PoeticsPub Date : 2026-10-01Epub Date: 2026-10-15DOI: 10.1016/j.poetic.2026.102121
Bethany Rex, Peter Eckersley
{"title":"Making money in museums: what’s appropriate? Negotiating commercial pressures and professional values in a context of austerity","authors":"Bethany Rex, Peter Eckersley","doi":"10.1016/j.poetic.2026.102121","DOIUrl":"10.1016/j.poetic.2026.102121","url":null,"abstract":"<div><div>Previous research has highlighted the importance of professional values and non-economic motivations in cultural services, and how these norms may conflict with commercial pressure to generate revenue. Most studies have focused on managerial decisions around museum or exhibition sponsorship, rather than how front-line professionals are negotiating these tensions and defining norms of appropriate behaviour. We draw on interviews with museum staff in six English local authority areas to examine the activities they are adopting to generate income, and identify how professional ethics influenced these choices. By applying the idea of ‘appropriateness’ from neoinstitutional theory, we show how staff sought to balance commercial drivers with professional values, despite the lack of a clear ‘code book’ to specify ‘appropriate’ income-generating activity in a cultural services context. We found that although commercial imperatives challenged professional norms, they did not replace them: instead, museum staff developed three strategies to preserve and sustain non-economic values in the context of commercial pressures: <em>repurposing</em> museum spaces for commercial events; <em>distancing</em> their institutions from activities that were not aligned with their values but nonetheless generated income; and <em>prioritising</em> free access to certain groups of visitors or to particular events. We suggest that commercial pressures are having a substantial impact on museum services and professionals, and they are likely to become an increasingly important area of academic debate and practitioner concern. Examining the decisions museum staff take when negotiating these challenges reveals important insights about how the institutional norms and professional values of public sector museum work are changing.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"118 ","pages":"Article 102121"},"PeriodicalIF":2.6,"publicationDate":"2026-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149200093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PoeticsPub Date : 2026-10-01Epub Date: 2026-09-27DOI: 10.1016/j.poetic.2026.102120
Joanna Woronkowicz, Douglas Noonan
{"title":"Expanding agency in precarious careers: Evidence from a guaranteed income program for artists","authors":"Joanna Woronkowicz, Douglas Noonan","doi":"10.1016/j.poetic.2026.102120","DOIUrl":"10.1016/j.poetic.2026.102120","url":null,"abstract":"<div><div>This study estimates the causal effects of the Creatives Rebuild New York (CRNY) Guaranteed Income for Artists program, which provided $1000 monthly payments to 2400 artists over 18 months. Building on sociological research on precarity, agency, and institutional supports, the analysis investigates how unconditional cash transfers shape artistic professional development. Outcomes include experimentation in artistic practice, skill development, perceptions of artistic quality and impact, applications for grants and awards, and engagement in community-based work. Using a weighted lottery to assign program participation and a matched comparison group for analysis, we employ generalized boosted models to estimate program effects while addressing potential nonresponse bias. Results show consistent impacts across multiple domains: guaranteed income increased experimentation, enhanced perceived skill development and artistic quality, and expanded community engagement, while also encouraging greater pursuit of external recognition opportunities. These findings suggest that guaranteed income operates as an institutional buffer in artistic labor markets, altering the conditions under which agency is exercised and professional investments are made. The study contributes to broader debates in the sociology of work by showing how financial supports can influence patterns of career development and stability in precarious occupations.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"118 ","pages":"Article 102120"},"PeriodicalIF":2.6,"publicationDate":"2026-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149123539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PoeticsPub Date : 2026-10-01Epub Date: 2026-10-08DOI: 10.1016/j.poetic.2026.102122
Stanisław Fel, Jarosław Kozak
{"title":"Symbolic presence without identification: Institutionalized cultural memory and youth reception of a religious figure in Poland","authors":"Stanisław Fel, Jarosław Kozak","doi":"10.1016/j.poetic.2026.102122","DOIUrl":"10.1016/j.poetic.2026.102122","url":null,"abstract":"<div><div>This article examines how institutionalized cultural memory functions among young people in a context where symbolic saturation coexists with declining identification. Drawing on a nationally representative survey of Polish youth (n = 1029), we develop an empirical model to analyse how education, media use, and other institutional channels mediate the reception of a highly visible cultural figure who no longer belongs to the generation’s lived experience.</div><div>Using the concept of postmemory as an analytical framework, the study operationalizes mediated memory transmission and tests whether institutional exposure translates into personal relevance or symbolic distance. The findings reveal a pronounced dissociation between symbolic presence and identity engagement. School education, religious instruction, and media exposure are associated not with stronger identification but with increased detachment, particularly in contexts shaped by critical media narratives and individualized media consumption.</div><div>We argue that this pattern reflects a broader transformation of cultural memory in post-confessional societies: memory persists as a visible cultural resource while losing its performative and identificatory function. By empirically modelling the erosion of symbolic authority, the article contributes to sociological research on cultural transmission, media consumption, and the institutional production of meaning.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"118 ","pages":"Article 102122"},"PeriodicalIF":2.6,"publicationDate":"2026-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149141367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PoeticsPub Date : 2026-10-01Epub Date: 2026-10-14DOI: 10.1016/j.poetic.2026.102124
Abel Aussant
{"title":"What do culture vouchers really buy? Evidence from France's ‘pass Culture’ policy uses","authors":"Abel Aussant","doi":"10.1016/j.poetic.2026.102124","DOIUrl":"10.1016/j.poetic.2026.102124","url":null,"abstract":"<div><div>Over the last decade, states throughout Europe have begun implementing universal culture vouchers for young adults to boost cultural participation. Little is known about the effects of these large-scale subsidies, specifically whether they are an effective means of widening participation. This article addresses this question by looking at the French ‘pass Culture’, a €300 stipend for cultural consumption offered to all 18-year-olds since 2021. This study examines whether the intensity of voucher use is associated with higher cultural participation, and whether this association varies across cultural practices. The empirical investigation relies on the statistical analysis of a large-scale survey (N = 5,010) of young people aged 18 to 21 that documents both cultural participation and ‘pass Culture’ use. While the voucher is not associated with participation in institutional highbrow cultural activities like museum visits, theater, or opera attendance, it is positively correlated with engagement in commercial popular culture consumption, including cinema and comic book reading. This is consistent with the view that financial barriers are not the primary obstacle to consumption in cultural capital-intensive activities. However, financial constraints do appear to be associated with non-participation in popular cultural life. The article then discusses the theoretical implications of these findings for our understanding of the relationship between cultural consumption, cultural policies, and social inequalities.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"118 ","pages":"Article 102124"},"PeriodicalIF":2.6,"publicationDate":"2026-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149200032","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PoeticsPub Date : 2026-10-01Epub Date: 2026-10-14DOI: 10.1016/j.poetic.2026.102123
Likun Cao
{"title":"How technological innovation restructures cultural space: Digital effects, narrative convergence, and the concentration of economic and symbolic capital in American Film, 1980–2022","authors":"Likun Cao","doi":"10.1016/j.poetic.2026.102123","DOIUrl":"10.1016/j.poetic.2026.102123","url":null,"abstract":"<div><div>The categories and categorization literature has theorized cultural space as a meaningful landscape in which products and innovations are evaluated through market judgments and rewards. Yet this framework leaves underexamined how this space is conceived and first comes into being. Building on the production of culture perspective, which identifies technology as a key facet of cultural production, this paper argues that technologies can reshape the cultural landscape before, and partly independently of, market mechanisms. I develop this argument through a computational analysis of capital-intensive visual effects (VFX) technologies in the American film industry, using a novel dataset combining IMDb records, production technology parameters, and narrative trope annotations for films released in the United States after 1980. The analysis reveals that VFX technologies diffused along a status-stratified S-curve, gave rise to a semantically and narratively coherent cluster of films, and consolidated economic capital, organizational status, and artistic prestige into a single production model. Over time, however, the cluster’s cultural prestige declined while its market dominance persisted. Based on this evidence, the paper identifies two linked mechanisms through which technologies can shape the cultural landscape: they concentrate production among organizations able to adopt and sustain them, creating a new profit structure; and they receive early recognition from critics and peers, turning early technological departures into aesthetic standards that later works must confront. These findings advance the production of culture tradition with macro-level computational evidence for its core claims, demonstrating that positions within cultural space can be organized by the material infrastructure of production and carry enduring consequences for inequality within cultural industries.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"118 ","pages":"Article 102123"},"PeriodicalIF":2.6,"publicationDate":"2026-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149200031","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PoeticsPub Date : 2026-08-01Epub Date: 2026-07-25DOI: 10.1016/j.poetic.2026.102108
Miriam Hurtado Bodell, Anastasia Menshikova
{"title":"Mechanisms of change: How focus events reshape online meaning-making","authors":"Miriam Hurtado Bodell, Anastasia Menshikova","doi":"10.1016/j.poetic.2026.102108","DOIUrl":"10.1016/j.poetic.2026.102108","url":null,"abstract":"<div><div>This paper investigates how two mechanisms reshape online meaning-making about immigration following focus events: <em>discursive change</em>, in which existing participants change how they frame immigration, and <em>behavioral change</em>, in which different users enter or exit discussions. Using seeded topic modeling on 7.5 million posts from the Swedish online forum Flashback (2010–2020), we analyze how the salience of cultural, economic, and security frames shifts before and after terrorist attacks. We find that attacks systematically increase the prominence of cultural and security frames while reducing economic framing. More than 80% of these shifts are driven by discursive change among existing participants, although behavioral change also contributes to shifts in online meaning-making, particularly following domestic attacks. The effects are substantial and rapid but relatively short-lived. By combining sociological theory on focus events with large-scale digital trace data, this study clarifies the individual-level mechanisms that generate collective dynamics in online meaning-making.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"117 ","pages":"Article 102108"},"PeriodicalIF":2.6,"publicationDate":"2026-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148641901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PoeticsPub Date : 2026-08-01Epub Date: 2026-07-30DOI: 10.1016/j.poetic.2026.102110
Letian Li, Meijia Wang, Siyun Liu
{"title":"Narrative perspective and immersion in literary reading: Experimental evidence from behavioural and neural measures","authors":"Letian Li, Meijia Wang, Siyun Liu","doi":"10.1016/j.poetic.2026.102110","DOIUrl":"10.1016/j.poetic.2026.102110","url":null,"abstract":"<div><div>This study examines how narrative perspective shapes readers’ experience of literary texts. Although immersion has often been treated as a central dimension of literary experience, it remains unclear how different narrative perspectives influence readers’ cognitive and subjective involvement during reading. To address this question, we conducted two complementary experiments that examined perspective effects at different levels of processing. Experiment 1 used a dual-task paradigm with single-standing paragraphs to investigate whether narrative perspective influenced readers’ allocation of attention during reading. The results showed that first-person narration elicited slower responses to concurrent auditory probes than third-person narration, suggesting greater attentional engagement during text processing. Experiment 2 extended the investigation to a short suspense story and combined self-report ratings, behavioral responses, and functional near-infrared spectroscopy (fNIRS). The results showed that self-report data indicated higher subjective engagement for first-person than third-person narration. At the neural level, second-person narration was associated with stronger activation than first- and third-person narration in regions linked to higher-order perspective-related processing. Taken together, the findings suggest that narrative perspective does not exert a uniform effect across measures, but instead differentially relates to attentional engagement, subjective involvement, and neural processing. This study offers a more fine-grained account of how narrative perspective shapes readers’ engagement with literary narratives.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"117 ","pages":"Article 102110"},"PeriodicalIF":2.6,"publicationDate":"2026-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148641899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PoeticsPub Date : 2026-08-01Epub Date: 2026-06-12DOI: 10.1016/j.poetic.2026.102106
Kira Pratt
{"title":"Corrigendum to ‘Race, nation, and commemoration: Representations of the national Juneteenth holiday in news media’ Poetics 115-116 (2026) 102093","authors":"Kira Pratt","doi":"10.1016/j.poetic.2026.102106","DOIUrl":"10.1016/j.poetic.2026.102106","url":null,"abstract":"","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"117 ","pages":"Article 102106"},"PeriodicalIF":2.6,"publicationDate":"2026-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148385841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PoeticsPub Date : 2026-08-01Epub Date: 2026-07-24DOI: 10.1016/j.poetic.2026.102109
Diego Vallarino
{"title":"Narrative pacing under fragmented attention: A structural approach to suspense in serialized television","authors":"Diego Vallarino","doi":"10.1016/j.poetic.2026.102109","DOIUrl":"10.1016/j.poetic.2026.102109","url":null,"abstract":"<div><div>This paper develops a structural framework for analyzing narrative pacing in serialized suspense television under conditions of fragmented reception. It conceptualizes narratives as temporal cultural objects that organize information through sequencing non-linearity, information latency, conditional surprise, and structural closure. These dimensions are derived from observable narrative traces rather than from individual-level psychological responses.</div><div>Methodologically, the paper combines relational comparison with a discrete-time hazard model of inter-episode abandonment. The objective is not to predict individual behavior or equate completion with narrative quality, but to examine how formal narrative structures are associated with persistence proxies such as early abandonment, season completion, and inter-episode delay.</div><div>Using a curated corpus of contemporary suspense, crime, and mystery series, the paper shows that pacing can be studied as a configuration of structural trade-offs. Temporal complexity may increase surprise while raising reconstruction demands; delayed resolution may sustain suspense while increasing discontinuation risk. The contribution is methodological and cultural-analytic: the paper provides a replicable framework for studying the relationship between narrative form, platform-mediated reception, and persistence without reducing cultural value to engagement metrics.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"117 ","pages":"Article 102109"},"PeriodicalIF":2.6,"publicationDate":"2026-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148641900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PoeticsPub Date : 2026-04-01Epub Date: 2026-04-08DOI: 10.1016/j.poetic.2026.102090
Gina Junhan Fu , María T. Soto-Sanfiel , Juan-José Sánchez-Soriano
{"title":"The fuzzy mechanism of processing stereotyped gay characters in media","authors":"Gina Junhan Fu , María T. Soto-Sanfiel , Juan-José Sánchez-Soriano","doi":"10.1016/j.poetic.2026.102090","DOIUrl":"10.1016/j.poetic.2026.102090","url":null,"abstract":"<div><div>Media research on homophobia has long recognized the persuasive power of stereotypical portrayals. However, these portrayals are often treated as a uniform category, obscuring the possibility that different types of gay stereotypes operate through distinct cognitive and affective pathways and generate different attitudinal effects. Through an online experimental survey, the present study examines how audiences interpret different stereotyped gay characters by dynamically applying multi-dimensional criteria to shape their responses . A total of 495 Spanish participants were randomly assigned to either a treatment group (n = 360), which viewed one of 12 video clips representing six types of stereotypical portrayals of gay characters, or a control group (n = 135), which completed the Modern Homophobia Scale without watching any clips. Participants in the experimental group completed both the Perceiving and Experiencing Fictional Characters Questionnaire and the Modern Homophobia Scale after watching the video. Hierarchical regression analyses revealed that audiences process gay characters through multiple stages involving encoding (ethics, aesthetics, epistemics), comparison (similarity, relevance, valence) and response (involvement, distance, appreciation). A significant interaction between perceived aesthetics and ethics emerged as a key predictor of character appreciation and involvement, supporting a “fuzzy” processing model. The 'Evil' and 'Manipulative' stereotypes were consistently associated with lower levels of homophobia compared to the 'Mannered' stereotype. We conclude that audiences engage with stereotypes in a complex and fuzzy manner, with gay characters' narrative roles and prototypicality shaping character perception and differentially predicting homophobic attitudes within the experimental conditions.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"115 ","pages":"Article 102090"},"PeriodicalIF":1.7,"publicationDate":"2026-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147650738","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}