International Journal of the History of Sport最新文献_第3页

Anomaly or Harbinger? Penn State’s 1935 Female ‘Letter “Man”’ and New Frontiers in the History of Women’s Intercollegiate Sport in the United States 异常还是预兆?宾夕法尼亚州立大学1935年的女性“字母”“男人”和美国女子校际运动史上的新领域

IF 0.6 4区教育学

International Journal of the History of Sport Pub Date : 2019-12-12 DOI: 10.1080/09523367.2020.1725481

Tommy Slotcavage, M. Dyreson

引用次数: 0

D. Day,Methodology in Sports History Abingdon:Routledge ,2018 9781138740587 D. Day，《体育史方法论》，北京:劳特利奇出版社，2018年9781138740587

IF 0.6 4区教育学

International Journal of the History of Sport Pub Date : 2019-10-28 DOI: 10.1080/09523367.2019.1675037

J. Verriet

引用次数: 0

Double Standards: South Africa, British Rugby, and the Moscow Olympics 双重标准:南非、英国橄榄球和莫斯科奥运会

IF 0.6 4区教育学

International Journal of the History of Sport Pub Date : 2019-01-02 DOI: 10.1080/09523367.2019.1638770

James Alexander Ivey

引用次数: 5

Decoding Olympic History in a Painting by Charles de Coubertin 在顾拜旦的画作中解读奥运历史

IF 0.6 4区教育学

International Journal of the History of Sport Pub Date : 2018-12-12 DOI: 10.1080/09523367.2019.1575812

Natalia Camps Y Wilant

{"title":"Decoding Olympic History in a Painting by Charles de Coubertin","authors":"Natalia Camps Y Wilant","doi":"10.1080/09523367.2019.1575812","DOIUrl":"https://doi.org/10.1080/09523367.2019.1575812","url":null,"abstract":"Abstract When Pierre de Coubertin died in 1937, he left an impressive amount of writings, which have enabled international sport historians to research his modern Olympic Games to this day. Besides the written sources on Olympic history, other artefacts play a minor role in the research of sport historians; visual sources such as artworks, in particular, have been overlooked and consequently are not used to their full potential. This observation does not seem to be important unless Pierre de Coubertin’s artistic family background is taken into account. The fact that his father, Charles de Coubertin (1822–1908), had been a painter sheds new light on visual sources and makes it necessary to take a more detailed look at them. This paper concentrates on one of Charles de Coubertin’s paintings, which is exhibited in the Olympic Museum in Lausanne. Drawing on Olympic history documents and art historical sources, the painting is decoded according to an art history method. Beyond that, artefacts created by the artist were discovered in the archives of the descendants of the Coubertin family. The combination of these sources evidences that Charles de Coubertin was a close observer of his son’s ideas and witnessed developments in Olympic history.","PeriodicalId":47491,"journal":{"name":"International Journal of the History of Sport","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2018-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09523367.2019.1575812","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60078360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Chivas y Tuzos. Íconos de México: identidades colectivas y capitalismo de compadres en el futbol nacional, by Gabriel Angelotti Pasteur 芝华士和Tuzos。《墨西哥的图标:国家足球中的集体身份和同志资本主义》，加布里埃尔·安杰洛蒂·巴斯德著

IF 0.6 4区教育学

International Journal of the History of Sport Pub Date : 2018-07-03 DOI: 10.1080/09523367.2018.1518041

Alejandro González Landeros

引用次数: 0

Basque Women on Court: The Success, Repression, and Oblivion of Professional Racket Pelota Players in Spain, 1917–1980 球场上的巴斯克女子:1917-1980年西班牙职业球拍选手的成功、压抑和遗忘

IF 0.6 4区教育学

International Journal of the History of Sport Pub Date : 2018-04-13 DOI: 10.1080/09523367.2018.1483917

Olatz González Abrisketa

{"title":"Basque Women on Court: The Success, Repression, and Oblivion of Professional Racket Pelota Players in Spain, 1917–1980","authors":"Olatz González Abrisketa","doi":"10.1080/09523367.2018.1483917","DOIUrl":"https://doi.org/10.1080/09523367.2018.1483917","url":null,"abstract":"Abstract In January 1917, a very special sports court opened in Madrid. Sixteen women initiated a successful new type of Basque pelota, which was subsequently played professionally by more than a thousand women until it disappeared in 1980. Paired with a system of simultaneous betting, racket pelota became an industry, with more than 30 courts operating in Spain, Cuba, Brazil, and Mexico, and with training schools distributed across the Basque Country, from where most of the players originated. The present article examines the historical and cultural conditions which created the possibilities for this new female sport to emerge and explores its paradoxical development during Franco’s fascist regime. This paper also argues that the absence of support for racket pelota under Basque nationalism (and also from feminist quarters) is puzzling, considering the ethnic politics they defended; the lack of interest and protection toward this sport contributed to the strengthening of Francoist discourses, which perceived it as ‘inappropriate’ for women. Based on archive material and informal interviews, this paper briefly describes the history of racket pelota, in order to address the contradictions between dimensions of success, repression, and oblivion that these female racket players had to confront.","PeriodicalId":47491,"journal":{"name":"International Journal of the History of Sport","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2018-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09523367.2018.1483917","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60078288","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Different Faces of Colonialism: Sport in Cape Verde and Portuguese Guinea 殖民主义的不同面貌:佛得角和葡属几内亚的体育运动

IF 0.6 4区教育学

International Journal of the History of Sport Pub Date : 2018-03-04 DOI: 10.1080/09523367.2018.1458714

V. A. de Melo

引用次数: 1

History of Sport in Brazil and in South America: Visibility for New Looks 巴西和南美洲的体育史:新面貌的可见度

IF 0.6 4区教育学

International Journal of the History of Sport Pub Date : 2017-04-13 DOI: 10.1080/09523367.2017.1382476

V. A. de Melo

引用次数: 1

Migration, Knowledge Transfer, and the Emergence of Australian Post-War Skiing: The Story of Charles William Anton. 移民、知识转移与战后澳大利亚滑雪运动的兴起:查尔斯·威廉·安东的故事。

IF 0.6 4区教育学

International Journal of the History of Sport Pub Date : 2016-11-01 DOI: 10.1080/09523367.2017.1313234

Philipp Strobl

引用次数: 1

A Female Medallist at the 1928 Olympic Art Competitions: The Sculptress Renée Sintenis 1928年奥林匹克艺术比赛的女奖牌获得者:雕塑家rensamei sinintenis

IF 0.6 4区教育学

International Journal of the History of Sport Pub Date : 2016-09-01 DOI: 10.1080/09523367.2017.1280026

Natalia Camps Y Wilant

{"title":"A Female Medallist at the 1928 Olympic Art Competitions: The Sculptress Renée Sintenis","authors":"Natalia Camps Y Wilant","doi":"10.1080/09523367.2017.1280026","DOIUrl":"https://doi.org/10.1080/09523367.2017.1280026","url":null,"abstract":"Abstract Olympic Art Competitions were part of the Olympic programme for 36 years in the first half of the twentieth century. According to sport history research, one of the reasons for their suspension was the participation of unknown artists. A careful analysis of the sources used by sport historians reveals that little is known about the artists. Even less is known about female artists in this context. Investigating the example of the German sculptress Renée Sintenis (1888–1965), medallist of the 1928 Olympic Art Competitions, is an attempt to address this research gap. Biographical research about the sculptress provides art historical evidence for her successful career, her impressive oeuvre and her outstanding societal position as a female artist; and, in doing so, backs up the publications by sport historians. Furthermore, the paper illustrates the circumstances under which female artists participated in the Olympic Art Competitions, evidencing that the artistic competitions had not been a topic on the agenda of the International Olympic Committee. Importantly, it also demonstrates that Pierre de Coubertin’s artistic family environment influenced his thinking about female artists in the Olympic Art Competitions.","PeriodicalId":47491,"journal":{"name":"International Journal of the History of Sport","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09523367.2017.1280026","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60078015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1