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OUP accepted manuscript OUP接受稿件
IF 0.3 3区 艺术学
SCREEN Pub Date : 2022-01-01 DOI: 10.1093/screen/hjac019
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引用次数: 0
Bodies with Objects in Space through Screens: Casual Virtuality and the Self-Mediation of Laura Paolini’s Constraining Aesthetics 画面中的物体与身体:随意的虚拟性与Laura Paolini约束美学的自我中介
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-12-01 DOI: 10.3167/SCREEN.2021.060207
Jakub Zdebik
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引用次数: 0
Being Screens, Making Screens: Functions and Technical Objects 做屏幕,做屏幕:功能和技术对象
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-12-01 DOI: 10.3167/SCREEN.2021.060202
M. Carbone, Graziano Lingua, Sarah De Sanctis
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引用次数: 0
Scenes of Subjection: Slavery, the Black Female Body, and the Uses of Sexual Violence in Haile Gerima’s Sankofa 奴役的场景:奴隶制,黑人女性的身体,以及在海尔·格里玛的《桑科法》中使用性暴力
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-12-01 DOI: 10.3167/SCREEN.2021.060203
Z. Imma
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引用次数: 0
Editor's Introduction: Screening Transgression 编者简介:筛选越轨
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-12-01 DOI: 10.3167/SCREEN.2021.060201
Andrew J. Ball
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引用次数: 0
Embodied Liberation: The Female Reception of Oshima Nagisa’s International Co-Productions 体现的解放:大岛名久国际合拍的女性接受
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-12-01 DOI: 10.3167/SCREEN.2021.060205
Y. Kaminishi
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引用次数: 0
Erratum to: Designing the ideal film studio in Britain 在英国设计理想的电影制片厂
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-11-29 DOI: 10.1093/screen/hjab060
S. Street
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引用次数: 0
In defence of F. W. Murnau 为F. W. Murnau辩护
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-11-01 DOI: 10.1093/SCREEN/HJAB046
Janet Bergstrom
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引用次数: 0
Contributors 贡献者
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-09-01 DOI: 10.1093/screen/hjab047
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引用次数: 0
Naoki Yamamoto, Dialectics without Synthesis: Japanese Film Theory and Realism in a Global Frame 山本直树:《没有综合的辩证法:全球框架下的日本电影理论与现实主义》
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-08-26 DOI: 10.1093/screen/hjab028
Lauri Kitsnik
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引用次数: 2
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