HumanimaliaPub Date : 2024-05-13DOI: 10.52537/humanimalia.14951
Susan McHugh
{"title":"Apace","authors":"Susan McHugh","doi":"10.52537/humanimalia.14951","DOIUrl":"https://doi.org/10.52537/humanimalia.14951","url":null,"abstract":"Researching nonfiction writing about where you call home is one way of appreciating conservation challenges. Living at the edge of the Great North Woods in Maine, I have found this work to be enriched by daily dog walks that cumulatively mark changes across time. Structured as a seasonal cycle, this essay ponders an idiosyncratic collection of evidence of more-than-human comings and goings, witnessed on two feet, accompanied by four more, in the first two decades of the twenty-first century. By writing about encounters with wildlife at close range, I reflect on specific ways in which my reading and dog walking practices together inspire extensions of empathy toward the ineffable relations that structure nature–culture borderlands. Becoming attuned to the critters within and without, betwixt and between house and home through extensions of kinaesthetic empathy, my hope is to model the development of a posthuman ethos through developing a storied appreciation for the elusive, unnamed intimacies of nonhuman neighbourliness that include, but are not limited to, witnessing dying and death.","PeriodicalId":492016,"journal":{"name":"Humanimalia","volume":"35 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140985127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
HumanimaliaPub Date : 2024-05-13DOI: 10.52537/humanimalia.12928
Nicola McCartney
{"title":"Animal Drag","authors":"Nicola McCartney","doi":"10.52537/humanimalia.12928","DOIUrl":"https://doi.org/10.52537/humanimalia.12928","url":null,"abstract":"This essay proposes Animal Drag as an activist performance in which a human critically and consciously performs animality to de-centre the human. Dress and adornment are key to its dissidence. Animal Drag’s potential is demonstrated through an analysis of Terry Notary’s performance of a nonhuman primate within Ruben Östlund’s 2017 film The Square. Drawing on posthuman studies, scholarship on subordinated groups and from the field of animal studies, the reading of this performance shows how Animal Drag inherently queers humanist and essentialist notions of classification, particularly the human / animal divide. Paying homage to drag, the essay demonstrates how the material and social semiotics of performance can render transparent the constructions of race, coloniality, ability, and gender, as much as species — in other words, “doing human”. Through theories of dress and prosthesis, highlighting how techne facilitates in-between and “becoming” states, and affect theory, this article argues that humans and nonhumans might share vulnerabilities via Animal Drag. Culture is understood through language and dress, which have been mobilised to construct Otherness. As such, this essay posits that Animal Drag should take place within capitalist Culture industries, as both weapons and targets, to undress powers present and performed. Animal Drag is offered as both practice and theory, content and form.","PeriodicalId":492016,"journal":{"name":"Humanimalia","volume":"84 23","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140984534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
HumanimaliaPub Date : 2024-05-13DOI: 10.52537/humanimalia.15525
Lee Deigaard
{"title":"Horizon/Horse","authors":"Lee Deigaard","doi":"10.52537/humanimalia.15525","DOIUrl":"https://doi.org/10.52537/humanimalia.15525","url":null,"abstract":"Photographs and text explore multi-species empathy and loss through a long-term companionate relationship with a significant horse as teacher, collaborator, muse, and beacon. The images were made without request or instruction during acts of reciprocal caretaking and exploration. They record the pauses and accommodations of two bodies within a landscape seemingly unchanging except with the light, seasons, time, perspective, and the infinite amplitude within the daily and familiar, between human and non-human. The body of the horse becomes actual landscape, imagined landscape, embodied landscape. The text derives from writings made in the horse’s presence. To approach, to touch another carries a charge– whether of transgression or congruence. The feeling of close connection in any intimate relationship also carries a sense of deep strangeness and far places. Who bodies are, where and how they occupy the landscape– itself a body– defines relationships. This project considers how (human and non-human) animals experience space and proximity, distance and absence, and how we bond to one another. Our histories and memories, yearnings, inform the through-lines of synchronous connection.","PeriodicalId":492016,"journal":{"name":"Humanimalia","volume":"38 16","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140982530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
HumanimaliaPub Date : 2024-05-13DOI: 10.52537/humanimalia.16066
Mark and Bryndís Wilson and Snæbjörnsdóttir
{"title":"Passing – Captive – Still","authors":"Mark and Bryndís Wilson and Snæbjörnsdóttir","doi":"10.52537/humanimalia.16066","DOIUrl":"https://doi.org/10.52537/humanimalia.16066","url":null,"abstract":"The images in Passing Captive Still depict humans together with birds in cages, their respective presence conjoined at eye-level. In this series, both human actors and the birds themselves are, in every case, seen through the cage bars suggesting a subversive, equalizing narrative. The strategic, pictorial conflation produces an uncanniness, which is both quaint and unsettling. As far as the images themselves are to be believed, both species are apparently “imprisoned” in the pictorial space. In order further to upset what might be the expected power balance of the auction house and event, the various bird individuals, pairs or groupings, appear always in front of the human actors, thereby privileging them within that space. An objective, reflective and contextualising commentary is interspersed alternately with a subjective view, apparently from the position of those held captive against their will.","PeriodicalId":492016,"journal":{"name":"Humanimalia","volume":"70 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140983589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
HumanimaliaPub Date : 2023-10-26DOI: 10.52537/humanimalia.13618
Anastassiya Andrianova
{"title":"Dino Fix","authors":"Anastassiya Andrianova","doi":"10.52537/humanimalia.13618","DOIUrl":"https://doi.org/10.52537/humanimalia.13618","url":null,"abstract":"In this essay, I combine ecofeminism, critical animal studies, and vegan studies to analyse the depictions of dinosaurs in a vegan picturebook, Robert Neubecker’s Linus the Vegetarian T. Rex. Because picturebook dinosaurs, like the titular Linus, can mobilize the intense “conceptual interest” in dinosaurs found among young children, I argue that a co-reading of Linus can help initiate conversations and facilitate learning about difficult “adult” concepts, such as evolution, extinction, and the Anthropocene, in children primarily but not limited to ages four to six. As compared to largely anthropocentric mainstream children’s literature, a vegan picturebook like Linus can also intervene in early childhood education before children are socialized into dominant anthroparchal ideologies that normalize the consumption of animals and contribute to global warming; moreover, it can promote positive attitudes toward science and STEM (science, technology, engineering, and mathematics) education. Due to its ambiguous and open-ended messaging, as well as its imaginative approach of enlivening dinosaur fossils at a natural history museum, Neubecker’s Linus arguably encourages an ethical stance toward living nonhuman animals and thus offers a blueprint for “a picturebook for the Anthropocene”: challenging the more obviously reductive instrumentalist depiction of dinosaurs in mainstream children’s literature; raising awareness about the climate crisis by promoting veganism and vegetarianism while also interrogating gendered assumptions about plant-eating; and combating sexist and adultist attitudes toward science education.","PeriodicalId":492016,"journal":{"name":"Humanimalia","volume":"23 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134908766","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
HumanimaliaPub Date : 2023-10-26DOI: 10.52537/humanimalia.12804
Catherine Duxbury
{"title":"Biological Weapons Testing at Porton Down","authors":"Catherine Duxbury","doi":"10.52537/humanimalia.12804","DOIUrl":"https://doi.org/10.52537/humanimalia.12804","url":null,"abstract":"This article focuses on the use of nonhuman animals for biological weapons testing by military scientists at Porton Down Defence Science and Technology Laboratory, 1948–1955. After the end of the Second World War and the beginning of the Cold War, the British state and its allies invested in new military technologies which could ensure their superiority in times of conflict. My analysis reveals the partial workings of the Porton Down Laboratory through its historical use of nonhuman animals. I demonstrate that nonhuman animals were simultaneously effaced and made visible during biological warfare experiments. This effacement and visibility was dependent on anthropocentric notions of animal subjection whereby their use in experiments made them “seen” as resources for use, yet paradoxically elicited their nonexistence as subjects. I extend the notion of “strategic ignorance” to develop a novel concept of “strategic effacement” to demonstrate this contradictory relationship which both impacted scientific “objectivity” and contributed to the continued exploitation of animals in the laboratory.","PeriodicalId":492016,"journal":{"name":"Humanimalia","volume":"39 6-7","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134909430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
HumanimaliaPub Date : 2023-10-26DOI: 10.52537/humanimalia.13534
Hanneke Ronnes, Harry Reddick
{"title":"Untamed Nature","authors":"Hanneke Ronnes, Harry Reddick","doi":"10.52537/humanimalia.13534","DOIUrl":"https://doi.org/10.52537/humanimalia.13534","url":null,"abstract":"The cat is now one of the most popular pets in the Netherlands, but it was once much maligned. The development of the European cat as a pet in general followed a trajectory from outcast with wealthy ladies as its sole ally, via idiosyncratic nobles and romantics, to the beloved and subversive muse of artists and creatives. The history of the French, English, and American cats has received attention in the past, but that of the Dutch cat has not. This latter history took a somewhat different turn, as is shown in this article. In the Netherlands the cat was adopted in the last quarter of the nineteenth century by the bourgeois and urban elite as well as by socialists, feminists, and avantgarde artists. The class-adjacent cultural tug of war that ensued about the cat was eventually won by the latter groups. These counter-cultural movements saw the cat as emblematic of their cultural position as creatives and people at the edge of society, linking the recalcitrant and enigmatic character of cats to their own idiosyncrasies. This association was to persist in the Netherlands and is mirrored today in the mainly left-wing political orientation of the Dutch cat-owner.","PeriodicalId":492016,"journal":{"name":"Humanimalia","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134908347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
HumanimaliaPub Date : 2023-10-26DOI: 10.52537/humanimalia.16715
Mariam Motamedi Fraser
{"title":"Writing on the Animal’s Side","authors":"Mariam Motamedi Fraser","doi":"10.52537/humanimalia.16715","DOIUrl":"https://doi.org/10.52537/humanimalia.16715","url":null,"abstract":"Review of: Éric Baratay, Animal Biographies: Toward a History of Individuals. Translated by Lindsay Turner. Animal Voices / Animal Worlds. Athens: University of Georgia Press, 2022. 240 pp. $28.95 (pb)","PeriodicalId":492016,"journal":{"name":"Humanimalia","volume":"500 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134908585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
HumanimaliaPub Date : 2023-10-26DOI: 10.52537/humanimalia.12856
Agathe Lemaitre
{"title":"Afterlives of the Clouded Leopard","authors":"Agathe Lemaitre","doi":"10.52537/humanimalia.12856","DOIUrl":"https://doi.org/10.52537/humanimalia.12856","url":null,"abstract":"This paper analyses the afterlives of the likulau (clouded leopard), through its spiritual presence and material traces among the indigenous Paiwan people of Taiwan. Despite having been locally extinct for over half a century, the clouded leopard still continues to inhabit the myths and imaginations of the local population. In traditional Paiwan culture, the clouded leopard held a special status, and its skin and teeth were used to make ritual clothes and adornments for the village chiefs. In this paper, I explore the significance of these likulau artefacts in contemporary Paiwan society. I also examine how the Paiwan’s interactions with and the cultural significance of these objects have evolved in connection with environmental changes and social transformations of Paiwan society. As embodied in these material traces, the clouded leopard is both absent and present, extinct and alive. I explore this spectral presence via the concept of survivance (Didi-Huberman), examining how the ambiguous persistence of the clouded leopard relates to the resilience of traditional Paiwan culture.","PeriodicalId":492016,"journal":{"name":"Humanimalia","volume":"4 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134908328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
HumanimaliaPub Date : 2023-10-26DOI: 10.52537/humanimalia.15995
Daniel Breeze
{"title":"Pet Revolution?","authors":"Daniel Breeze","doi":"10.52537/humanimalia.15995","DOIUrl":"https://doi.org/10.52537/humanimalia.15995","url":null,"abstract":"Review of: Jane Hamlett and Julie-Marie Strange. Pet Revolution: Animals and the Making of Modern British Life. London: Reaktion Books, 2023. 256 pp., 42 illustrations. £20 (hb; ebook) ISBN 978-1-78914-686-8","PeriodicalId":492016,"journal":{"name":"Humanimalia","volume":"6 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136381099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
求助内容：
应助结果提醒方式：