Cultural Studies最新文献_第8页

Feeling against the plot: an African diaspora feminist politics of happiness 反对阴谋的感觉：非洲侨民的女权主义幸福政治

IF 1.5 3区社会学

Cultural Studies Pub Date : 2022-09-12 DOI: 10.1080/09502386.2022.2104897

Samantha Pinto

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引用次数: 0

Deutscher Gangsta-Rap III 德国黑帮说唱3

IF 1.5 3区社会学

Cultural Studies Pub Date : 2022-09-01 DOI: 10.14361/9783839460559

引用次数: 1

Oceanic bellies and liquid feminism in Fatou Diome’s Le Ventre de l’Atlantique 海洋的肚子和流动的女权主义在法图·迪奥姆的《大西洋冒险》中

IF 1.5 3区社会学

Cultural Studies Pub Date : 2022-08-25 DOI: 10.1080/09502386.2022.2104899

Polo B. Moji

{"title":"Oceanic bellies and liquid feminism in Fatou Diome’s Le Ventre de l’Atlantique","authors":"Polo B. Moji","doi":"10.1080/09502386.2022.2104899","DOIUrl":"https://doi.org/10.1080/09502386.2022.2104899","url":null,"abstract":"ABSTRACT Winner of the 2003 Prix des Hémisphères Chantal Lapicque, and translated into German, Italian, Portuguese, Spanish and English, Fatou Diome’s 2003 novel, Le Ventre de l’Atlantique [ The Belly of the Atlantic, 2006] plays on the image of the Atlantic as an oceanic belly. This article explores the usefulness of the black Atlantic epistemology (Glissant 1990, Gilroy 1993) as a site for imagining the production of diasporic space, alongside the critique that ‘by excluding Africa, Gilroy has in effect narrowed the Africanness or Africanity of the ‘Black Atlantic’ (Masilela 1996, p. 88). Through Diome’s novel, I explore how this intersects with a feminist project of rendering visible the spatialization of difference, through an engagement with the geographies of domination. Borrowing from Zymunt Bauman’s (2006) notion of liquid modernity, I therefore propose ‘liquid feminism’ as a framework that relates the globalised oceanic mobilities of African migrants to the structures of patriarchal domination which render black women’s lives ‘ungeographic’ (McKittrick 2006). I start by exploring the geographic sensibility of Diome’s poetics, including her use of the language of geography and her personification of the Atlantic Ocean. I then analyse how her portrayal of a geulwaar matriclan subverts the notion of Western feminism as rescuing African women who are trapped by ‘tradition’. Finally, I explore Diome’s notion of ‘geographic suicide’ as associated with the reflexivity of African women as modern subjects a site for the ‘affective mapping’ (Flatley 2009) of diasporic identity. Ultimately, the article illustrates how Diome’s feminist re-imagining of the black Atlantic centres Africa and Africanness, combating the temporal dislocation that fixes the continent as a space that is lost in the originary moment of rupture of the Middle Passage.","PeriodicalId":47907,"journal":{"name":"Cultural Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45308567","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Modern African humans effecting Atlantic middle passes 影响大西洋中路的现代非洲人

IF 1.5 3区社会学

Cultural Studies Pub Date : 2022-08-16 DOI: 10.1080/09502386.2022.2104901

Janine Jones

{"title":"Modern African humans effecting Atlantic middle passes","authors":"Janine Jones","doi":"10.1080/09502386.2022.2104901","DOIUrl":"https://doi.org/10.1080/09502386.2022.2104901","url":null,"abstract":"ABSTRACT This essay challenges the traditional focus of the Black Atlantic on Anglophone-dominant movement and culture by prioritizing Afro-Francophone discussion, through a philosophical contextualization of Fatou Diome’s Le Ventre de L’Atlantique in conversation with Aminata Traoré’s Le Viol de L’Imaginaire. The essay offers an exploration of fugitivity or exile from colonially structured material conditions and lived experiences of unfreedom in African contexts, notions present in both narratives. After presenting and analyzing a key element of the encounter between Western human beings and African human be-ings, it considers a central element of Diome’s novel, in counterpart with a central theme of Traoré’s text. It explores the idea that the type of fugitivity that transpires in Diome’s novel, and the kind of exile of which Traoré speaks, can be understood as, in part, a result of a salient feature of the relationality between human beings and human be-ings. In that Diome’s Salie and Traoré tell their communities what they know about the West and how Africans really fare there, they break through community lies and ignorance that aid and abet – but do not, at the root, cause – the complex situation of capture and captivation that coerce or seduce Africa’s youth into varying states of fugitivity or exile. Both propose reimaging and rebuilding Africa for Africans – an endeavour requiring that African youth remain in Africa.","PeriodicalId":47907,"journal":{"name":"Cultural Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-08-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45125028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

‘It was a departure of sorts’: glocal homes in recent short fiction by Chimamanda Ngozi Adichie, Efemia Chela, Chibundu Onuzo and Lesley Nneka Arimah “这是某种意义上的背离”:Chimamanda Ngozi Adichie、Efemia Chela、Chibundu Onuzo和Lesley Nneka Arimah在最近的短篇小说中描述了当地的家庭

IF 1.5 3区社会学

Cultural Studies Pub Date : 2022-08-10 DOI: 10.1080/09502386.2022.2104894

J. Terry

{"title":"‘It was a departure of sorts’: glocal homes in recent short fiction by Chimamanda Ngozi Adichie, Efemia Chela, Chibundu Onuzo and Lesley Nneka Arimah","authors":"J. Terry","doi":"10.1080/09502386.2022.2104894","DOIUrl":"https://doi.org/10.1080/09502386.2022.2104894","url":null,"abstract":"ABSTRACT This article takes off from two of the angles of contention found in critical responses to Paul Gilroy’s The Black Atlantic and subsequent Atlanticist studies: asymmetries and exclusions along gender lines, and insufficient attention to the dynamics of contemporary global capital. It examines what gets articulated when recent African short fiction is approached via a frame centered on the location of home, gendered labour, sexual and reproductive economies, and the interrelation of the domestic and capitalism. In particular, it is informed by Alexis Pauline Gumbs’s counter-heuristic to Gilroy, the Black Feminine Domestic. Gumbs’s attempt to make visible such a subject position and forms of labour prompts my focus on domestic workers and analogous figures, often migrant and low paid and sometimes found only at the edges of texts. I discuss Efemia Chela’s ‘Chicken’ (2014), Chibundu Onuzo’s ‘Sunita’ (2015), Lesley Nneka Arimah’s ‘Skinned’ (2019), and, from Chimamanda Ngozi Adichie’s collection The Thing Around Your Neck (2009), the stories ‘Imitation,’ ‘The Thing Around Your Neck’ and ‘On Monday of Last Week.’ Here the tropes of circulation and regimes of rationality identified by Gilroy find counterparts in the structuring of workforces, the reach of body and biopolitics, and discourses of national borders and migration. The lens of ‘women’s work’ permits an intersectional shift in and beyond Black Atlantic frames and the heteropatriarchal imagination, but the selected material and preoccupations here also seek to offer another opening on debates about, and genres of, ‘African’ writing.","PeriodicalId":47907,"journal":{"name":"Cultural Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43816914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Stirring the sugar in the English cup of tea: more notes on the continuing relevance of Stuart Hall 搅拌英国茶中的糖：斯图尔特·霍尔持续相关性的更多注释

IF 1.5 3区社会学

Cultural Studies Pub Date : 2022-08-07 DOI: 10.1080/09502386.2022.2108867

A. Meghji

引用次数: 0

The hashtag: the most conspicuous sign of our times 标签：我们这个时代最显眼的标志

IF 1.5 3区社会学

Cultural Studies Pub Date : 2022-08-07 DOI: 10.1080/09502386.2022.2108864

Xie Yashu

引用次数: 0

Violent spectre of ghost limbs 幽灵肢体的暴力幽灵

IF 1.5 3区社会学

Cultural Studies Pub Date : 2022-08-07 DOI: 10.1080/09502386.2022.2108866

Emre Keser

{"title":"Violent spectre of ghost limbs","authors":"Emre Keser","doi":"10.1080/09502386.2022.2108866","DOIUrl":"https://doi.org/10.1080/09502386.2022.2108866","url":null,"abstract":"sion and appropriation are harmless preoccupations. In the conclusion of the book Khanna analyses Fanon’s elaboration of the disjuncture between the body and the anticolonial rhetoric of the colonized. Drawing on Fanon’s authority enables her to generalize her abstractions drawn from the fiction of the sub-Indian continent, seeking an account of decolonization elsewhere. The bodily dysfunctions explored in this literature explain the paralyzing tensions that exist among the colonized who aim less to ‘become’ but more to ‘substitute’ the settlers. The distinction here is of course critical: as Khanna argues, ‘the act of becoming’ could have ushered in a historical subject and paved the way for an alternative instantiation of decolonization. The extent that realism stifles the revolutionary ardor of eroticism or casts it as simply pornographic is a promising line of argument as proposed by the author. Indeed, Khanna indirectly asks us to rewrite the nationalist canons in order to distinguish the revolutionary from the pseudo-revolutionary arts. Here Khanna assumes that had the nationalists dwelled more on modernism instead of realism, colonial Indians or Algerians could have withstood a chance in regaining their freedom beyond the political instantiation of freedom. Differently put, realism could or could not have been an empowering mode of expression to galvanize action for the nationalist cause against colonialism, but after independence realism became a liability. Still, the logic of Visceral Logics looks like it is charging literary and cultural elites with failing to draw the kind of excitations that would somehow reverse the postcolonial dysfunction. After its perhaps demanding early chapters, students of postcolonialism will find this book exceptionally rewarding, where Khanna’s contribution will reshape literary scholarship for generations to come in the way The Country and the City (1973) by Raymond Williams or Orientalism (1978) by Edward Said have done.","PeriodicalId":47907,"journal":{"name":"Cultural Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42653617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Queering the black Atlantic: transgender spaces in Akwaeke Emezi’s writing and visual art 使黑人大西洋变酷:阿克瓦克·埃梅齐写作和视觉艺术中的跨性别空间

IF 1.5 3区社会学

Cultural Studies Pub Date : 2022-07-29 DOI: 10.1080/09502386.2022.2104893

Rocío Cobo-Piñero

{"title":"Queering the black Atlantic: transgender spaces in Akwaeke Emezi’s writing and visual art","authors":"Rocío Cobo-Piñero","doi":"10.1080/09502386.2022.2104893","DOIUrl":"https://doi.org/10.1080/09502386.2022.2104893","url":null,"abstract":"ABSTRACT The last two decades have witnessed an emergence of African queer representations in literature and the arts that have been framed as interventions in cultural politics and as expressions of dissent. In this vein, I contend that it is necessary to consider queerness and diaspora together in order to rethink Gilroy's black Atlantic. Another important pursuit since the publication of The black Atlantic (1993) has been reclaiming the place of Africa and its broad cultural production, which was largely overlooked in Gilroy's Westernized discussion of modernity. This article thus explores the growth of African queer studies in African literature and film, and goes on to focus on Nigerian-born transgender writer and visual artist, Akwaeke Emezi. Their experimental videos and photographs use Igbo traditions as part of their own expression of a gender non-binary African self in the diaspora. In their essay, ‘Transition' (2018a), Emezi challenges Western notions of gender through an African lens and reclaims their indigenous beliefs from a decolonial perspective. In defining what it means to be transgender, Emezi posits the notion that they might be an ogbanje, a spirit child found in some African pre-colonial cultures that does not conform to Western ideas of gender. Likewise, in the critically acclaimed debut novel Freshwater (2018b), the artist draws in part from their own life to tell the story of Ada, a young Igbo and Tamil woman haunted by the ogbanje, offering a poetic account of gender transition through the polyphonic voices of spirits that inhabit the protagonist. Emezi’s combination of personal experience and art makes visible multiple African, diasporic, and gender identities in the black Atlantic.","PeriodicalId":47907,"journal":{"name":"Cultural Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44581888","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

How black is African Noir?: defining blackness through crime fiction 非洲黑葡萄酒有多黑？：从犯罪小说看黑人

IF 1.5 3区社会学

Cultural Studies Pub Date : 2022-07-28 DOI: 10.1080/09502386.2022.2104892

S. Naidu

{"title":"How black is African Noir?: defining blackness through crime fiction","authors":"S. Naidu","doi":"10.1080/09502386.2022.2104892","DOIUrl":"https://doi.org/10.1080/09502386.2022.2104892","url":null,"abstract":"ABSTRACT This article examines African noir as a literary sub-genre that attempts to articulate a revised and updated black Atlantic counterculture (1993). Using the framework provided by Paul Gilroy’s concept of a black Atlantic model of critique, African noir is shown to be transnational and intercultural in many aspects, thereby resisting racist discourses and expanding on conceptualisations of blackness and gender. Two primary texts are selected for analysis: Mukoma Wa Ngugi’s Nairobi Heat (2010) and Leye Adenle’s Easy Motion Tourist (2016). In both novels, detective figures are shown to be transnational, with local, national, or ethnic affiliations and intercultural relations which enable their detection. The article mounts a two-pronged argument. Primarily, both examples of African noir are read as texts which continue the legacy of Gilroy’s pioneering black Atlantic project of uncovering the cultural impact of colonialism and slavery on Africans on the continent and in the African diaspora. Secondarily, by examining the representation of female figures in the selected the texts, the article critically evaluates African noir’s attempt to resist the hegemonic racial and gendered representations of classic noir. To conclude, the article considers how, through the creation of intercultural and intersectional detective trios, the novels explore new black Atlantic race and gender relations, and the potential for solidarity in the face of crime.","PeriodicalId":47907,"journal":{"name":"Cultural Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49305495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0