SCREENPub Date : 2026-09-29DOI: 10.1093/screen/hjag028
{"title":"Deterritorialising Third Cinema","authors":"","doi":"10.1093/screen/hjag028","DOIUrl":"https://doi.org/10.1093/screen/hjag028","url":null,"abstract":"<span class=\"paragraphSection\">What does it mean to decolonise film theory, decoupling it from its Eurocentric conceptual foundations in universalism and ideas of historical progress? And can this be done while focusing on the material conditions not only of the production, but of the circulation and preservation of cinema? My contribution to this dossier reflects on these questions by revisiting one of the foundational debates within our discipline, between Julianne Burton-Carvajal and Teshome Gabriel on ‘Third World cinema and “First World” criticism’.1<sup>1</sup></span>","PeriodicalId":46560,"journal":{"name":"SCREEN","volume":"173 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2026-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149221578","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
SCREENPub Date : 2026-09-29DOI: 10.1093/screen/hjag037
{"title":"Contributors","authors":"","doi":"10.1093/screen/hjag037","DOIUrl":"https://doi.org/10.1093/screen/hjag037","url":null,"abstract":"<span class=\"paragraphSection\"><strong>Alanna Beroiza</strong> is Assistant Teaching Professor in the Department of Women’s, Gender and Sexuality Studies at Rutgers University-New Brunswick (USA). Her work draws on film and media studies, gender and sexuality studies, and psychoanalysis to examine how visual and aural media construct models for gender and sex in 20th- and 21st-century medical and popular discourses. Her work on visuality and trans representation in film and popular print media can be found in <span style=\"font-style: italic;\">Camera Obscura: Feminism, Culture and Media Studies.</span></span>","PeriodicalId":46560,"journal":{"name":"SCREEN","volume":"19 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2026-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149221534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
SCREENPub Date : 2026-01-01DOI: 10.1093/screen/hjag023
Richard Farmer
{"title":"‘The Prime Minister\u0000 should\u0000 have a cinema’: Clement Attlee, post-war British film culture and the cinema at Chequers","authors":"Richard Farmer","doi":"10.1093/screen/hjag023","DOIUrl":"https://doi.org/10.1093/screen/hjag023","url":null,"abstract":"","PeriodicalId":46560,"journal":{"name":"SCREEN","volume":"20 1","pages":"277-294"},"PeriodicalIF":0.3,"publicationDate":"2026-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149092573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}