前进

Susan McHugh
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引用次数: 0

摘要

对自己的家乡进行非虚构写作研究是了解保护挑战的一种方式。我住在缅因州北部大森林的边缘,发现每天遛狗的经历丰富了我的写作内容,而这些经历也累积了时间的变迁。这篇文章以季节循环为结构,思考了 21 世纪头 20 年里,在四只狗的陪伴下,用两只脚见证的非人类来来往往的特异证据集。通过书写与野生动物的近距离接触,我反思了我的阅读和遛狗实践共同激发共鸣的具体方式,这种共鸣延伸到了构建自然-文化边界的不可言喻的关系中。我希望通过对非人类邻里关系中难以捉摸、难以名状的亲密关系(包括但不限于见证死亡和濒死)的如数家珍的欣赏,来塑造一种后人类精神的发展模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Apace
Researching nonfiction writing about where you call home is one way of appreciating conservation challenges. Living at the edge of the Great North Woods in Maine, I have found this work to be enriched by daily dog walks that cumulatively mark changes across time. Structured as a seasonal cycle, this essay ponders an idiosyncratic collection of evidence of more-than-human comings and goings, witnessed on two feet, accompanied by four more, in the first two decades of the twenty-first century. By writing about encounters with wildlife at close range, I reflect on specific ways in which my reading and dog walking practices together inspire extensions of empathy toward the ineffable relations that structure nature–culture borderlands. Becoming attuned to the critters within and without, betwixt and between house and home through extensions of kinaesthetic empathy, my hope is to model the development of a posthuman ethos through developing a storied appreciation for the elusive, unnamed intimacies of nonhuman neighbourliness that include, but are not limited to, witnessing dying and death.
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