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‘Who wants a BlackBerry these days?’ Serialized new media and its trash “现在谁想要黑莓?”连载的新媒体及其垃圾
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-07-16 DOI: 10.1093/screen/hjab018
Jenny L. Blaylock
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引用次数: 0
The science of affection: algorithmic love matches on TV 情感科学:电视上的算法爱情匹配
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-06-12 DOI: 10.1093/SCREEN/HJAB023
Misha Kavka
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引用次数: 2
Bergfelder Tim, Erica Carter, Deniz Göktürk and Claudia Sandberg, The German Cinema Book: Second Edition 伯格菲尔德蒂姆，埃里卡卡特，丹尼斯Göktürk和克劳迪娅桑德伯格，德国电影书:第二版
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-06-01 DOI: 10.1093/screen/hjab030
Mina Radovic´
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引用次数: 0
Tom Rice, Films for the Colonies: Cinema and the Preservation of the British Empire. 汤姆·赖斯，《殖民地电影：电影与大英帝国的保护》。
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-06-01 DOI: 10.1093/screen/hjab029
Bettina Malcomess
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引用次数: 0
The labour of authenticity: mafia television, regionalism and production cultures 真实性的劳动:黑手党电视，地方主义和生产文化
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-06-01 DOI: 10.1093/screen/hjab017
G. Fidotta
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引用次数: 0
Babylon Berlin’s bifocal gaze 巴比伦柏林的双焦点凝视
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-06-01 DOI: 10.1093/screen/hjab019
Kim Wilkins
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引用次数: 3
Scientific affiliation in reality-based media: affect, intimacy, spectacle. Introduction 基于现实的媒体中的科学从属关系:情感、亲密、奇观。介绍
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-06-01 DOI: 10.1093/SCREEN/HJAB022
M. White, Misha Kavka
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引用次数: 0
A digital cinematic museum of the everyday 日常生活的数字电影博物馆
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-06-01 DOI: 10.1093/screen/hjab021
Janina Schupp, F. Penz
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引用次数: 2
Bird-watching TV: getting intimate with wildlife on Planet Earth II 观鸟电视：与地球上的野生动物亲密接触II
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-06-01 DOI: 10.1093/screen/hjab025
Ben Riggs
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引用次数: 0
Allyson Nadia Field and Marsha Gordon (eds), Screening Race in American Nontheatrical Film 艾莉森·纳迪亚·菲尔德和玛莎·戈登(编)，《美国非戏剧电影中的放映种族》
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-06-01 DOI: 10.1093/screen/hjab027
C. C. Jacobs
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引用次数: 0
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