{"title":"Co-creating a Brass Band Dance Number for a Large-scale Community Opera Project with the Aid of Improvisatory Techniques: Co-creativity within an Operatic Context","authors":"Oliver Rudland","doi":"10.46580/cx34966","DOIUrl":"https://doi.org/10.46580/cx34966","url":null,"abstract":"Community opera projects have often integrated bands of varying types to involve participants in ways other than singing and acting. Although many community opera projects incorporate co-creative elements and improvisation techniques in their composition, there is little coverage of how bands, in practice, can be involved as participants in the co-creative process of shaping a new community opera. This paper documents a practice research project that took place with Waterbeach Brass Band based in Cambridgeshire, UK. It records in detail the process whereby aspects of a brass band dance number were devised during co-creative improvisation workshops, and provides both audio-visual recordings and notated examples that capture the emergent creative process, alongside a commentary explaining the processes and methodological approaches employed. The paper discusses the different ways in which members of the brass band responded to improvisational workshops, and how this fed into the co-creative process. It subsequently examines how such co-creative elements can form part of a larger musical-dramatic presentation, demonstrating how they can be developed during an extended operatic scene.","PeriodicalId":49562,"journal":{"name":"Science in Context","volume":"155 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86635090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘The Vibrant, Passionate Human Soul He Was’: Robert Haven Schauffler’s The Unknown Brahms (1933) and the American Middlebrow","authors":"Adam Weitzer","doi":"10.46580/cx83220","DOIUrl":"https://doi.org/10.46580/cx83220","url":null,"abstract":"Written to mark the centenary of Brahms’s birth in 1933, Robert Haven Schauffler’s The Unknown Brahms (1933) was received rapturously by many American critics as a work which had humanised Brahms to a public that had perceived the composer as mysterious, contradictory, and unrelatable. Today, however, Schauffler’s book is regarded as a readable but unreliable work of popular psychology based not on serious research, but hearsay and rumour. Given its faults, why was The Unknown Brahms met with such acclaim by American critics? This article analyses the book’s early reception to explain its public success. Interpreting a range of reviews published in large-circulation newspapers, I situate The Unknown Brahms’s reception within the discursive context of the middlebrow, to which musicologists have devoted increasing attention in recent years. I also point to the prominence of popular psychology in interwar American society and its importance to a new paradigm of humanistic biography. I argue principally that The Unknown Brahms engrossed middlebrow readers and critics because it was an effective work of music appreciation which allowed lay listeners to engage empathetically with Brahms’s music. By contributing a new case study of Brahms’s American reception, the article broadens understandings of Brahms’s cultural status in the twentieth century.","PeriodicalId":49562,"journal":{"name":"Science in Context","volume":"137 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75106331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Helen J. English. Music and World-Building in the Colonial City: Newcastle, NSW, and its Townships, 1860–1880 (review)","authors":"S. Owens","doi":"10.46580/cx89103","DOIUrl":"https://doi.org/10.46580/cx89103","url":null,"abstract":"As Helen English rightly acknowledges early on in her wonderfully detailed study of music making in nineteenth-century Newcastle and its surrounds, while the area’s European settlers engaged enthusiastically in ‘building individual and collective worlds,’ their ‘world-building’ simultaneously (and violently) destroyed the country and lifestyle of the local Awabakal people (pp. 2, 29). In stark contrast, the locations covered in this book—the coalmining city of Newcastle, the pastoral settlement of Maitland, and a number of small towns nearby (among them Lambton, Wallsend, and Waratah, now all suburbs of Newcastle)—were all thriving by the 1860s. While there was a certain degree of demographic diversity between these settlements— Newcastle, for example, was chiefly home to miners, tradesmen, and itinerant port workers, compared to Maitland’s landowners and small-scale farmers—one feature they all shared was the significant amount of music-making that occurred within their communities. […]","PeriodicalId":49562,"journal":{"name":"Science in Context","volume":"41 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89885292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Improvisation, Ontology, and Davidson: Exploring the Improvisational Character of Language and Jazz","authors":"Sam McAuliffe","doi":"10.46580/cx87493","DOIUrl":"https://doi.org/10.46580/cx87493","url":null,"abstract":"At least since the 1990s, the relationship between linguistic communication and jazz improvisation has been a topic of interest to both philosophers of language and theorists of jazz improvisation. Rarely, however, are the shared elements of language and jazz explored directly. This article interrogates these elements, with a particular focus on improvisation by drawing upon the work of Donald Davidson. While Davidson himself does not readily employ the term ‘improvisation’, I argue that key ideas from Davidson’s work—the principle of charity, triangulation, and his argument that there is no such thing as a language—align with the concept of improvisation. In this article I offer a reading of Davidson’s work—a reading that highlights an improvisational character of his philosophy typically not made explicit—and, on the basis of the ontology of improvisation that emerges from Davidson’s philosophy, I explore the implications of that understanding of language for the way in which we understand jazz.","PeriodicalId":49562,"journal":{"name":"Science in Context","volume":"2 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90532605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Exploring Tasmania’s History and Landscape in Music for Children’s Performance: Don Kay’s There Is an Island (1977)","authors":"Holly Caldwell, C. Philpott, Maria Grenfell","doi":"10.46580/cx46584","DOIUrl":"https://doi.org/10.46580/cx46584","url":null,"abstract":"Tasmanian composer Don Kay (b. 1933) has made a significant contribution to music in his island state and in Australia more broadly in a career spanning over six decades. Many of his works explore aspects of Tasmania’s landscape and history, especially its Indigenous past, and of his 300 works, approximately ten percent are designed specifically for children to perform. Through these latter works, Kay has made a substantial contribution to educating children about locally relevant topics, a practice often overlooked within the context of art music and education. Kay’s works are regularly performed and held in high regard, particularly in Tasmania; however, his music has rarely been discussed in detail in the literature before now. In this article, we begin to address this gap by examining one of Kay’s most successful works for children to perform, There is an Island (1977), within the context of his work as a composer and educator. Drawing on primary data collected from the composer via interviews and surveys, relevant existing literature and our analyses of the score and recording of There is an Island,the article aims to illuminate the processes Kay has employed to write music for children that connects them with Tasmania’s landscape and history; and to demonstrate the ongoing relevance and significance of such work within Australian music.","PeriodicalId":49562,"journal":{"name":"Science in Context","volume":"92 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83793605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Science in ContextPub Date : 2022-09-01Epub Date: 2024-06-04DOI: 10.1017/S0269889724000048
Nicolas Michel, Ivahn Smadja
{"title":"The Ancients and the Moderns: Chasles on Euclid's lost <i>Porisms</i> and the pursuit of geometry.","authors":"Nicolas Michel, Ivahn Smadja","doi":"10.1017/S0269889724000048","DOIUrl":"https://doi.org/10.1017/S0269889724000048","url":null,"abstract":"<p><p>Of Euclid's lost manuscripts, few have elicited as much scholarly attention as the <i>Porisms</i>, of which a couple of brief summaries by late-Antiquity commentators are extant. Despite the lack of textual sources, attempts at restoring the content of this absent volume became numerous in early-modern Europe, following the diffusion of ancient mathematical manuscripts preserved in the Arabic world. Later, one similar attempt was that of French geometer Michel Chasles (1793-1880). This paper investigates the historiographical tenets and practices involved in Chasles' restoration of the porisms, as well as the philosophical and mathematical claims tentatively buttressed therewith. Echoes of the Quarrel of the Ancients and the Moderns, and of a long-standing debate on the authority and usefulness of the past, are shown to have decisively shaped Chasles' enterprise-and, with it, his integration of mathematical and historical research.</p>","PeriodicalId":49562,"journal":{"name":"Science in Context","volume":"35 3","pages":"199-251"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141238649","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Science in ContextPub Date : 2022-09-01Epub Date: 2024-06-04DOI: 10.1017/S0269889724000036
Ari Barell, Nurit Kirsh
{"title":"The hospital as a laboratory: Population studies at Tel-Hashomer hospital in Israel (1950s-1960s).","authors":"Ari Barell, Nurit Kirsh","doi":"10.1017/S0269889724000036","DOIUrl":"https://doi.org/10.1017/S0269889724000036","url":null,"abstract":"<p><p>In this article we examine how a leading Israeli hospital gradually became a large biomedical research facility, resembling a huge laboratory. For Chaim Sheba (1908-1971), the founder and first director of Tel-Hashomer Hospital, the massive immigration to Israel in the 1950s was a unique opportunity for research of diverse human populations, especially Jews who had arrived to Israel from Asia and Africa. The paper focuses on the way research and medical practices were integrated and their boundaries blurred, and studies the conditions under which an entire hospital became a research field. Using the case of one of Israel's prominent medical institutes, we explore and expand upon the idea of \"the hospital as a laboratory,\" arguing that, for Sheba, it was not only the hospital but the <i>entire country</i> that functioned as a great research site-a vast laboratory that \"had no walls.\"</p>","PeriodicalId":49562,"journal":{"name":"Science in Context","volume":"35 3","pages":"272-293"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141238651","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Science in ContextPub Date : 2022-09-01Epub Date: 2024-02-19DOI: 10.1017/S0269889724000012
Wybe Kuitert
{"title":"Botany and national identities: The Tokyo Cherry.","authors":"Wybe Kuitert","doi":"10.1017/S0269889724000012","DOIUrl":"10.1017/S0269889724000012","url":null,"abstract":"<p><p>When Japan faced the world after the collapse of its feudal system, it had to invent its own modern identity in which the Tokyo Cherry became the National Flower. Despite being a garden plant, it received a Latin scientific species name as if it was an endemic species. After Japan's colonial conquest of Korea, exploring the flora of the peninsula became part of imperial knowledge practices of Japan. In the wild, a different cherry was discovered in Korea that was proposed as the endemic parent of the Tokyo Cherry, supporting imperialist policies. Following Japan's defeat after the Pacific War, South Korea in turn entered its search for cultural identity. The supposed parent of the Tokyo Cherry was now successfully acclaimed as the parent species of the colonial oppressor's Tokyo Cherry and named the King Cherry. Such scientific practice into cherries smoothly intertwined with nationalism and its legacy continues to interfere with research today.</p>","PeriodicalId":49562,"journal":{"name":"Science in Context","volume":" ","pages":"252-271"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139900801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Science in ContextPub Date : 2022-09-01Epub Date: 2024-06-04DOI: 10.1017/S0269889724000024
Simone Schleper
{"title":"Victims and diplomats: European white stork conservation efforts, animal representations, and images of expertise in postwar ornithology.","authors":"Simone Schleper","doi":"10.1017/S0269889724000024","DOIUrl":"https://doi.org/10.1017/S0269889724000024","url":null,"abstract":"<p><p>This article discusses two approaches to save the European white stork populations from extinction that emerged after 1980. Despite the shared objective to devise transnational, science-based conservation measures, the two approaches' geographical focus was radically different. Projects by the World Wildlife Fund and the International Council for Bird Preservation focused firmly on the stork's wintering areas on the African continent. Interventions by a second group of ornithologists at the Max Planck Institute for Ornithology in Radolfzell concentrated on the Middle East as a migration bottleneck. Based on archival research, interviews and correspondence with involved ornithologists, the article examines stork representations as an important lens for investigating the professional politics of ecology and conservation. It shows that representations of white storks, the birds' ecology, and derived conservation hotspots became part of the boundary work used by European ornithologists in the creation of changing scientific and institutional identities.</p>","PeriodicalId":49562,"journal":{"name":"Science in Context","volume":"35 3","pages":"294-313"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141238654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}