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Laura Mulvey, Afterimages: On Cinema, Women and Changing Times 劳拉·穆尔维，《余波:论电影、女性和时代变迁》
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-04-08 DOI: 10.1093/SCREEN/HJAB014
L. Staab
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引用次数: 0
The plane, the city, the chase: Killing Eve and European aviation culture 飞机、城市、追逐:《杀死伊芙》与欧洲航空文化
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-04-08 DOI: 10.1093/SCREEN/HJAB010
M. Sulimma
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引用次数: 0
A dispositif of wonder: cinema spectatorship, pedagogy and the avant garde in 1930s Spain 奇迹的处置者:20世纪30年代西班牙的电影观众、教育学和先锋派
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-04-08 DOI: 10.1093/SCREEN/HJAB004
Fernando Arenas
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引用次数: 1
Bruce Isaacs, The Art of Pure Cinema: Hitchcock and His Imitators 布鲁斯·艾萨克斯，《纯粹电影的艺术:希区柯克和他的模仿者
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-04-08 DOI: 10.1093/SCREEN/HJAB013
Philippe Met
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引用次数: 0
James Tweedie, Moving Pictures, Still Lives: Film, New Media and the Late Twentieth Century 詹姆斯·特威迪:《电影、静物:电影、新媒体与二十世纪后期》
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-04-08 DOI: 10.1093/SCREEN/HJAB011
J. Bruhn
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引用次数: 3
Interview with Alejandro G. Iñárritu 采访Alejandro G. Iñárritu
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-02-22 DOI: 10.1093/SCREEN/HJAA056
M. Beugnet, L. Hibberd
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引用次数: 0
Patrick Keating, The Dynamic Frame: Camera Movement in Classical Hollywood (Film and Culture Series) 帕特里克·基廷:动态框架:经典好莱坞的摄影机运动(电影与文化系列)
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-02-22 DOI: 10.1093/SCREEN/HJAA062
C. Lucia
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引用次数: 0
Prosthetic architectures of the senses: museums and immersion 感官修复建筑：博物馆与沉浸
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-02-22 DOI: 10.1093/SCREEN/HJAA057
S. Kenderdine
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引用次数: 3
Thomas Elsaesser, European Cinema and Continental Philosophy: Film as Thought Experiment 托马斯·埃尔萨塞尔:《欧洲电影与大陆哲学:作为思想实验的电影》
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-02-22 DOI: 10.1093/SCREEN/HJAA063
Robert Sinnerbrink
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引用次数: 0
Nilo Couret, Mock Classicism: Latin American Film Comedy, 1930–1960. 《嘲笑古典主义:拉丁美洲电影喜剧，1930-1960》。
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-02-22 DOI: 10.1093/SCREEN/HJAA065
Marvin D’lugo
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引用次数: 0
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