian, Conrad: Eastern and Western Perspectives, Zwischen Ost und West: Joseph Conrad im europäischen Gespräch, the Jagiellonian University Conrad Year Book, Modern Fiction Studies, and Conrad Without Borders: Transcultural and Transtextual Perspectives. His earlier reviews of the Cambridge University Press editions—Last Essays and An Outcast of the Islands—have appeared in Joseph Conrad Today. His articles and books in Renaissance Drama criticism, military memoirs, and military literary culture include Gentlemen of the Blade: A Social and Literary History of the British Army Since 1660 (1988). LINDA DRYDEN is Professor (Emeritus) of English Literature at Edinburgh Napier University. She is the author of Joseph Conrad and the Imperial Romance (1999), The Modern Gothic and Literary Doubles: Stevenson, Wilde and Wells (2003), and Joseph Conrad and H. G. Wells: The Fin de Siècle Literary Scene (2016). Dryden has written numerous articles on Conrad, Wells, and Robert Louis Stevenson, and is on the Executive Committee of the Joseph Conrad Society (UK). JANA M. GILES is Professor of English at the University of Louisiana at Monroe and has served as the Managing Editor of Conradiana since 2016. She has published articles on Conrad, as well as on Samuel Beckett, James Joyce, J.M. Coetzee, and Jean Rhys, among others. Giles’s current theoretical interest is in the politics and ethics of aesthetics, and she is at work on a monograph, Decolonizing the Sublime. She was elected to Second Vice President of the Joseph Conrad Society of America in 2023. FIONA HOUSTON has a PhD in First World War propaganda from the University of Aberdeen, with a focus on the government-sponsored material written by John Buchan and Ford Madox Ford. Her research attempts to revise current concepts of Great War propaganda and those who wrote it, and she has published work tracking the term “propaganda” throughout the publication history of the Oxford English Dictionary. She currently works as a Production Editor for The Open University. ALAN PROCTER is an independent scholar. Following a degree in English language and literature in 1958 from the University of Toronto, he engaged for thirty-some years with teenagers and literature in Toronto suburban-school classrooms, and now continues to enjoy the worth of others’ writing. RICHARD RUPPEL’s primary research interest is the work of Joseph Conrad—he is a past president of the Joseph Conrad So","PeriodicalId":501354,"journal":{"name":"Conradiana","volume":"405 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138522404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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"Words, as is well known, are the great foes of reality": A Possible Source for Under Western Eyes “言语，众所周知，是现实的大敌”:西方人眼中的可能来源

Conradiana Pub Date : 2023-11-01 DOI: 10.1353/cnd.2019.a910735

Alan Procter

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Migration, Modernity and Transnationalism in the Work of Joseph Conrad ed. by Kim Salmons and Tania Zulli (review) 《约瑟夫·康拉德作品中的移民、现代性和跨国主义》，金·萨尔蒙斯和塔尼亚·祖利主编(书评)

Conradiana Pub Date : 2023-11-01 DOI: 10.1353/cnd.2019.a910736

Richard Ruppel

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"A lot of men too indolent for whist—and a story" The Telling Situation in "Youth," Heart of Darkness, and Lord Jim “很多人懒得吹口哨——还有一个故事——《青春》、《黑暗之心》和《吉姆勋爵》中的故事情节

Conradiana Pub Date : 2023-11-01 DOI: 10.1353/cnd.2019.a910734

Annalee Sellers

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The Inheritors and The Nature of a Crime by Joseph Conrad and Ford Madox Ford (review) 《继承者与犯罪的本质》约瑟夫·康拉德、福特·马多克斯·福特著(书评)

Conradiana Pub Date : 2023-11-01 DOI: 10.1353/cnd.2019.a910829

Linda Dryden

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The Editor's Dilemma: Conrad's Revisitings of His Works 编辑的困境:康拉德作品的重新审视

Conradiana Pub Date : 2023-11-01 DOI: 10.1353/cnd.2019.a910733

G.W. Stephen Brodsky

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Joseph Conrad and Ford Madox Ford: A Study in Collaboration by John Hope Morey (review) 约瑟夫·康拉德和福特·马多克斯·福特:约翰·霍普·莫雷的合作研究(评论)

Conradiana Pub Date : 2023-11-01 DOI: 10.1353/cnd.2019.a910737

Fiona Houston

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A Set of Six by Joseph Conrad (review) 约瑟夫·康拉德《六人一组》(书评)

Conradiana Pub Date : 2023-11-01 DOI: 10.1353/cnd.2019.a910738

G. W. Stephen Brodsky

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Modernism and the Idea of the Crowd by Judith Paltin (review) 朱迪思·帕尔廷《现代主义与群体观念》(书评)

Conradiana Pub Date : 2023-11-01 DOI: 10.1353/cnd.2019.a910739

Jana M. Giles

{"title":"Modernism and the Idea of the Crowd by Judith Paltin (review)","authors":"Jana M. Giles","doi":"10.1353/cnd.2019.a910739","DOIUrl":"https://doi.org/10.1353/cnd.2019.a910739","url":null,"abstract":"In lieu of an abstract, here is a brief excerpt of the content:\u0000 Reviewed by: <ul> <li> Modernism and the Idea of the Crowd by Judith Paltin </li> <li> Jana M. Giles (bio) </li> </ul> Judith Paltin. Modernism and the Idea of the Crowd. Cambridge: Cambridge University Press, 2021. 225 pp. ISBN: 9781108842235. Crowds are in the news again in our time, as mass protests surge around the world and intellectuals debate their effectiveness at moving recalcitrant power structures to change their ways for the greater good.1 At the end of her wide-ranging reconsideration of the crowd in modernist studies, Judith Paltin reminds us that the alienated individual has dominated modernist studies, a limitation she attributes to the tendency of literary analysis to focus on individual actors, as well as its origins in theological hermeneutics. Paltin’s book aims to find an exit from this blind alley, which prevents literary studies from extending theories of the “structure/agency problem” (167) and allows group dynamics to be overlooked. Crowds were historically considered both a threat and a potential source of energy for the power elite, as elaborated by many of the theorists Paltin engages. What she calls the “servile crowd” is grounded in the rationalist/idealist traditions; against this, she introduces the performative, self-generative “agile crowd.” What hardens the first into subservience is adherence to a particular ideology, whereas the fluidity of the second coalesces around motile pragmatism and affective connection, bridging historical notions of liberal subjectivity and contemporary views of the heterogenous, intersectional multitude. Drawing upon an extensive group of theorists, including Gustave Le Bon, Wilfred Bion, Ernesto Laclau, Paolo Virno, Jacques Rancière, and Theresa Brennan, she argues that modernist representations of crowds anticipate the post-Fordist political multitude. Modernism and the Idea of the Crowd is organized [End Page 200] conceptually, rather than by author or chronology, in four chapters and a conclusion. Joseph Conrad and James Joyce are the central literary authors, with minor appearances from Virginia Woolf, Flann O’Brien, Sinclair Lewis, Sean O’Casey, Aldous Huxley, Christopher Isherwood, and others, as well as examples drawn from historical crowd events. The argument is structured around sets of binaries that elucidate the same fundamental opposition. I will discuss some of these terms below, here noting they can be categorized as follows: Click for larger view View full resolution Table 1. Chapter 1, “Composition of the Crowds in Modernism,” offers evidence for the new thinking about crowds in the early twentieth century. Conrad’s Nostromo, illustrating how crowds may move towards either servility or democracy, tracks close","PeriodicalId":501354,"journal":{"name":"Conradiana","volume":"137 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138522412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

J. Hillis Miller j·希利斯·米勒

Conradiana Pub Date : 2022-04-13 DOI: 10.1353/cnd.2018.0024

Jakob Lothe

{"title":"J. Hillis Miller","authors":"Jakob Lothe","doi":"10.1353/cnd.2018.0024","DOIUrl":"https://doi.org/10.1353/cnd.2018.0024","url":null,"abstract":"In lieu of an abstract, here is a brief excerpt of the content:\u0000 <ul> <li> J. Hillis Miller </li> <li> Jakob Lothe (bio) </li> </ul> J. Hillis Miller made very important contributions to critical trends as different as phenomenology, deconstruction, and narrative ethics. He also made a significant contribution to Conrad studies. Over the course of a career that lasted from the mid-1950s until 2020, Miller turned, and returned, to Conrad’s fiction, reading, rereading, and discussing key texts in the light of theoretical developments to which he had himself contributed. If Miller’s strong and lasting interest in Conrad says something about the range of his critical interests, it also tells us something about the narrative sophistication and thematic richness of Conrad’s fiction. When John G. Peters and I co-edited Miller’s Reading Conrad (The Ohio State University Press, 2017), we were forcibly struck by Miller’s demonstration of the ways in which Conrad’s fiction responds to varying critical approaches. While Miller draws on aspects of phenomenology in his discussion of The Secret Agent in Poets of Reality: Six Twentieth-Century Writers (1965), an essay entitled “The Interpretation of Lord Jim” (1970) signals his critical move from phenomenology towards deconstruction. There is a link between this essay and his chapter on Lord Jim in Fiction and Repetition: Seven English Novels (1982). There is also a connection between both these discussions and narrative hermeneutics as represented by the German philosopher Hans-Georg Gadamer. In Truth and Method, first published in German as Wahrheit und Methode in 1960, Gadamer argues that not only do we as readers interpret the same text differently, but the text itself contains interpretative elements that influence the reader’s interpretation. Lord Jim is an excellent example of such a text since the novel’s characters and narrators give varying, in part conflicting, interpretations of the main character Jim. Miller’s interpretation of these interpretations is thoughtful and thought-provoking. While Miller’s literary criticism is consistently textual in its orientation, his studies of Conrad reveal a growing interest in, and focus on, elements of context and history. To put this another way, he becomes increasingly interested in the way in which the fiction is framed. Thus, while in an essay on Heart of Darkness from 1985 he writes of the narrative of Heart of Darkness as a general or unspecified process of unveiling, his interpretation of the same literary text [End Page 219] in an essay published in 2002 makes him consider Heart of Darkness as a critique of imperialism. Similarly, the essay “ ‘Material Interests’: Nostromo as a Critique of Global Capitalism” (2008) pays more attention to th","PeriodicalId":501354,"journal":{"name":"Conradiana","volume":"397 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138522407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0