PoeticsPub Date : 2025-06-01Epub Date: 2025-03-04DOI: 10.1016/j.poetic.2025.101996
Neha Gondal
{"title":"Rulenet: Mapping the structure of cultural preferences using association-rules and network graphs","authors":"Neha Gondal","doi":"10.1016/j.poetic.2025.101996","DOIUrl":"10.1016/j.poetic.2025.101996","url":null,"abstract":"<div><div>Sociologists have persuasively argued that cultural meaning can be interpreted by analyzing the systems of relations that measure the so-called ‘going together’ of cultural materials. Research investigating cultural tastes and preferences has used this approach to interpret consumption patterns as relational systems using a variety of techniques including multidimensional scaling, two-mode network analysis, and variable correlation networks. I contribute to this growing set of tools by describing and demonstrating the use of a datamining technique with scant history of use within sociology, called ‘association-rules.’ The key contribution of this technique is that it generates directed relationships between variables (e.g., preference for opera → preference for ballet), which has several advantages over existing techniques that conceptualize relationality in terms of mutual presence. I show how such ‘one-sided’ clustering (A goes with B, but B may not go together with A) can be represented and analyzed as network graphs, an approach I call ‘Rulenet.’ I discuss how the proposed technique can provide relatively novel insights into the organizations of tastes, less feasible via other techniques, and illustrate Rulenet on two well-known cultural participation survey datasets for the United States: (1) The Survey of Public Participation in the Arts (SPPA) from 2017 and (2) The General Social Survey Culture Module from 1993 (GSS).</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"110 ","pages":"Article 101996"},"PeriodicalIF":2.0,"publicationDate":"2025-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143549838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PoeticsPub Date : 2025-06-01Epub Date: 2025-03-04DOI: 10.1016/j.poetic.2025.101998
Ellen Loots , Walter van Andel
{"title":"Artists as change agents in cross-sector partnerships: A typology","authors":"Ellen Loots , Walter van Andel","doi":"10.1016/j.poetic.2025.101998","DOIUrl":"10.1016/j.poetic.2025.101998","url":null,"abstract":"<div><div>In recent years, there has been a resurgence of practices and activities that involve artists and designers as change agents in cross-sector partnerships. These practices are often considered separate from artists’ core activities and remain underexplored in research. This paper aims to classify these practices into a typology, beginning with a conceptual framework informed by initial perceptions of the field, which was subsequently refined through insights from relevant literature and expert interviews. The typology highlights the diversity of ‘change agency partnerships’ involving artists and identifies the exchange mechanisms that define each mode: transactional commissions, coordinated public (co-)production, goal-directed collaboration, and transformational co-creation. This typology serves as a heuristic tool for discussing, analyzing, and organizing the role of the arts in addressing societal challenges and driving change. As a conversation starter, we discuss what is needed for artists to assume the role(s) as change agents and how creativity and change within such partnerships can be organized.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"110 ","pages":"Article 101998"},"PeriodicalIF":2.0,"publicationDate":"2025-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143549837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PoeticsPub Date : 2025-06-01Epub Date: 2025-03-14DOI: 10.1016/j.poetic.2025.101985
Mark Wittek , Katharina Burgdorf
{"title":"Networks and Artistic Status Orders in Cultural Fields: The Evolution of Hollywood Filmmaking","authors":"Mark Wittek , Katharina Burgdorf","doi":"10.1016/j.poetic.2025.101985","DOIUrl":"10.1016/j.poetic.2025.101985","url":null,"abstract":"<div><div>How do status orders emerge in cultural fields? Our study sheds new light on this question by investigating the interplay of networks and status among Hollywood filmmakers from 1920 to 2000. Information on artistic references and collaborations of more than 9,500 filmmakers retrieved from the Internet Movie Database (IMDb) allows us to examine long-term changes in the social organization of this cultural field. Our findings suggest that the distribution of social recognition—measured by filmmakers’ prominence in collaborative ties and artistic references—became more stratified as the field grew. Furthermore, collaborations increasingly exhibited segregation according to filmmakers’ artistic status during the New Hollywood era (1960–1980). This period was characterized by the rising prominence of a new generation of filmmakers who established film as an art form in the U.S. This article shows that contextual characteristics, such as a field's size and institutional environment, can foster or impede stratification and segregation in collaborative networks among cultural producers.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"110 ","pages":"Article 101985"},"PeriodicalIF":2.0,"publicationDate":"2025-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143628618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PoeticsPub Date : 2025-06-01Epub Date: 2025-03-28DOI: 10.1016/j.poetic.2025.102003
Xinwei Xu , Alessandro Lomi , Christoph Stadtfeld
{"title":"The dual clustering of tastes and ties: Extending the notion of relational similarity in cultural fields","authors":"Xinwei Xu , Alessandro Lomi , Christoph Stadtfeld","doi":"10.1016/j.poetic.2025.102003","DOIUrl":"10.1016/j.poetic.2025.102003","url":null,"abstract":"<div><div>Sociological research on culture has long conceptualized categorical differentiation in terms of relational “distances” and relied on network imagery to describe the structural properties of fields of cultural production and consumption. Partly constrained by research design, extant research on relational similarity often focuses on either one-mode social networks, or two-mode cultural affiliation networks independently. Only a few recent empirical studies have considered the multiplex interaction between affiliations to cultural artifacts or categories and social relations embedding audience members within a system of dependence relations. We extend the notion of relational similarity to consider the interplay of cultural preferences and social ties and explore how distances between cultural genres are shaped by the mutually constitutive relation linking individual preferences and social networks. Analyzing a large online network of users (N = 43,549) and their expressed music preferences, we show that considering preferences alone results in two genre clusters separated by crisp boundaries. Considering both preferences as well as social network ties yields a sparse, connected component where the boundaries of genre categories become blurred. The study provides evidence that the structure of the space spanned by musical genres varies considerably once the connectivity properties of tastes and ties are jointly considered. This happens because social connections expose individuals to a set of potential future preferences that is typically broader than the set containing their current personal tastes. We discuss the qualitative implications of this result and its significance for future research on the duality of cultural tastes and social ties.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"110 ","pages":"Article 102003"},"PeriodicalIF":2.0,"publicationDate":"2025-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143715327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mapping relational structures in culture","authors":"Marco Serino , Thierry Rossier , Elisa Klüger , Fabien Eloire","doi":"10.1016/j.poetic.2025.102005","DOIUrl":"10.1016/j.poetic.2025.102005","url":null,"abstract":"<div><div>Culture is a relational concept, and the empirical manifestations of culture are worth being analysed in a structural vein to unveil the patterns of relations constituting them. Critical to exploring the intersections of culture and structure are relational methodologies, especially geometric data analysis (GDA) and social network analysis (SNA). Over the years, these two perspectives – as distinct strategies or in combination with one another – have been proved well-suited to understand the inherent relationality of cultural phenomena. The present editorial takes stock of the development of such analytical frameworks to look at the recent progress in the study of cultural structures, in continuity with a tradition of sociological research most especially disseminated through <em>Poetics</em>. It develops three core elements in the sociological study of culture: the relational <em>theory</em> mobilised in such study, its relational <em>focus</em> in terms of the cultural entities studied, and its relational <em>methodologies</em>. This special issue gathers ten empirical papers that span cultural consumption, artistic and scientific fields, media usage, and knowledge production, employing various empirical tools available in GDA and SNA to map relational structures in culture. It thus offers new insights into the interplay between culture and structure and provides valuable tools and perspectives for future research in cultural sociology.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"110 ","pages":"Article 102005"},"PeriodicalIF":2.0,"publicationDate":"2025-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143855303","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PoeticsPub Date : 2025-06-01Epub Date: 2025-03-15DOI: 10.1016/j.poetic.2025.102000
Michael Lee Wood, Travis Ashby
{"title":"Cultural power via contaminating dualities","authors":"Michael Lee Wood, Travis Ashby","doi":"10.1016/j.poetic.2025.102000","DOIUrl":"10.1016/j.poetic.2025.102000","url":null,"abstract":"<div><div>Cultural objects possess varying degrees of cultural power, defined as their capacity to directly or indirectly shape beliefs and behavior. Research on cultural objects has identified various ways cultural objects possess cultural power, such as by evoking meanings and emotions and stabilizing and disrupting collective practices. This paper extends research on cultural power by investigating how the dualities of cultural objects contribute to cultural power. Cultural objects do not exist in isolation, but are connected to various persons, places, and things. For example, a TV show has a dual relation with its fans, such that the show's identity is partially constituted by its fans, and the fans’ identities by the show they watch. These dual relations facilitate “contamination,” insofar as something or someone tied to a cultural object alters the meaning of the other persons and things associated with the cultural object. We argue that these “contaminating dualities” are a form of cultural power, insofar as contamination from other nodes in cultural object networks elicits responses from contaminated parties. We illustrate the framework by analyzing a series of cases in which people respond to contamination and discuss the implications for the study of culture and action.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"110 ","pages":"Article 102000"},"PeriodicalIF":2.0,"publicationDate":"2025-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143629126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PoeticsPub Date : 2025-06-01Epub Date: 2025-03-18DOI: 10.1016/j.poetic.2025.102001
Neha Gondal , Allison Wigen
{"title":"Professor-writers and machinist-painter-photographers: Investigating the duality between occupational categories and artistic hobbies","authors":"Neha Gondal , Allison Wigen","doi":"10.1016/j.poetic.2025.102001","DOIUrl":"10.1016/j.poetic.2025.102001","url":null,"abstract":"<div><div>Even though participation in the arts (a.k.a. hobbies) of employed persons has risen steadily since the early twentieth century, research has not systematically explored the relationship between occupations and hobbies. We address this gap by investigating the intersection and cultural co-constitution of these two forms of engagement by drawing on Breiger's influential work on duality. We introduce a machine-learning approach called association-rules to generate a two-mode network comprising occupations and hobbies using data from the Survey of Public Participation in the Arts. Our analysis shows that the relationship between the two constructs is not consistent with the cultural omnivorousness model. Instead, attributes of the two constructs like temporality and degree of collaborativeness shape their association with implications for their cultural significance. Pottery and painting, generally solo hobbies, are associated with most professions, but are the exclusive domain of gendered male, blue-collar occupations that have less autonomy on working hours. Collaborative music hobbies, entailing considerable commitment, on the other hand, are exclusively associated with occupations with such autonomy. Weaving and writing, portable hobbies that have a reputation of being ‘woke,’ are connected to white- and blue-collar sedentary jobs. Sharedness of hobbies and variability in their cultural significance have implications for the erosion and maintenance of cultural and social distance between occupational groups. Degree of collaborativeness, likewise, has implications for connectedness within hobby groups as well as visibility and embeddedness of occupational groups in local communities.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"110 ","pages":"Article 102001"},"PeriodicalIF":2.0,"publicationDate":"2025-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143643654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PoeticsPub Date : 2025-06-01Epub Date: 2025-03-02DOI: 10.1016/j.poetic.2025.101997
Paolo Ferri , Simone Napolitano , Luca Zan
{"title":"Organizing abundance and shuffling at festivals: the Ferrara Buskers Festival case","authors":"Paolo Ferri , Simone Napolitano , Luca Zan","doi":"10.1016/j.poetic.2025.101997","DOIUrl":"10.1016/j.poetic.2025.101997","url":null,"abstract":"<div><div>This paper examines how festivals organize the abundance of their offerings. We argue that festivals organize this abundance differently depending on the interplay between organizers, artists, and festivalgoers as they negotiate their respective autonomy. The concept of ‘shuffling,’ inspired by digital music listening, serves as a framework to empirically explore this dynamic within the context of the Ferrara Buskers Festival (FBF). Drawing on archival material and interviews with the festival's organizers, the paper analyzes the FBF's evolution from a free-access street performance event to a ticketed, curated festival with reduced attendance. Over its 36-year history, the FBF has demonstrated shifting approaches to organizing abundance—from fostering serendipitous engagement to providing prearranged experiences—shaped by the varying roles of organizers, artists, and audience members. This study enhances festival literature by highlighting the importance of different approaches to organizing abundance in understanding the diversity of festivals across time and space. Besides, it enhances understanding of the shuffling dynamic at festivals, offering theoretical and methodological insights.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"110 ","pages":"Article 101997"},"PeriodicalIF":2.0,"publicationDate":"2025-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143527102","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PoeticsPub Date : 2025-04-01Epub Date: 2025-01-16DOI: 10.1016/j.poetic.2024.101968
Morten Fischer Sivertsen
{"title":"Taste on Facebook: Revisiting the omnivore–univore hypothesis using digital trace data","authors":"Morten Fischer Sivertsen","doi":"10.1016/j.poetic.2024.101968","DOIUrl":"10.1016/j.poetic.2024.101968","url":null,"abstract":"<div><div>This study addresses the limitations of survey-based research in explaining patterns of cultural consumption in the social space. By utilizing digital trace data from Audience Insights on Danish Facebook users, this research employs social network analysis (SNA) to investigate online taste across cultural genres and social strata. To account for social structures and enhance the analysis, a multiple correspondence analysis (MCA) of a survey sample of Danish Facebook users was integrated into SNA. The findings indicate that neither the higher nor the lower strata can be classified as omnivores in terms of composition. However, contrary to many studies, the lower strata demonstrated a greater degree of omnivorousness in terms of volume than the higher strata. These findings challenge traditional understandings of cultural consumption across social strata and underscore the need to complement existing methodological approaches with new strategies that better capture the complexities of cultural engagement in the digital age.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"109 ","pages":"Article 101968"},"PeriodicalIF":2.0,"publicationDate":"2025-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142989635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PoeticsPub Date : 2025-04-01Epub Date: 2025-01-11DOI: 10.1016/j.poetic.2024.101970
Rens Wilderom, Alex van Venrooij
{"title":"The dance of markets and movements: The emergence and development of dance genres in the US, UK, and the Netherlands, 1985–2005","authors":"Rens Wilderom, Alex van Venrooij","doi":"10.1016/j.poetic.2024.101970","DOIUrl":"10.1016/j.poetic.2024.101970","url":null,"abstract":"<div><div>This paper investigates the interplay between fields, markets, and movements in the emergence and development of new cultural categories. While some scholars argue that the rise of new genres is driven by internal resource mobilization, others contend that external market and field environments can both constrain and enable their emergence and growth. Through a cross-national comparative study of electronic/dance music and its various genres from 1985 to 2005, we demonstrate that genre emergence and development are influenced by their embeddedness in different field environments: the environment of proximate genres, the mainstream music market and the transnational field level. The impact of these field environments on the emergence and development of dance genres, however, varies by country. Notably, markets and genre movements are more strongly coupled in the UK and the Netherlands compared to the US. In both European countries, the mainstream success of genres drives their development through a mechanism of differentiation, leading to the creation of new and distinct genres as a reaction against increased visibility in the mainstream music charts. These findings highlight multiple ways in which markets and genre movements can interact, enriching our understanding of how new cultural categories emerge.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"109 ","pages":"Article 101970"},"PeriodicalIF":2.0,"publicationDate":"2025-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142967860","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}