Untamed Nature

Hanneke Ronnes, Harry Reddick
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Abstract

The cat is now one of the most popular pets in the Netherlands, but it was once much maligned. The development of the European cat as a pet in general followed a trajectory from outcast with wealthy ladies as its sole ally, via idiosyncratic nobles and romantics, to the beloved and subversive muse of artists and creatives. The history of the French, English, and American cats has received attention in the past, but that of the Dutch cat has not. This latter history took a somewhat different turn, as is shown in this article. In the Netherlands the cat was adopted in the last quarter of the nineteenth century by the bourgeois and urban elite as well as by socialists, feminists, and avantgarde artists. The class-adjacent cultural tug of war that ensued about the cat was eventually won by the latter groups. These counter-cultural movements saw the cat as emblematic of their cultural position as creatives and people at the edge of society, linking the recalcitrant and enigmatic character of cats to their own idiosyncrasies. This association was to persist in the Netherlands and is mirrored today in the mainly left-wing political orientation of the Dutch cat-owner.
野性
这只猫现在是荷兰最受欢迎的宠物之一,但它曾经饱受诟病。欧洲猫作为宠物的发展大体上遵循了一条轨迹,从被富裕的女士视为唯一盟友的弃儿,到独特的贵族和浪漫主义者,再到艺术家和创意人员心爱的颠覆性缪斯。过去,法国、英国和美国猫的历史受到了关注,但荷兰猫的历史却没有受到关注。正如本文所示,后一段历史发生了一些不同的转折。在荷兰,猫在19世纪最后25年被资产阶级和城市精英以及社会主义者、女权主义者和前卫艺术家收养。围绕猫展开的、与阶级相邻的文化拉锯战最终由后者获胜。这些反文化运动把猫看作是他们作为创造者和社会边缘人的文化地位的象征,把猫的倔强和神秘的性格与他们自己的特质联系起来。这种联系在荷兰持续存在,今天反映在荷兰猫主人的主要左翼政治倾向上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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