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AI recommendations’ impact on individual and social practices of Generation Z on social media: a comparative analysis between Estonia, Italy, and the Netherlands 人工智能建议对 Z 世代在社交媒体上的个人和社会实践的影响:爱沙尼亚、意大利和荷兰之间的比较分析
IF 0.8 3区 社会学
Semiotica Pub Date : 2024-03-20 DOI: 10.1515/sem-2023-0089
Daria Arkhipova, Marijn Janssen
{"title":"AI recommendations’ impact on individual and social practices of Generation Z on social media: a comparative analysis between Estonia, Italy, and the Netherlands","authors":"Daria Arkhipova, Marijn Janssen","doi":"10.1515/sem-2023-0089","DOIUrl":"https://doi.org/10.1515/sem-2023-0089","url":null,"abstract":"Social media (SM) influence young adults’ communication practices. Artificial Intelligence (AI) is increasingly used for making recommendations on SM. Yet, its effects on different generations of SM users are unknown. SM can use AI recommendations to sort texts and prioritize them, shaping users’ online and offline experiences. Current literature primarily addresses technological or human-user perspectives, overlooking cognitive perspectives. This research aims to propose methods for mapping users’ interactions with AI recommendations (AiRS) and analyzes how embodied interactions mediated by a digital agent can lead to changes in social and cultural practices. For this, this work proposes a comparative analysis of central practices evoked by AI recommendations-mediated communication on SM among users in Italy, Estonia, and the Netherlands in the age category 18–26 years old. The data used in the comparative analysis was collected via semi-structured interviews and elaborated based on cognitive psychology and semiotics. This research highlights the contextual significance of AI recommendations as a mediator in creating new communication practices. Findings confirm that young adults often choose practices that would enhance their digital representations according to AiRS’ dominant patterns and categories. AiRS impacts individual interpretations and practices and can further affect social and cultural levels.","PeriodicalId":47288,"journal":{"name":"Semiotica","volume":"303 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140199157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tropes and play: a new account on embodied figures of thought 主题与游戏:关于具身思想形象的新论述
IF 0.8 3区 社会学
Semiotica Pub Date : 2024-03-13 DOI: 10.1515/sem-2023-0042
Jan Söffner
{"title":"Tropes and play: a new account on embodied figures of thought","authors":"Jan Söffner","doi":"10.1515/sem-2023-0042","DOIUrl":"https://doi.org/10.1515/sem-2023-0042","url":null,"abstract":"This paper aims at expanding theories of metaphorical reasoning to other tropes. Asking why figurative language tends to fall into a limited number of patterns, it first examines approaches that offer an answer – ranging from antique rhetoric theory, Hans Blumenberg, Harald Weinrich, Donald Davidson, and Roman Jakobson to George Lakoff and Mark Johnson. By then turning to Giambattista Vico, it puts forth the argument that a limited set of pre-structured ways of embodied reasoning is hard-wired in and enacted by different aspects of children’s ways of playing – and provides the foundation for structures of <jats:italic>thinking in</jats:italic> the adult life.","PeriodicalId":47288,"journal":{"name":"Semiotica","volume":"7 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140147541","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Eco, Riffaterre, and a poem by Baudelaire 艾柯、里法特雷和波德莱尔的一首诗
IF 0.8 3区 社会学
Semiotica Pub Date : 2024-02-19 DOI: 10.1515/sem-2023-0041
John A. F. Hopkins
{"title":"Eco, Riffaterre, and a poem by Baudelaire","authors":"John A. F. Hopkins","doi":"10.1515/sem-2023-0041","DOIUrl":"https://doi.org/10.1515/sem-2023-0041","url":null,"abstract":"In Eco’s work between around 1960 and 1992, “openness” in a modern literary text can mean (a) “permitting more than one interpretation,” and (b) “requiring a good deal of decoding work from the reader,” which is close to my own position. These two aspects of openness are demonstrated using Baudelaire’s <jats:italic>Les Chats</jats:italic>, in regard to which Eco denies that the text may be <jats:italic>cristallin</jats:italic> in Lévi-Strauss’s sense, while still requiring constructive effort from the reader. It is apparent that this term is equivalent to Riffaterreʼs textual “monumentality.” Eco does not go into detail about the reader’s work in assembling the text’s global propositional structure. It is left to Riffaterre and myself to detail the various stages of this work, involving comparison of images in order to discover their common underlying generative proposition. In contrast to Riffaterre, I have long suggested that the modern poetic text is built on two such propositions. It is at the stage of relations between text and sociolect that Eco contributes much to modern poetics. Openness (b) seems to be a prerequisite for perceptual change in the reader, produced by contrast between textual structure and its sociolectic context. Riffaterre prefers to remain within the text/intertext/interpretant triad, preventing him from describing the text-sociolect relation, where the propositional innovation of the modernist text takes effect.","PeriodicalId":47288,"journal":{"name":"Semiotica","volume":"31 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139917595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Peirce’s iconicity and his image-diagram-metaphor triad revisited: complements to Stjernfelt’s Sheets, Diagrams, and Realism 皮尔斯的偶像性及其图像-图表-隐喻三要素再论:对斯特恩费尔特的《图纸、图表与现实主义》的补充
IF 0.8 3区 社会学
Semiotica Pub Date : 2024-02-19 DOI: 10.1515/sem-2023-0140
Winfried Nöth
{"title":"Peirce’s iconicity and his image-diagram-metaphor triad revisited: complements to Stjernfelt’s Sheets, Diagrams, and Realism","authors":"Winfried Nöth","doi":"10.1515/sem-2023-0140","DOIUrl":"https://doi.org/10.1515/sem-2023-0140","url":null,"abstract":"This review article of Frederik Stjernfelt’s <jats:italic>Sheets, Diagrams, and Realism</jats:italic> (2022) argues that Peirce’s theory of iconicity with its subdivision into the image-diagram-metaphor triad must not be reduced to diagrammatic iconicity. The foundation of the triadic subdivision of the icon is not in Peirce’s diagrammatic logic but in Peirce’s cenopythagorean categories. A focus is on misinterpretations of Peirce’s concept of thirdness in the firstness of the icon. The paper argues that not only metaphors, but also comparisons, analogies, analogic arguments, and examples belong to the third class of icons.","PeriodicalId":47288,"journal":{"name":"Semiotica","volume":"2 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139917705","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Imagic iconicity as thematic representation in selected Nigerian children’s poetry 尼日利亚儿童诗选中作为主题表现的想象偶像性
IF 0.8 3区 社会学
Semiotica Pub Date : 2024-02-14 DOI: 10.1515/sem-2021-0083
Amaka Grace Nwuche, Chinyere Loretta Ngonebu, Ogechi Chiamaka Unachukwu
{"title":"Imagic iconicity as thematic representation in selected Nigerian children’s poetry","authors":"Amaka Grace Nwuche, Chinyere Loretta Ngonebu, Ogechi Chiamaka Unachukwu","doi":"10.1515/sem-2021-0083","DOIUrl":"https://doi.org/10.1515/sem-2021-0083","url":null,"abstract":"Sounds play crucial roles in a poem’s meaning (re)construction. Grasping the content of a literary work such as poetry often requires a profound interpretation of the underlying linguistic cum phonetic codes of its discourse. Extant studies on Nigerian children’s poetry have paid little attention to this aspect of meaning conception, thereby concentrating mainly on the surface lexical constructs. Hence, this study aims to examine imagic iconicity in children’s poems in order to demonstrate how a poem’s thematic realization is inferred through the interpretation of the phonic and acoustic nature of the sounds employed. The study involves five poems: three from Ossie Enekwe’s <jats:italic>Gentle Birds Come to me</jats:italic> and two from Ikeogu Oke’s <jats:italic>Song of Success and Other Poems for Children</jats:italic>. The analysis is anchored to insights from Charles Sanders Peirce’s concept of the iconic sign, and exploits the action of acoustic and phonetic articulation of sounds to determine their functions and effects in the poems. The study reveals how specialized lexemic choices and onomatopoeia (kinaesthemes, phonaestheme or sound symbolism) in children’s poems make each poem functional and purposeful. Thus, children’s poetry contains language structures and configurations that transmit sense and embody what the poem is asserting in a way that interestingly engages the reader.","PeriodicalId":47288,"journal":{"name":"Semiotica","volume":"9 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139758298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Agentive Cognitive Construction Grammar: a predictive semiotic theory of mind and language 代理认知建构语法:心智和语言的预测符号学理论
IF 0.8 3区 社会学
Semiotica Pub Date : 2024-01-24 DOI: 10.1515/sem-2018-0138
Sergio Torres-Martínez
{"title":"Agentive Cognitive Construction Grammar: a predictive semiotic theory of mind and language","authors":"Sergio Torres-Martínez","doi":"10.1515/sem-2018-0138","DOIUrl":"https://doi.org/10.1515/sem-2018-0138","url":null,"abstract":"This paper introduces a novel perspective on <jats:italic>Agentive Cognitive Construction Grammar</jats:italic> (AgCCxG) by examining the intricate interplay between mind and language through the lens of both Active Inference and Peircean semiotics. AgCCxG emphasizes the impact of intention and purpose on linguistic choices as a cognitive imperative to balance the <jats:italic>symbolic Self</jats:italic> (Intelligent Agent) with the dynamics of the environment. Among other things, the paper posits that linguistic constructions, particularly Constructional Attachment Patterns (CAPs), like argument structure constructions, embody experienced interactions with the world through reenactment routines via the integration of multisensory channels. Unlike traditional usage-based approaches (e.g., construction grammars), AgCCxG embraces a robust theory of signs that reveals human representation as a continuous process of semiotic hybridization for the creative prediction of uncertain scenarios. Importantly, the paper challenges the notion of the mind as a unified, rational, uncertainty-reducing machine by asserting that physical processes governing open biological systems profoundly influence the linguistic sign system. Intelligent agents’ adaptability in expressing incongruous realities thus highlights the role of semiotic hybridization in preserving an agent’s autonomy and semiotic boundary.","PeriodicalId":47288,"journal":{"name":"Semiotica","volume":"4 2 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-01-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139584349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A planar graph as a topological model of a traditional fairy tale 作为传统童话拓扑模型的平面图
IF 0.8 3区 社会学
Semiotica Pub Date : 2024-01-24 DOI: 10.1515/sem-2023-0116
Nazarii Nazarov
{"title":"A planar graph as a topological model of a traditional fairy tale","authors":"Nazarii Nazarov","doi":"10.1515/sem-2023-0116","DOIUrl":"https://doi.org/10.1515/sem-2023-0116","url":null,"abstract":"The primary objective of this study was to propose a functional discrete mathematical model for analyzing folklore fairy tales. Within this model, characters are denoted as vertices, and explicit instances of communication – both verbal and non-verbal – within the text are depicted as edges. Upon examining a corpus of Eastern Slavic fairy tales in comparison to Chukchi fairy tales, unforeseen outcomes emerged. Notably, the constructed models seem to evade establishing certain connections between characters. Consequently, instances where the interactions among fairy tale characters would result in a non-planar graph structure are notably absent. To put it differently, the models refrain from incorporating sub-graphs delineated by the Kuratowski theorem governing planar graphs, specifically the minimal non-planar graphs Κ<jats:sub>5</jats:sub> and Κ<jats:sub>3,3.</jats:sub> Remarkably, even in more extensive texts featuring a larger cast of characters, connections that would yield a non-planar graph pattern are consistently avoided. This leads to the formulation of a hypothesis positing that traditional folk tales adhere to a “planar narrative” design – an identifiable narrative variant characterized by inherent limitations in complexity. This design, in turn, appears deeply entrenched within the societal framework of the cultures that produced these folk narratives.","PeriodicalId":47288,"journal":{"name":"Semiotica","volume":"163 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-01-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139584227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Civilized Global North versus rebellious Global South: a socio-semiotic analysis of media visual discourse 文明的全球北方与反叛的全球南方:对媒体视觉话语的社会-符号学分析
IF 0.8 3区 社会学
Semiotica Pub Date : 2024-01-22 DOI: 10.1515/sem-2023-0081
Rahat Bashir, Musarat Yasmin
{"title":"Civilized Global North versus rebellious Global South: a socio-semiotic analysis of media visual discourse","authors":"Rahat Bashir, Musarat Yasmin","doi":"10.1515/sem-2023-0081","DOIUrl":"https://doi.org/10.1515/sem-2023-0081","url":null,"abstract":"The COVID-19 pandemic has transformed the ideological, social, economic, and political aspects of life on planet Earth. This study examines the visuals associated with COVID-19 published in Pakistani English newspapers. Visual data were collected through purposive sampling, analyzed using social semiotic theory, and discussed through a post-colonial lens. The visual data were grouped as Global South and North owing to socioeconomic and political categorization among countries. The results show that the Pakistani media portrayed the Global South as rebellious, miserable, and noisy against the government. However, the Global North is depicted as civilized, stress-free, and abiding by all the instructions of the authority. Analysis shows that the two realms are visually represented as remarkably divergent from each other, and media portrayal has attached stereotypes identities to the nations. Pakistani media follows a basic restricted code of conduct, which should be extended to avoid labelling and politicizing groups and nations.","PeriodicalId":47288,"journal":{"name":"Semiotica","volume":"37 6 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-01-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139556308","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Origins of money: a Motivation & Sedimentation Model (MSM) analysis 金钱的起源:动机与沉淀模型(MSM)分析
IF 0.8 3区 社会学
Semiotica Pub Date : 2024-01-22 DOI: 10.1515/sem-2023-0031
Todd Oakley, Jordan Zlatev
{"title":"Origins of money: a Motivation & Sedimentation Model (MSM) analysis","authors":"Todd Oakley, Jordan Zlatev","doi":"10.1515/sem-2023-0031","DOIUrl":"https://doi.org/10.1515/sem-2023-0031","url":null,"abstract":"Few other social technologies and institutions are more consequential to human societies than money. Yet money remains a deeply perplexing phenomenon. On the one hand, it is a pan-human system of valuation, but on the other, it is conventional and variable in its uses. While it is controversial if money instantiates a fully-fledged sign system, it is rife with semiotic capacities. To present an illuminating analysis of money is thus a test case for the Motivation &amp; Sedimentation Model (MSM) of meaning making, with roots in the phenomenology of Husserl and Merleau-Ponty. Using MSM, we analyze two origin accounts of money: the commodity money account evidenced in archaic and classical Greek coinage, and the credit money account exemplified by early findings in Mesopotamia. Both accounts focus on the interactions between the three levels of MSM: the pre-signitive Embodied, the cultural Sedimented, and the interactional Situated levels of meaning and propose different series of “loops” to account for the genesis of money. Despite key differences in the two origins, both imply semiotic processes operating according to motivated, and hence non-arbitrary, conventions developing within institutional formations that ultimately influence present day concepts of money.","PeriodicalId":47288,"journal":{"name":"Semiotica","volume":"34 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-01-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139556412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The grotesque as a literary issue 作为文学问题的怪诞
IF 0.8 3区 社会学
Semiotica Pub Date : 2024-01-22 DOI: 10.1515/sem-2022-0090
Gulmariya Ospanova, Altynai Askarova, Balzhan Agabekova, Assel Zhutayeva, Saule Askarova
{"title":"The grotesque as a literary issue","authors":"Gulmariya Ospanova, Altynai Askarova, Balzhan Agabekova, Assel Zhutayeva, Saule Askarova","doi":"10.1515/sem-2022-0090","DOIUrl":"https://doi.org/10.1515/sem-2022-0090","url":null,"abstract":"Grotesque imagery is widely used by all genres and movements of art and literature without exception, but its historical development and theoretical aspects have not been sufficiently studied. This study seeks to define and diagnose the main aspects of the development of the grotesque as a literary problem. The leading methods of researching this problem are methods of analysis, deduction, induction, and comparison of approaches. The research covers the approaches to the study of the grotesque phenomenon; the interpretation of this trope is provided, its origin is described, in whose works it is widely used; the forms of grotesque and its specific features are described; various theoretical concepts of the question are demonstrated; the codes of grotesque poetics and their levels of display in the artistic system of works are identified; the qualities and features of Poe’s literary activity are diagnosed, and the components of the grotesque aesthetics are defined. The material in this study is of practical and theoretical value to students and literary scholars who study literature and its artistic features.","PeriodicalId":47288,"journal":{"name":"Semiotica","volume":"161 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-01-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139556413","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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