The synthesis of documentary and fictional codes in the story “Superpowers by inheritance: My Soviet Grandfathers” by O. Kolpakova

Zh. K. Gaponova
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Abstract

The article studies the mechanisms of interaction between documentary and fictional codes in O. Kolpakova’s work “Superpowers by Inheritance: My Soviet Grandfathers”, considered here as a translator of intergenerational ties. The author focuses on establishing the place of the family in the history of the country in different eras, which correlates with the purpose of our study – to determine the nature of the connection between non-fiction and fiction, past and present, which are presented in the story both in a dialogic unity and in opposition. The article concludes that the complex narrative organization of the work reflects the authorial concept of family history, allowing her not only to introduce the reader to the cultural and historical realities of a particular era, which is facilitated by the popular science commentary inserts by Ivan Privalov, but also to transmit the cultural codes that form the identity of the Russians (family, historical memory, respect for elders, love for one’s country and our homeland). The analysis shows that the dialectical relation between non-fiction and fiction is realized through the motif of “stories”, the conversation with the elder relatives is organized in accordance with the narrative models of Soviet literature, which makes an organic synthesis of non-fiction and fiction possible and does not presuppose a linear unfolding of the narrative. The article analyzes the ways of representation of the documentary in the story. The superpower motif, in the author’s opinion, enables her to reach the level of mythopoetic modelling of the national cultural code, which represents traditional values in the formulas that are topical for modern teenagers.
O.科尔帕科娃(O. Kolpakova)的《继承的超级大国:我的苏联祖父》(Superpowers by inheritance: My Soviet grandparents)故事中,纪录片和虚构代码的综合
本文研究了科尔帕科娃的作品《继承的超级大国:我的苏联祖父》中纪实和虚构密码之间的互动机制,并将其视为代际关系的翻译者。作者着重确立了家庭在不同时代的国家历史中的地位,这与我们研究的目的是相关联的——确定非虚构与虚构、过去与现在之间的联系的本质,这些联系在故事中既以对话的统一形式出现,又以对话的对立形式出现。文章的结论是,作品复杂的叙事组织反映了作者的家族史概念,使她不仅能够向读者介绍特定时代的文化和历史现实,伊万·普里瓦洛夫(Ivan Privalov)的科普评论插入促进了这一点,而且还传达了形成俄罗斯人身份的文化密码(家庭,历史记忆,尊重长辈,热爱自己的国家和家园)。分析表明,非虚构与虚构的辩证关系是通过“故事”的母题来实现的,与长辈的对话是按照苏联文学的叙事模式来组织的,这使得非虚构与虚构的有机综合成为可能,而不是以叙事的线性展开为前提。文章分析了纪录片在故事中的表现方式。在作者看来,超级大国母题使她达到了对民族文化密码的神话化建模的水平,在现代青少年的话题公式中代表了传统价值观。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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