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Photography, postmemory and touch in Pedro Almodóvar’s Madres paralelas 佩德罗-阿尔莫多瓦的《准妈妈》中的摄影、后记忆和触摸
IF 0.3 3区 艺术学
SCREEN Pub Date : 2023-12-01 DOI: 10.1093/screen/hjad037
Tom Whittaker
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引用次数: 0
Parichay Patra and Michael Kho Lim (eds), Sine Ni Lav Diaz: A Long Take on the Filipino Auteur Parichay Patra 和 Michael Kho Lim（编著），《Sine Ni Lav Diaz》：菲律宾作家的长篇小说
IF 0.3 3区 艺术学
SCREEN Pub Date : 2023-12-01 DOI: 10.1093/screen/hjad040
Michael Walsh
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引用次数: 0
Producing a future on a wandering Earth 在漂泊的地球上创造未来
IF 0.3 3区 艺术学
SCREEN Pub Date : 2023-12-01 DOI: 10.1093/screen/hjad034
P. Tang
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引用次数: 0
Cinematic ideorealm and cinema following Dao: theorizing film aesthetics through Daoism 电影的意识形态与 "道 "之后的电影：通过 "道 "理论化电影美学
IF 0.3 3区 艺术学
SCREEN Pub Date : 2023-12-01 DOI: 10.1093/screen/hjad039
K. Yu
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引用次数: 0
To cut a long story short: the featurization of American sound serials 长话短说：美国有声连续剧的特色化
IF 0.3 3区 艺术学
SCREEN Pub Date : 2023-12-01 DOI: 10.1093/screen/hjad035
Deborah Allison
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引用次数: 0
Richard Koszarski, Keep ’Em in the East: Kazan, Kubrick, and the Postwar New York Film Renaissance Richard Koszarski, Keep 'Em in the East：卡赞、库布里克和战后纽约电影文艺复兴
IF 0.3 3区 艺术学
SCREEN Pub Date : 2023-12-01 DOI: 10.1093/screen/hjad038
Noelle Griffis
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引用次数: 0
Dreams and nightmares of diasporic modernity: reading, cinema and the railway in Mira Nair’s The Namesake 散居现代性的梦想与噩梦:米拉·奈尔《同姓》中的阅读、电影与铁路
3区 艺术学
SCREEN Pub Date : 2023-09-01 DOI: 10.1093/screen/hjad026
Johannes Riquet
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引用次数: 0
Close Up: Laura 特写:劳拉
3区 艺术学
SCREEN Pub Date : 2023-09-01 DOI: 10.1093/screen/hjad027
James Donald
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引用次数: 0
The Marcusian moment: sound, film, and the body of a woman 马尔库斯时刻:声音、电影和女人的身体
3区 艺术学
SCREEN Pub Date : 2023-09-01 DOI: 10.1093/screen/hjad024
Julian Murphet
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引用次数: 0
Between audience and community: exploring emergent questions of collective patrimony and cultural continuity at the 2021 Folk Film Gathering 观众与社区之间:在2021年民间电影聚会上探索集体遗产和文化连续性的新问题
3区 艺术学
SCREEN Pub Date : 2023-09-01 DOI: 10.1093/screen/hjad031
Jamie Chambers
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引用次数: 0
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