Semiotica最新文献_第3页

On the recognitions of asemic poetry as language 论对作为语言的无符号诗歌的认识

IF 0.8 3区社会学

Semiotica Pub Date : 2024-01-19 DOI: 10.1515/sem-2022-0017

Michael Betancourt

引用次数: 0

Campus repertoires: interrogating semiotic assemblages, economy, and creativity 校园剧目：探究符号组合、经济和创造力

IF 0.8 3区社会学

Semiotica Pub Date : 2023-12-27 DOI: 10.1515/sem-2020-0066

Gabriel Simungala, Deborah Ndalama-Mtawali

引用次数: 0

The concepts “power” and “death” as key units in the conceptual framework of the novel The Nomads: The Charmed Sword by Yessenberlin 权力 "和 "死亡 "这两个概念是小说《游牧民族》概念框架中的关键单元：叶森伯林的《魅力之剑

IF 0.8 3区社会学

Semiotica Pub Date : 2023-12-26 DOI: 10.1515/sem-2022-0091

Aigerim Dairbekova, Leila Mekebayeva

{"title":"The concepts “power” and “death” as key units in the conceptual framework of the novel The Nomads: The Charmed Sword by Yessenberlin","authors":"Aigerim Dairbekova, Leila Mekebayeva","doi":"10.1515/sem-2022-0091","DOIUrl":"https://doi.org/10.1515/sem-2022-0091","url":null,"abstract":"The relevance of this study is the increased interest of modern researchers in the field of humanities in the problems of interaction between language, culture, and thinking, as well as the need to study in this aspect the interdisciplinary notion of the concept from the position of literature studies. The purpose of the study is to investigate the concepts of “power” and “death” as key units in the conceptual framework of Kazakh writer Yessenberlin’s novel The Nomads: The Charmed Sword, and to determine the features of their reflection in the individual author’s language picture of the world. The leading method is the method of conceptual analysis, which makes it possible to identify and comprehensively consider concepts in both individual authors and the national picture of the world of the Kazakh people. Within the research, the hierarchical structure of the conceptual framework of Yessenberlin historical novel is presented. The authors calculated associative rows of the concepts composing the novel’s conceptual framework and made conclusions concerning the relationships between the studied concepts, as well as the meaning of the central concepts “power” and “death” and the distinction between historical facts and artistic fiction. The main statements and conclusions can be used in the process of teaching philological disciplines in higher education institutions.","PeriodicalId":47288,"journal":{"name":"Semiotica","volume":"16 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139052037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Semiotic approach of strategic narrative: the news discourse of Russia’s coronavirus aid to Italy 战略叙事的符号学方法：俄罗斯援助意大利冠状病毒的新闻话语

IF 0.8 3区社会学

Semiotica Pub Date : 2023-12-26 DOI: 10.1515/sem-2022-0020

Andreas Ventsel

{"title":"Semiotic approach of strategic narrative: the news discourse of Russia’s coronavirus aid to Italy","authors":"Andreas Ventsel","doi":"10.1515/sem-2022-0020","DOIUrl":"https://doi.org/10.1515/sem-2022-0020","url":null,"abstract":"Crucial components of strategic communication include the audience, which plays a decisive role in how any conflict plays out. Strategic narratives are seen as means by which political actors attempt to construct a shared meaning of international politics to shape the behaviour of domestic and international actors. The article analyzes the news discourse of the Russian media sources RT, Pervyj Kanal, and NTV on Russia’s coronavirus aid to Italy in spring 2020. In the context of media coverage, some methodological questions arise: How should the intentional structuring of narratives, targeting of audiences, and the manipulative intentions of the strategic actor be studied? For this purpose, the article combines strategic narrative theory with Umberto Eco’s concepts of the Model Reader and the Model Author. Analysing the aims and intentionality of the strategic narratives, we postulate the Model Reader as an analytical category that organizes the study of the audience’s interpretation process. The function of the Model Reader is to actualize the codes and intertextual references that the author has strategically planned in the news message, in order to achieve the geopolitical aims of the strategic narratives in question. The analysis of constructing the Model Reader and the Model Author of strategic narratives is complemented by Greimas’ semiotic theory of the narrative and the composition principles of Lotman’s discrete/non-discrete texts.","PeriodicalId":47288,"journal":{"name":"Semiotica","volume":"9 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139051815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Cross-modal iconicity in songs about weeping 哭泣歌曲中的跨调式象似性

IF 0.8 3区社会学

Semiotica Pub Date : 2023-11-18 DOI: 10.1515/sem-2022-0100

Anna Bonifazi

{"title":"Cross-modal iconicity in songs about weeping","authors":"Anna Bonifazi","doi":"10.1515/sem-2022-0100","DOIUrl":"https://doi.org/10.1515/sem-2022-0100","url":null,"abstract":"The article explores cross-modal iconic relations in nine diverse Western-music songs ranging from 1600 to 2015, all of them thematizing dysphoric weeping. Initial input comes from five recurrent features observed in ancient Greek texts associated with performative events, including the prominence of sound, interjections and strong self-referentiality, repetitions and refrains, the motif of endlessness, and tears associated with streams of water, dew, and libation liquids. The analysis adopts Peirce’s conceptual distinction between image, diagram, and metaphor iconicity, although the continuum reading proposed by several scholars is ultimately favored. The sample turns out to offer plenty of evidence of iconic relations. Interjections, falsetto, verbal repetitions, musical repetitions, musical rendering of sighs and endlessness, ostinato patterns, downward notes, and water images (rain and rivers), all of this is shown to substantiate cross-modal iconicity encompassing weeping, lyrics, music (including musical notation), and images, in different combinations. Quantitative investigations confirming/disconfirming and adding iconicity patterns, and comparative analyses linking Western and non-Western lament traditions constitute desiderata for future work.","PeriodicalId":47288,"journal":{"name":"Semiotica","volume":"29 4","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-11-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138503114","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A monument’s many faces: the meanings of the face in monuments and memorials 纪念碑的许多面孔:面孔在纪念碑和纪念馆中的意义

IF 0.8 3区社会学

Semiotica Pub Date : 2023-11-17 DOI: 10.1515/sem-2023-0165

Federico Bellentani

{"title":"A monument’s many faces: the meanings of the face in monuments and memorials","authors":"Federico Bellentani","doi":"10.1515/sem-2023-0165","DOIUrl":"https://doi.org/10.1515/sem-2023-0165","url":null,"abstract":"This paper presents a comprehensive analysis of the significance and meanings of faces within monuments and memorials. The presence of faces in monuments and memorials transcends cultures and spans throughout history. Faces serve as vital components of public statues, conveying the emotions of depicted characters and establishing communicative connections with observers. Moreover, they are employed within memorials to commemorate the deceased. Memorial museums frequently feature corridors adorned with portraits of those who perished in wars, terrorist attacks or natural disasters. The aim of this paper is twofold: firstly, to develop a theoretical and methodological framework for the analysis of faces in monuments and memorials, drawing upon the cultural semiotics of Juri Lotman as well as theories proposed by Algirdas J. Greimas and Umberto Eco. Secondly, to construct a typology that elucidates the various ways faces are utilized within monuments, memorials, and commemorative practices. A historical roadmap of the facial presence in monuments and memorials is then presented. By achieving these aims, this paper contributes to a deeper understanding of the meanings of faces within monuments and memorials in particular and memory politics in general.","PeriodicalId":47288,"journal":{"name":"Semiotica","volume":"29 5","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138503113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Above the heteronormative narrative: performance and emergence of Disney’s villains 在非主流叙事之上:迪士尼反派的表现和出现

3区社会学

Semiotica Pub Date : 2023-11-13 DOI: 10.1515/sem-2023-0168

Francesco Piluso

{"title":"Above the heteronormative narrative: performance and emergence of Disney’s villains","authors":"Francesco Piluso","doi":"10.1515/sem-2023-0168","DOIUrl":"https://doi.org/10.1515/sem-2023-0168","url":null,"abstract":"Abstract The article proposes a re-examination of the role and position of the so-called “Disney villains” within the narrative framework of animated films and popular culture as a whole. In the first part, the historical evolution in the representation of these villains will be explored according to the practice of “queer coding,” which involves attributing stereotypically queer traits to them without explicitly stating their gender and sexual identity. It will be observed how their non-conforming gender and sexuality, used to mark their moral deviance, challenge and defy dominant gender and narrative norms. It is precisely through their queer performance and camp aesthetic that “evil stepmothers,” “sissy-villains,” and “drag-queen-like” sea witches can emancipate themselves from their traditional roles as antagonists (narrative level) and as social outcasts (discursive level) to seize the spotlight through the screen (manifest surface). This study combines tools of Greimasian text analysis, including the canonical narrative schema and the generative trajectory of meaning, with Lotman’s theory and notion of “semiosphere,” to investigate the centrality and criticality of these “quillains” within the heteronormative narrative framework and the broader cultural context. To capture (or being captured by) the queer aspect of these characters and their stories, the invitation is to look at their visage not as a coded symbol of an underlying identity and truth, but as an image that exceeds any defined meaning thanks to its iconic power.","PeriodicalId":47288,"journal":{"name":"Semiotica","volume":"53 34","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134993795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Heterotopias and the facesphere: “Living Pictures: Photography in Southeast Asia” 异托邦与面域:“活的影像:东南亚的摄影”

3区社会学

Semiotica Pub Date : 2023-11-10 DOI: 10.1515/sem-2023-0163

Silvia Barbotto

{"title":"Heterotopias and the facesphere: “Living Pictures: Photography in Southeast Asia”","authors":"Silvia Barbotto","doi":"10.1515/sem-2023-0163","DOIUrl":"https://doi.org/10.1515/sem-2023-0163","url":null,"abstract":"Abstract This exploration of the works of various authors and artists will bring us to a philosophical contemplation of the portrait as a heterotopic space. On one hand, a portrait represents the faces of the self and others, embodying both individuality and collectivity. On the other hand, the space within the conventional frame of a portrait transforms from a mere representation of documented reality to a co-constructed and reified form of expression. The article is divided in three parts. The first part sinks into Lotman’s epistemic groundwork on culture, space, and especially art as a founding philosophical and analytical reference and will also outline the relationship and difference between the semiophere and the facesphere. The second part focuses on establishing a relationship between the facesphere and the heterotopic idea of space and portrait genre. Here the article explores Michael Foucault’s thought in relation to heterotopic space, later proposed in association with the space of the portrait. The third part is devoted to establishing relationships between the theoretical background and the analysis of case studies belonging to the portrait genre selected from photographic works in “Living Pictures: Photography in Southeast Asia,” an exhibition at the National Gallery in Singapore. I will conclude with some brief considerations to summarize the path taken.","PeriodicalId":47288,"journal":{"name":"Semiotica","volume":"55 14","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135091623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Some pragmatic consequences to the order of determination of the object’s trichotomies in Peirce’s late semiotics 皮尔斯晚期符号学中客体三分法确定顺序的一些语用后果

3区社会学

Semiotica Pub Date : 2023-11-09 DOI: 10.1515/sem-2023-0039

Priscila Borges, Juliana Rocha Franco

{"title":"Some pragmatic consequences to the order of determination of the object’s trichotomies in Peirce’s late semiotics","authors":"Priscila Borges, Juliana Rocha Franco","doi":"10.1515/sem-2023-0039","DOIUrl":"https://doi.org/10.1515/sem-2023-0039","url":null,"abstract":"Abstract The issue of the ordering of the ten trichotomies is one among the many questions still open regarding Peirce’s extended theory of signs. A proper decision regarding the order of the ten trichotomies demands a discussion of the entire semiotic process. The aim of this paper is to discuss the order of the trichotomies related to the mode of being of the immediate and dynamical objects. Therefore, it addresses only one part of this process, which concerns the relationship between the sign and its objects. When subdividing the object, Peirce begins to consider the immediate and the dynamic objects as trichotomies, that is, aspects to be considered in the definition of the classes of signs. The introduction of these two trichotomies brings in a problem: how to order them in the system of ten trichotomies. Diverging opinions regarding this ordering are found in Peirce’s texts, and in his commentators. We will investigate this problem by seeking a sort of pragmatic clarification of the matter, presenting a reflection about the philosophical and semiotic consequences of the different proposals for the ordering of these trichotomies. Placing the dynamic object after the sign may even help to explain the functioning of fictional signs, but is this coherent with Peirce’s philosophy? On the other hand, would it be possible to talk about lying signs if every object was determined by its own sign?","PeriodicalId":47288,"journal":{"name":"Semiotica","volume":" 16","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135241956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Oblique semiotics: the semiotics of the mirror and specular reflections in Lotman and Eco 斜面符号学:洛特曼和艾柯作品中镜子和镜面反射的符号学

3区社会学

Semiotica Pub Date : 2023-11-09 DOI: 10.1515/sem-2023-0164

Remo Gramigna

引用次数: 0