Philology and Culture最新文献_第4页

Khusain Faizkhanov and the historical linguistics development 法兹哈诺夫与语言学的历史发展

Philology and Culture Pub Date : 2023-10-04 DOI: 10.26907/2782-4756-2023-73-3-44-53

D. V. Mukhetdinov

{"title":"Khusain Faizkhanov and the historical linguistics development","authors":"D. V. Mukhetdinov","doi":"10.26907/2782-4756-2023-73-3-44-53","DOIUrl":"https://doi.org/10.26907/2782-4756-2023-73-3-44-53","url":null,"abstract":"The article discusses the activities of Khusain Faizkhanov and the results of his work in the areas related to linguistics. Based on available source materials and indirect information, the article characterizes Kh. Faizkhanov’s proficiency in various languages, which was demonstrated by him both in his educational and research activities. The article draws attention to the factors that influenced Kh. Faizkhanov’s linguistic skills development. The range of languages that Kh. Faizkhanov knew and used in his work was wide. If he could master some of the languages due to his origin and profile of education (Turkic, Arabic, Persian), he learned others on his own, achieving the level that enabled him to use them functionally for specific tasks (Russian, Chuvash). Kh. Faizkhanov equally excelled as a linguistic theorist, which is clearly evidenced by his own textbook on the Tatar language, as a philologist, which is reflected in his work with written monuments, and as a linguist, which follows from his ability to make important, in terms of historical linguistics, methodological conclusions on the interpretation of the Volga-Bulgarian epitaphs, involving the use of information from the Chuvash language.","PeriodicalId":474357,"journal":{"name":"Philology and Culture","volume":"86 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135645257","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Zoomorphic metaphor in a Russian folk riddle 俄罗斯民间谜语中的兽形隐喻

Philology and Culture Pub Date : 2023-10-04 DOI: 10.26907/2782-4756-2023-73-3-76-80

N. I. Faizullina, S. Hang

{"title":"Zoomorphic metaphor in a Russian folk riddle","authors":"N. I. Faizullina, S. Hang","doi":"10.26907/2782-4756-2023-73-3-76-80","DOIUrl":"https://doi.org/10.26907/2782-4756-2023-73-3-76-80","url":null,"abstract":"Metaphor is a unique phenomenon both from the point of view of language and culture, for it preserves unique relic forms of the surrounding reality perception. At present, when modern conditions of people’s lives are transformed, metaphor, as a way of realization of hidden comparison, undergoes a number of qualitative changes. In this regard, it will be relevant to turn to metaphor functioning in folklore texts, because due to its conservatism we can identify archetypal images underlying the hidden comparison. This article examines the features of zoomorphic metaphor in Russian folk riddles. The zoomorphic code is interesting for us, since the images of animals, actualized through metaphor, allow identifying national values. In riddles containing images of animals, there is a certain similarity between the image of the animal and the denotat in question; accordingly, this similarity is reflected in the metaphor, usually through a description of the action and appearance of the animal. Analyzing metaphor in the Russian folk riddle, we identify zoomorphic codes, which retain archetypal coding, expressed in the context of the whole riddle and in its correspondence to mythological ideas about the given animal. In this case, we are talking about the image of a horse, a bull. At the same time, the corpus of folk riddles reveals such zoomorphic metaphorical formations, which do not show any connection with archetypal coding. Thus, the image of a bear is deprived of mythological subtext and is used only as a means of secondary nomination of the denotation.","PeriodicalId":474357,"journal":{"name":"Philology and Culture","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135645253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Image features of epic characters in Tatar and Slavic folklore 鞑靼和斯拉夫民间传说中史诗人物的形象特征

Philology and Culture Pub Date : 2023-10-04 DOI: 10.26907/2782-4756-2023-73-3-116-123

G. F. Kayumova, T. V. Sorokina

{"title":"Image features of epic characters in Tatar and Slavic folklore","authors":"G. F. Kayumova, T. V. Sorokina","doi":"10.26907/2782-4756-2023-73-3-116-123","DOIUrl":"https://doi.org/10.26907/2782-4756-2023-73-3-116-123","url":null,"abstract":"The ethno-epic heritage of the Russian and Tatar peoples’ traditional culture is based on epic tales, including the heroic epic of the people, the ethnos. The core of traditional culture is the subject’s ideas about the ideals of wisdom, heroism and beauty, about good and evil, about man’s place in the world, as well as religious and mythological views on man’s relationship with supernatural, higher forces as a kind of life of an ethnic group’s world. Our culturological analysis of the main characters from epic tales, including the comparison with Slavic epic characters, allows us to assert that the epic image of a batyr expresses a single complex of national historical concepts and ideas about the ideal man – a warrior in the best manifestation of all his virtues, the one who realizes and implements the age–old aspirations of the people, that is, an objectified view of the world. The image of a batyr, a hero in Tatar and Slavic folklore is of interest due to its complexity and versatility. He is both a fighter against the enemies of his native land and a hero who destroys evil forces; he is an ideal warrior who can make even the khan feel fear; at the same time, he can resort to cunning and deceit at times. Thus, batyrs win not only owing to their best qualities, but also to those that are usually pushed into the shadows when positive characters are described, as if they were non-existent. Perhaps, this is where lies the excessive love and trust of the people for epic works and their heroes.","PeriodicalId":474357,"journal":{"name":"Philology and Culture","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135645258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Marina Tsvetayeva’s influence on Ilsiyar Iksanova’s poetry Marina Tsvetayeva对Ilsiyar Iksanova诗歌的影响

Philology and Culture Pub Date : 2023-10-04 DOI: 10.26907/2782-4756-2023-73-3-93-98

G. R. Gabdullina

{"title":"Marina Tsvetayeva’s influence on Ilsiyar Iksanova’s poetry","authors":"G. R. Gabdullina","doi":"10.26907/2782-4756-2023-73-3-93-98","DOIUrl":"https://doi.org/10.26907/2782-4756-2023-73-3-93-98","url":null,"abstract":"This article analyzes philosophical and romantic motifs in the poetry of Marina Tsvetaeva and Ilsiyar Iksanova. The poetry of Ilsiyar Iksanova, a representative of the romantic trend in modern Tatar poetry, is an understudied topic today. The purpose of our study is to identify the originality of philosophical motifs and symbols in I. Iksanova’s works against the background of the work by M. Tsvetaeva. In her early lyrical poetry, referring to the work by the Russian poetess Marina Tsvetaeva, Ilsiyar Iksanova determined the vector of her poetry. The article analyzes the intimate lyrical works by the modern Tatar poetess, revealing the features of the existential picture of the world in the work of M. Tsvetaeva and I. Iksanova. Scientific research indicates that the existential concept of the world is recreated in the works of I. Iksanova through the motifs of fate, love, death and loneliness. The conclusion is made about the influence of M. Tsvetaeva’s creative work on I. Iksanov’s poetry. These existential motifs in the works of the poetesses, belonging to different literatures and periods, are consonant, but not identical. In M. Tsvetaeva’s work, loneliness is an opportunity to get to know oneself. I. Iksanova, purposefully using existential motifs, comes to a refutation of loneliness and death, her lyrical heroine comes to the knowledge of the truth through love and humility. Philosophical motifs in the work of the poetesses have tied Russian and Tatar poetry of different periods together.","PeriodicalId":474357,"journal":{"name":"Philology and Culture","volume":"237 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135645403","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Lexico-thematic groups of non-equivalent vocabulary in Russian translations (against the background of Chinese prototypes) 俄语翻译中非对等词汇的词汇主题性组(以汉语原型为背景)

Philology and Culture Pub Date : 2023-10-04 DOI: 10.26907/2782-4756-2023-73-3-7-13

Yu. Wang, Yu. He

{"title":"Lexico-thematic groups of non-equivalent vocabulary in Russian translations (against the background of Chinese prototypes)","authors":"Yu. Wang, Yu. He","doi":"10.26907/2782-4756-2023-73-3-7-13","DOIUrl":"https://doi.org/10.26907/2782-4756-2023-73-3-7-13","url":null,"abstract":"This article is centered on the study and description of the ways of identification and designation of the surrounding reality phenomena in two cultures - Russian and Chinese. Special attention is paid to the significance of the national-cultural specificity of the word. The article considers both general issues of ethno-cultural phenomena nomination and its specific cases, namely, the functioning of non-equivalent vocabulary and ways of its translation from Chinese into Russian. It also gives a brief overview of the distribution dynamics in modern Chinese prose and the problems of studying Yu Hua’s work in Russia. The aim of the article is to reveal the importance of translations of modern Chinese fiction as sources of studying non-equivalent vocabulary and translation strategies when working on characteristic word-markers of Chinese culture used in the novel “To Live” by the outstanding modern Chinese writer Yu Hua. The study is based on the translation of the novel in question, made by the Russian scholar R. G. Shapiro. The article determines thematic groups of non-equivalent vocabulary in the novel “To Live” (word-designations of new Chinese life, ethnographisms, historicisms, background and connotative words) and the main translation methods of their transfer (borrowing, description, hyperonyms, etc.). Special attention is paid to approximate or inappropriate translations in the text, due to the translator’s ignorance of the semantics of non-equivalent words, which ultimately leads to an imperfect understanding of Chinese culture.","PeriodicalId":474357,"journal":{"name":"Philology and Culture","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135646105","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Defining the genre specific nature of the literary tale: tales as a memeplex in the works of J. Zipes and Bakhtin’s conception of ‘memory of the genre’ in the works of M. Lipovetsky 定义文学故事的体裁特殊性:J. Zipes作品中的故事作为一种模因综合体，以及M. Lipovetsky作品中巴赫金的“体裁记忆”概念

Philology and Culture Pub Date : 2023-10-04 DOI: 10.26907/2782-4756-2023-73-3-138-144

K. R. Nurgali, A. A. Gilea

{"title":"Defining the genre specific nature of the literary tale: tales as a memeplex in the works of J. Zipes and Bakhtin’s conception of ‘memory of the genre’ in the works of M. Lipovetsky","authors":"K. R. Nurgali, A. A. Gilea","doi":"10.26907/2782-4756-2023-73-3-138-144","DOIUrl":"https://doi.org/10.26907/2782-4756-2023-73-3-138-144","url":null,"abstract":"This article reviews theoretical conceptions concerning the genre specificity of the literary fairy tale. We refer to two key theories in the field of the genre - the works of M. Lipovetsky, based on M. Bakhtin’s conception of “genre memory”, and J. Zipes theory of the fairy tale genre as a memeplex. Despite the fact that these conceptions are not traditionally considered in the scientific paradigm as complementary, we attempt to bring them into a single logic. The article identifies the connection between the studies of M. Lipovetsky, J. Zipes and the conception of “metafictionality”, or “self-reflexivity” of the literary fairy tale genre. We argue that metafiction is a key parameter of the genre being in direct connection with the category of intertextuality. Metafictionalism underlies the genre nature of the literary fairy tale; in addition, it can be expressed through particular techniques, including the “the method of breaking the fourth wall” technique, the “mis en abame” technique, the change of focalization, etc. The article concludes that the “metafiction” of the text, manifested in the literary fairy tale at all textual levels, can be a tool of genre differentiation.","PeriodicalId":474357,"journal":{"name":"Philology and Culture","volume":"100 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135646109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The figure of the narrator as a way to create a “documentary” plot in the historical plays-parables by E. Radzinsky 拉辛斯基历史剧中的叙述者形象是一种营造“纪实”情节的方式

Philology and Culture Pub Date : 2023-10-04 DOI: 10.26907/2782-4756-2023-73-3-106-110

O. V. Zhurcheva

{"title":"The figure of the narrator as a way to create a “documentary” plot in the historical plays-parables by E. Radzinsky","authors":"O. V. Zhurcheva","doi":"10.26907/2782-4756-2023-73-3-106-110","DOIUrl":"https://doi.org/10.26907/2782-4756-2023-73-3-106-110","url":null,"abstract":"The article studies the peculiarities of dramatic narration in E. Radzinsky’s plays-parables. Modern theater and dramaturgy strive to reflect the qualitative changes in representative forms and their potential stage possibilities. One of these forms is the reception of dramatic narration, when the event that is being shown is replaced by the event that is being told about. This technique is actively used by the playwright E. Radzinsky in his historical plays-parables “Conversations with Socrates”, “Lunin, or the Death of Jacques”, “Theater of the Times of Nero and Seneca”, “The Executioner, or Conversations on the Way to the Guillotine”. Despite the fact that the plot is based on a documentary (or pseudo-documentary) text: the story of the life and execution of Socrates, described by Plato; “Moral Letters” to Lucilius (procurator of Sicily) by Seneca; “Letters from Siberia” by Mikhail Lunin; “Notes of an Executioner” by Charles Henri Sanson, the famous executioner during the era of the Great French Revolution, the play has a setting for oral speech. The playwright uses various techniques in constructing a plot to introduce this kind of a narrator into the text. The protagonist acts as a narrator, his position, the system of evidence, the testimony that the narrator uses – all these create an attitude of authenticity, the semblance of documentarity.","PeriodicalId":474357,"journal":{"name":"Philology and Culture","volume":"100 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135646238","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Tatar appellatives in G. Yakhina’s novel “Zuleikha Opens Her Eyes”: polylinguality and transculturality 雅希纳小说《祖莱卡睁开眼睛》中的鞑靼语称谓:多语性与跨文化性

Philology and Culture Pub Date : 2023-10-04 DOI: 10.26907/2782-4756-2023-73-3-66-70

A. R. Salakhova

{"title":"Tatar appellatives in G. Yakhina’s novel “Zuleikha Opens Her Eyes”: polylinguality and transculturality","authors":"A. R. Salakhova","doi":"10.26907/2782-4756-2023-73-3-66-70","DOIUrl":"https://doi.org/10.26907/2782-4756-2023-73-3-66-70","url":null,"abstract":"The article is devoted to the linguocultural meanings of nationally specific forms of vocatives used by G. Yakhina in her novel “Zuleikha Opens Her Eyes”. The research object is the corpus of language units, used in G. Yakhina’s novel “Zuleikha Opens Her Eyes”, which are selected by continuous sampling from the first part of the novel. To analyze the studied units (appellatives), we use the descriptive and comparative methods, the method of word-formation, component and contextual analyses, as well as the method of quantitative calculation. To reconstruct the world of the Tatar village, the Russian-speaking writer uses a variety of appellative words (exoticisms, diminutives, evaluative forms, etc.), which do not always adequately appeal to the content of the Tatar linguocultural discourse. In the present article, we examine appellatives, in the unity of their form and content, as units of a particular literary text in order to identify their semantic specificity, stylistic and linguocultural affiliation, while taking into account the context of their use. The transformation and substitution of linguistic units, associated with the national specificity of the linguistic picture of the world, prevents adequate and accurate perception of Tatar linguistic culture when the author creates artistic images in her novel, or subsequently conveys the meaning in translation. Thus, the article shows how the words of a foreign culture are introduced into the text and what consequently happens to the meanings they convey.","PeriodicalId":474357,"journal":{"name":"Philology and Culture","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135645398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

In their language it was called “night operation”: the reflection on language in the memories of N. Mandelshtam 在他们的语言中，这被称为“夜间行动”:在曼德尔施塔姆的记忆中对语言的反思

Philology and Culture Pub Date : 2023-10-04 DOI: 10.26907/2782-4756-2023-73-3-71-75

A. A. Semenova

{"title":"In their language it was called “night operation”: the reflection on language in the memories of N. Mandelshtam","authors":"A. A. Semenova","doi":"10.26907/2782-4756-2023-73-3-71-75","DOIUrl":"https://doi.org/10.26907/2782-4756-2023-73-3-71-75","url":null,"abstract":"The memoirs of N. Mandelstam are well known to a wide range of readers, but the attention of researchers to these texts is often due to the interest directed at the personality and work of O. Mandelstam. Literary critics actively use “Memoirs”, “The Second Book”, and “About Akhmatova”, but linguistic studies practically do not touch on her extensive memoirs. The article considers aspects of the author’s reflection on the language in the memoirs of N. Mandelstam. Particular attention is paid to the explication and analysis of the key oppositions “we – they”, “ours – theirs”, implemented by various linguistic means, as well as the reflexive activity of the memoirist, which is addressed, among other things, to the characteristic features of the language of different social groups. The genre affiliation of the analyzed material allows us to touch upon the problem of self-identification and self-presentation, which are ambiguously manifested in the text due to the addressing specifics of N. Mandelstam’s ego-document. The article also analyzes a number of characteristic features inherent in the so-called “female” writing.","PeriodicalId":474357,"journal":{"name":"Philology and Culture","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135645962","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The synthesis of documentary and fictional codes in the story “Superpowers by inheritance: My Soviet Grandfathers” by O. Kolpakova O.科尔帕科娃(O. Kolpakova)的《继承的超级大国:我的苏联祖父》(Superpowers by inheritance: My Soviet grandparents)故事中，纪录片和虚构代码的综合

Philology and Culture Pub Date : 2023-10-04 DOI: 10.26907/2782-4756-2023-73-3-99-105

Zh. K. Gaponova

{"title":"The synthesis of documentary and fictional codes in the story “Superpowers by inheritance: My Soviet Grandfathers” by O. Kolpakova","authors":"Zh. K. Gaponova","doi":"10.26907/2782-4756-2023-73-3-99-105","DOIUrl":"https://doi.org/10.26907/2782-4756-2023-73-3-99-105","url":null,"abstract":"The article studies the mechanisms of interaction between documentary and fictional codes in O. Kolpakova’s work “Superpowers by Inheritance: My Soviet Grandfathers”, considered here as a translator of intergenerational ties. The author focuses on establishing the place of the family in the history of the country in different eras, which correlates with the purpose of our study – to determine the nature of the connection between non-fiction and fiction, past and present, which are presented in the story both in a dialogic unity and in opposition. The article concludes that the complex narrative organization of the work reflects the authorial concept of family history, allowing her not only to introduce the reader to the cultural and historical realities of a particular era, which is facilitated by the popular science commentary inserts by Ivan Privalov, but also to transmit the cultural codes that form the identity of the Russians (family, historical memory, respect for elders, love for one’s country and our homeland). The analysis shows that the dialectical relation between non-fiction and fiction is realized through the motif of “stories”, the conversation with the elder relatives is organized in accordance with the narrative models of Soviet literature, which makes an organic synthesis of non-fiction and fiction possible and does not presuppose a linear unfolding of the narrative. The article analyzes the ways of representation of the documentary in the story. The superpower motif, in the author’s opinion, enables her to reach the level of mythopoetic modelling of the national cultural code, which represents traditional values in the formulas that are topical for modern teenagers.","PeriodicalId":474357,"journal":{"name":"Philology and Culture","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135646099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0