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Editor's Introduction: Screening Transgression 编者简介:筛选越轨
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-12-01 DOI: 10.3167/SCREEN.2021.060201
Andrew J. Ball
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引用次数: 0
Embodied Liberation: The Female Reception of Oshima Nagisa’s International Co-Productions 体现的解放：大岛名久国际合拍的女性接受
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-12-01 DOI: 10.3167/SCREEN.2021.060205
Y. Kaminishi
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引用次数: 0
Erratum to: Designing the ideal film studio in Britain 在英国设计理想的电影制片厂
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-11-29 DOI: 10.1093/screen/hjab060
S. Street
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引用次数: 0
In defence of F. W. Murnau 为F. W. Murnau辩护
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-11-01 DOI: 10.1093/SCREEN/HJAB046
Janet Bergstrom
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引用次数: 0
Contributors 贡献者
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-09-01 DOI: 10.1093/screen/hjab047
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引用次数: 0
Naoki Yamamoto, Dialectics without Synthesis: Japanese Film Theory and Realism in a Global Frame 山本直树:《没有综合的辩证法:全球框架下的日本电影理论与现实主义》
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-08-26 DOI: 10.1093/screen/hjab028
Lauri Kitsnik
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引用次数: 2
‘Who wants a BlackBerry these days?’ Serialized new media and its trash “现在谁想要黑莓?”连载的新媒体及其垃圾
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-07-16 DOI: 10.1093/screen/hjab018
Jenny L. Blaylock
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引用次数: 0
The science of affection: algorithmic love matches on TV 情感科学:电视上的算法爱情匹配
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-06-12 DOI: 10.1093/SCREEN/HJAB023
Misha Kavka
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引用次数: 2
Bergfelder Tim, Erica Carter, Deniz Göktürk and Claudia Sandberg, The German Cinema Book: Second Edition 伯格菲尔德蒂姆，埃里卡卡特，丹尼斯Göktürk和克劳迪娅桑德伯格，德国电影书:第二版
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-06-01 DOI: 10.1093/screen/hjab030
Mina Radovic´
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引用次数: 0
Tom Rice, Films for the Colonies: Cinema and the Preservation of the British Empire. 汤姆·赖斯，《殖民地电影：电影与大英帝国的保护》。
IF 0.3 3区 艺术学
SCREEN Pub Date : 2021-06-01 DOI: 10.1093/screen/hjab029
Bettina Malcomess
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引用次数: 0
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