书架的 "魔法圈":图书馆空间中分类相遇的人种学研究

IF 2 2区 社会学 0 LITERATURE
Katherine Quinn
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引用次数: 0

摘要

这篇文章分析了在一个学术和公共藏书相结合的独特图书馆中遇到的分类问题。沃尔特-本雅明(Walter Benjamin)将有条理的书架形象地比喻为由独立相关的物品组成的 "魔法圈",我运用这一形象,对图书馆空间中的分类过程进行了分析:从杜威十进分类法(Dewey Decimal Classification,DDC)的形式化,到它们在书架上的社会生活,再到用户与它们的互动方式。通过对图书馆书架上令人惊奇的并列组合的互动进行人种学分析,我深入了解了分类法的力量,它既能对知识进行社会组织,又能在智力和情感上引发微妙的重新分类。我认为,虽然正式的分类方案似乎固定了知识类别,但通过书架上的这些方案所形成的 "魔力圈 "却暗示着一种更具生命力、活力和吸引力的动态。此外,我还强调了图书馆书籍作为物质文化物品的中心地位,对于那些参与其中的人来说,这些分类邂逅是非常有效的。文章结合了文化社会学研究中关于分类和物质性的重要观点,展示了分类的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The bookshelf's ‘magic circle’: An ethnographic study of classificatory encounters in library spaces

This article analyses classificatory encounters in a unique library with integrated academic and public book collections. Employing Walter Benjamin's image of the organised bookshelf as a ‘magic circle’ of independently relating items, I follow the choreography of classification in library spaces: from the formality of the Dewey Decimal Classification (DDC) through which books are organised, to their resulting social life on the shelves, to the way they are subsequently engaged with by users. Through ethnographic analysis of interactions with the surprising juxtapositions found on the library's bookshelves, I provide insights into the power of classification, both for socially organising knowledge and for inviting intellectually and emotionally significant encounters of subtle reclassification. I argue that while formal classification schemes may seem to fix knowledge categories, the ‘magic circles’ created through such schemes on the shelves suggest a more vital, vibrant and invitational dynamic. Further, I highlight the centrality of library books as material cultural objects to the potency of these classificatory encounters for those involved in them. Combining insights from prominent lines of research in cultural sociology – regarding classification and materiality – the article shows how classification matters.

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来源期刊
Poetics
Poetics Multiple-
CiteScore
4.00
自引率
16.00%
发文量
77
期刊介绍: Poetics is an interdisciplinary journal of theoretical and empirical research on culture, the media and the arts. Particularly welcome are papers that make an original contribution to the major disciplines - sociology, psychology, media and communication studies, and economics - within which promising lines of research on culture, media and the arts have been developed.
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