皮尔斯的偶像性及其图像-图表-隐喻三要素再论：对斯特恩费尔特的《图纸、图表与现实主义》的补充

IF 0.9 3区社会学 0 HUMANITIES, MULTIDISCIPLINARY

Semiotica Pub Date : 2024-02-19 DOI:10.1515/sem-2023-0140

Winfried Nöth

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引用次数: 0

摘要

这篇对弗雷德里克-斯特恩费尔特（Frederik Stjernfelt）的《图纸、图示与现实主义》（2022）的评论文章认为，皮尔斯的图示性理论及其细分为图像-图示-隐喻三元组，绝不能简化为图示图示性。对图标进行三段式细分的基础不在于皮尔斯的图解逻辑，而在于皮尔斯的先验范畴（cenopythagorean categories）。本文的一个重点是对皮尔斯 "图标第一性 "中 "第三性 "概念的误读。本文认为，不仅隐喻，而且比较、类比、类比论证和例证都属于第三类图标。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Peirce’s iconicity and his image-diagram-metaphor triad revisited: complements to Stjernfelt’s Sheets, Diagrams, and Realism

This review article of Frederik Stjernfelt’s Sheets, Diagrams, and Realism (2022) argues that Peirce’s theory of iconicity with its subdivision into the image-diagram-metaphor triad must not be reduced to diagrammatic iconicity. The foundation of the triadic subdivision of the icon is not in Peirce’s diagrammatic logic but in Peirce’s cenopythagorean categories. A focus is on misinterpretations of Peirce’s concept of thirdness in the firstness of the icon. The paper argues that not only metaphors, but also comparisons, analogies, analogic arguments, and examples belong to the third class of icons.

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来源期刊

Semiotica Multiple-

CiteScore

1.30

自引率

37.50%

发文量

期刊介绍： Semiotica, the Journal of the International Association for Semiotic Studies, founded in 1969, appears in five volumes of four issues per year, in two languages (English and French), and occasionally in German. Semiotica features articles reporting results of research in all branches of semiotic studies, in-depth reviews of selected current literature in this field, and occasional guest editorials and reports. From time to time, Special Issues, devoted to topics of particular interest, are assembled by Guest Editors. The publishers of Semiotica offer an annual prize, the Mouton d"Or, to the author of the best article each year. The article is selected by an independent international jury.