I-Perception最新文献

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The kinetic Orbison illusion. 动感的野牛幻觉。
IF 1.9 4区 心理学
I-Perception Pub Date : 2023-09-06 eCollection Date: 2023-09-01 DOI: 10.1177/20416695231196979
Hikari Matsunaga, Hiroyuki Ito, Tama Kanematsu
{"title":"The kinetic Orbison illusion.","authors":"Hikari Matsunaga,&nbsp;Hiroyuki Ito,&nbsp;Tama Kanematsu","doi":"10.1177/20416695231196979","DOIUrl":"https://doi.org/10.1177/20416695231196979","url":null,"abstract":"<p><p>In the typical Orbison illusion, the sides of a square placed on concentric circles appear to be bending toward the center of the circles. We report a motion version of the Orbison illusion (namely, the kinetic Orbison illusion). When a dot moves along a square trajectory against a background of concentric circles, the sides of the trajectory appear to bend toward the center and the corners appear to be sharpened. In the present study, observers adjusted the shape of a comparison stimulus to the shape of the perceived trajectory by bending the sides. The amount of illusion was operationally defined as the largest discrepancy between the square and adjusted shape in the comparison stimulus. It was found that the illusory bending was more than twice the static Orbison illusion and reached a maximum of 7.3% of the length of one side. Experiments including a comparison between fixation and pursuit conditions revealed that the main cause of the kinetic illusion was not motion streaks of the dot crossing background circles. We propose an alternative hypothesis based on induced motion generated by background circle motion, the direction of which is misperceived owing to the aperture problem.</p>","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":null,"pages":null},"PeriodicalIF":1.9,"publicationDate":"2023-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10515319/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41173422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
When is a disparity not a disparity? Toward an old theory of three-dimensional vision 什么时候差距不是差距?向着三维视觉的旧理论发展
4区 心理学
I-Perception Pub Date : 2023-09-01 DOI: 10.1177/20416695231202726
Brian Rogers
{"title":"When is a disparity not a disparity? Toward an old theory of three-dimensional vision","authors":"Brian Rogers","doi":"10.1177/20416695231202726","DOIUrl":"https://doi.org/10.1177/20416695231202726","url":null,"abstract":"The aims of this paper are twofold: first, to discuss and analyze the concept of binocular disparity and second, to contrast the traditional “air theory” of three-dimensional vision with the much older “ground theory,” first suggested by Ibn al-Haytham more than a thousand years ago. The origins of an “air theory” of perception can be traced back to Descartes and subsequently to the philosopher George Berkeley, who claimed that distance “could not be seen” because points lying along the same line of sight (in an empty space) would all project to the same location on the retina. However, Descartes was also aware that the angle of convergence of the two eyes could solve the problem of the “missing” information for the monocular observer and, since then, most visual scientists have assumed that eye vergence plays an important role both in judging absolute distance and for scaling retinal size and binocular disparities. In contrast, al-Haytham's and Gibson’s “ground theories,” which are based on the geometry of the textured ground plane surface that has surrounded us throughout evolution and during our lifetimes, are not just more ecologically based but they also obviate the need for disparity scaling.","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135687758","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Eyes can tell: Assessment of implicit attitudes toward AI art 眼睛可以看出:对人工智能艺术的内在态度的评估
4区 心理学
I-Perception Pub Date : 2023-09-01 DOI: 10.1177/20416695231209846
Yizhen Zhou, Hideaki Kawabata
{"title":"Eyes can tell: Assessment of implicit attitudes toward AI art","authors":"Yizhen Zhou, Hideaki Kawabata","doi":"10.1177/20416695231209846","DOIUrl":"https://doi.org/10.1177/20416695231209846","url":null,"abstract":"Advances in artificial intelligence (AI) have significantly improved the abilities of machines. Human-unique abilities, such as art creation, are now being challenged by AI. Recent studies have investigated and compared people's attitudes toward human-made and AI-generated artworks. These results suggest that a negative bias may exist toward the latter. However, none of these previous studies has examined the extent of this bias. In this study, we investigate whether a bias against AI art can be found at an implicit level. Viewers’ attitudes toward AI art were assessed using eye-tracking measures and subjective aesthetic evaluations. Visual attention and aesthetic judgments were compared between artworks categorized as human-made and AI-made. The results showed that although it was difficult for individuals to identify AI-generated artwork, they exhibited an implicit prejudice against AI art. Participants looked longer at paintings that they thought were made by humans. No significant effect of categorization of paintings was found in subjective evaluations. These findings suggest that although human and AI art may be perceived as having similar aesthetic values, an implicit negative bias toward AI art exists. Although AI can now perform creative tasks, artistic creativity is still considered a human prerogative.","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135736910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The zooming-speed illusion: A meta illusion? 变焦速度错觉:元错觉?
IF 1.9 4区 心理学
I-Perception Pub Date : 2023-08-31 eCollection Date: 2023-07-01 DOI: 10.1177/20416695231187800
Hiroshi Ashida, Akiyoshi Kitaoka
{"title":"The zooming-speed illusion: A meta illusion?","authors":"Hiroshi Ashida,&nbsp;Akiyoshi Kitaoka","doi":"10.1177/20416695231187800","DOIUrl":"https://doi.org/10.1177/20416695231187800","url":null,"abstract":"<p><p>A movie taken from the front window of a running train, with zooming in and out, has been popularly acknowledged as a perceptual illusion such that the train motion is perceived as much slower when zoomed in. This is, however, not a real illusion because the image speed varies as a function of the focal length of the lens. This could be a meta-illusion, that is, an illusory sense of illusion, that might reflect a lack of understanding of how zooming changes the geometrical structure of the image.</p>","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":null,"pages":null},"PeriodicalIF":1.9,"publicationDate":"2023-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://ftp.ncbi.nlm.nih.gov/pub/pmc/oa_pdf/0d/dd/10.1177_20416695231187800.PMC10515532.pdf","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41167707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Visual saltation illusion induced by flashes of subjective contours. 主观轮廓闪烁诱发的视觉盐化幻觉。
IF 2.4 4区 心理学
I-Perception Pub Date : 2023-08-11 eCollection Date: 2023-07-01 DOI: 10.1177/20416695231191241
Hiroyuki Ito, Keiya Kubo, Sheryl Anne Manaligod de Jesus
{"title":"Visual saltation illusion induced by flashes of subjective contours.","authors":"Hiroyuki Ito, Keiya Kubo, Sheryl Anne Manaligod de Jesus","doi":"10.1177/20416695231191241","DOIUrl":"10.1177/20416695231191241","url":null,"abstract":"<p><p>The visual saltation illusion of a Kanizsa-type subjective triangle was demonstrated. After a subjective/real triangle was flashed twice at the same position, another subjective/real triangle was flashed at a displaced position. In a typical case, the second flash was perceived to occur midway between the first and third flash positions. This study showed that the rated illusion strength for the Kanizsa and real triangles largely depended on stimulus onset asynchrony and retinal eccentricity and that the illusion rating was the same between the Kanizsa and real gray triangles when they were presented on black disks (or inducers). When the real triangle was presented in isolation, the illusion rating was lower. Presenting flashes on disks appears to enhance the saltation illusion for both the Kanizsa and real triangles possibly due to a stronger crowding effect or shape changes of inducers enhancing the perception of object appearance and disappearance. Various types of saltation illusions with a Kanizsa triangle are demonstrated in a video.</p>","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":null,"pages":null},"PeriodicalIF":2.4,"publicationDate":"2023-08-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10422910/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10355810","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
At what level is the gap transfer illusion illusory? 在什么程度上差距转移幻觉是虚幻的?
IF 1.9 4区 心理学
I-Perception Pub Date : 2023-07-01 DOI: 10.1177/20416695231194203
Yoshitaka Nakajima, Gerard Bastiaan Remijn
{"title":"At what level is the gap transfer illusion illusory?","authors":"Yoshitaka Nakajima,&nbsp;Gerard Bastiaan Remijn","doi":"10.1177/20416695231194203","DOIUrl":"https://doi.org/10.1177/20416695231194203","url":null,"abstract":"<p><p>The gap transfer illusion is an auditory phenomenon in which a temporal gap in a longer glide transfers perceptually to a crossing shorter glide, making the longer glide illusorily continuous. This continuity is often considered a variation of classic illusory auditory continuity attributed to auditory peripheral activity, but a new view is given here supported by a series of sound demonstrations indicating that this illusory continuity is purely caused by a higher mechanism of perceptual organization.</p>","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":null,"pages":null},"PeriodicalIF":1.9,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10477769/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10305800","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Change of rapid temporal recalibration magnitude for audiovisual asynchrony with modulation of temporal binding window width: A preliminary investigation. 随时间绑定窗宽变化的视听非同步快速时间再校准幅度的初步研究。
IF 1.9 4区 心理学
I-Perception Pub Date : 2023-07-01 DOI: 10.1177/20416695231193280
Yasuhiro Takeshima
{"title":"Change of rapid temporal recalibration magnitude for audiovisual asynchrony with modulation of temporal binding window width: A preliminary investigation.","authors":"Yasuhiro Takeshima","doi":"10.1177/20416695231193280","DOIUrl":"https://doi.org/10.1177/20416695231193280","url":null,"abstract":"<p><p>The subjective synchrony perception for audiovisual stimuli is affected by previous temporal information. The point of subjective simultaneity is shifted toward the same asynchronous direction of audiovisual stimuli in a previous trial. This phenomenon is called \"rapid temporal recalibration.\" The factors that modulate the magnitude of rapid temporal recalibration have not been fully investigated. Previously, a positive correlation has been found between the magnitude of rapid temporal recalibration and the width of the temporal binding window (TBW). This preliminary study examined the causal relationship between TBW size and rapid recalibration magnitude using a single experimental group comparison design. In this experiment, the magnitude of rapid recalibration was compared before and after perceptual training, which narrowed the TBW width. The results indicated that the magnitude of rapid recalibration was reduced by perceptual training. Therefore, it was speculated that TBW size determined the magnitude of rapid recalibration. This causal relationship helps elucidate the mechanisms of the adaptation for temporal lags between visual and auditory sensations.</p>","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":null,"pages":null},"PeriodicalIF":1.9,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10439762/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10651369","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Up is best. 向上是最好的。
IF 1.9 4区 心理学
I-Perception Pub Date : 2023-07-01 DOI: 10.1177/20416695231190236
Stuart Anstis, Patrick Cavanagh
{"title":"Up is best.","authors":"Stuart Anstis,&nbsp;Patrick Cavanagh","doi":"10.1177/20416695231190236","DOIUrl":"https://doi.org/10.1177/20416695231190236","url":null,"abstract":"Ambiguous patterns have a tendency to appear to point up. This bias makes sense as most objects are on the ground, pointing up. However, we discover that the source of the up bias is the preference for seeing depth receding from the lower to the upper visual field.","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":null,"pages":null},"PeriodicalIF":1.9,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10404385/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10302952","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Influences of gradient color on the weight perception and stability perception: A preliminary study. 渐变色对体重知觉和稳定性知觉影响的初步研究。
IF 1.9 4区 心理学
I-Perception Pub Date : 2023-07-01 DOI: 10.1177/20416695231197797
Xing Xu, Jieying Zhang, Qi Zhu, Tiansheng Xia
{"title":"The Influences of gradient color on the weight perception and stability perception: A preliminary study.","authors":"Xing Xu,&nbsp;Jieying Zhang,&nbsp;Qi Zhu,&nbsp;Tiansheng Xia","doi":"10.1177/20416695231197797","DOIUrl":"https://doi.org/10.1177/20416695231197797","url":null,"abstract":"<p><p>Gradient colors are widely used in product design. The variation of gradient colors muting a color as a series of steps from bright to dull creates a soft and gradual impression while also affecting people's perceptions. This study manipulates the types of gradient colors to explore the relationship between color gradients and perception of stability to determine whether weight perception plays a role. In the case of controlling for aesthetic differences, the study manipulated two types of color gradients (dark colors fading upward from the bottom versus downward from the top) and measured the perceptions of product stability. In the same hue, an upward gradient gives a stronger perception of stability. In addition, gradient colors significantly influence women's perception of stability more than men's. The study also investigated the mediating effect of weight perception: participants evaluated color fading-upward products with less weight relative to fading-downward colors. Furthermore, dark colors fading upward from the bottom lead to a stronger perception of weight, increasing the stability perception of the object. Finally, to aid future research, we discuss the practical implications of the current findings for areas such as sensory marketing, as well as possible directions for future research.</p>","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":null,"pages":null},"PeriodicalIF":1.9,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10472828/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10669335","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Addendum to “Proprioceptive art: How should it be defined, and why has it become so popular?” “本体感觉艺术:它应该如何定义,为什么它变得如此受欢迎?”
IF 1.9 4区 心理学
I-Perception Pub Date : 2023-07-01 DOI: 10.1177/20416695231191624
{"title":"Addendum to “Proprioceptive art: How should it be defined, and why has it become so popular?”","authors":"","doi":"10.1177/20416695231191624","DOIUrl":"https://doi.org/10.1177/20416695231191624","url":null,"abstract":"The author wishes to acknowledge that some of the ideas around the concept of ‘proprioceptive art’ developed in the paper are also shared by Prof. M. Schrenk (https://proprioceptive.art/#:∼:text=(6)% 20In%20proprioceptive%20art%2C,his%20or%20her%20exclusive%20audience) who was not explicitly mentioned by name in the article. While the acknowledgments to the paper thanked the organizers of the Prop Art workshop, which had proved very germane to the ideas developed in this chapter, Prof. Schrenk’s work was not mentioned by name, for which the author wishes to apologize. Those readers wishing to find out more about Schrenk’s thinking on the theme of proprioceptive art are directed to his 2014 book chapter (Schrenk, 2014).","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":null,"pages":null},"PeriodicalIF":1.9,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45612244","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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