TDR-The Drama Review-The Journal of Performance Studies最新文献

{"title":"Atarraya","authors":"Carolina Caycedo","doi":"10.1017/s1054204323000011","DOIUrl":"https://doi.org/10.1017/s1054204323000011","url":null,"abstract":"","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":" ","pages":"2 - 3"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44016928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Sorry Not Sorry","authors":"Lily Kelting","doi":"10.1017/s1054204323000060","DOIUrl":"https://doi.org/10.1017/s1054204323000060","url":null,"abstract":"Monster Truck’s performances reproduce power dynamics that are at once painful and hurtful. By staging the representational process of dehumanizing black bodies, Monster Truck applies a different strategy than other Freie Szene groups: shining a bright light on dark discourse, selling the audience’s own willing consumption of neocolonial power relationships back to them as art.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"65 - 84"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49189849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TDR volume 67 issue 2 Cover and Front matter","authors":"D. Savran, Yelena Gluzman, Peter Stockmann","doi":"10.1017/s1054204323000138","DOIUrl":"https://doi.org/10.1017/s1054204323000138","url":null,"abstract":"ing and Indexing Information: Please visit https://www.cambridge.org/core/journals/the-drama-review. Subscription Information: TDR (ISSN 1054-2043 E-ISSN 1531-4715) is published quarterly (Spring, Summer, Fall, Winter) by Cambridge University Press, 1 Liberty Plaza, New York, NY 10006, USA on behalf of the Tisch School of the Arts, New York University. Periodicals postage paid at New York, NY, and at additional mailing offices. POSTMASTER: Please send address changes to TDR, Cambridge University Press, 1 Liberty Plaza, New York, NY 10006, USA. The institutional subscription price for Volume 67 (2023), including delivery by air where appropriate (but excluding VAT), is $270.00 (£223.00) for print and electronic or $230.00 (£189.00) for electronic only. Orders, which must be accompanied by payment, may be sent to a bookseller, subscription agent or direct to the publisher: Cambridge University Press, Journals Fulfillment Department, 1 Liberty Plaza, New York, NY, 10006, USA; or Cambridge University Press, UPH, Shaftesbury Road, Cambridge CB2 8RU, England. For single back issues, please contact subscriptions_newyork@cambridge.org. More information about subscription rates, including individual and student subscription prices, can be found at: https://www.cambridge.org/core/journals/the-drama-review/subscribe. Advertising: For information on display ad sizes, rates, and deadlines for copy, please contact USAdSales@cambridge.org. © New York University/Tisch School of the Arts 2023. All rights reserved. No part of this publication may be reproduced, in any form or by any means, electronic, photocopying, or otherwise, without permission in writing from Cambridge University Press. Policies, request forms, and contacts are available at https://www.cambridge.org/core/journals/the-drama-review/information/request-permissions. Permission to copy (for users in the USA) is available from Copyright Clearance Center: www.copyright.com; email: info@copyright.com. This publication is made possible, in part, with public funds from the New York State Council on the Arts and the National Endowment for the Arts. TDR","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":" ","pages":"f1 - f5"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45470576","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Fascism, Reality, Shit, and the German Stage","authors":"Andrew Friedman","doi":"10.1017/S1054204323000059","DOIUrl":"https://doi.org/10.1017/S1054204323000059","url":null,"abstract":"The controversial performances of Jonathan Meese and the duo Vegard Vinge and Ida Müller uncouple the presumed alliance between fascist politics and aesthetics. Provocatively repurposing fascist iconography and thought, Meese and Vinge/Müller defend art’s autonomy against the contamination of reality and reimagine how contemporary artists grapple with Germany’s past.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"48 - 64"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47352424","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Embodied and Immersed Is the New Professional - Reconstruction, Replication and Re-enactment in the Humanities and Social Sciences. Edited by Sven Dupré, Anna Harris, Julia Kursell, Patricia Lulof, and Maartje Stols-Witlox. Amsterdam: Amsterdam University Press, 2020; 298 pp. €124.00 cloth, e-book available. - Experimenting with Ethnography: A Companion to Analysis. Edited by Andrea Ballestero and Brit Ross Winthereik. Durham, NC: Duke University Press, 2021; 301 pp. $104.95 cloth, $27.95 paper…","authors":"Yelena Gluzman","doi":"10.1017/s1054204323000126","DOIUrl":"https://doi.org/10.1017/s1054204323000126","url":null,"abstract":"Three recent anthologies in science and technology studies show how standards for scholarly professionalization are changing. Such changes may facilitate new alliances for theatre faculty plagued by old feuds and the increasingly neoliberal university.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135673819","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"From Postmigrant to Posthuman","authors":"Priscilla Layne","doi":"10.1017/S1054204323000072","DOIUrl":"https://doi.org/10.1017/S1054204323000072","url":null,"abstract":"A recent trend in Black German theatre engages with fantasy and posthumanism to criticize German racism and nationalism. In Krieg der Hörnchen (War of the Squirrels), Simone Dede Ayivi combines posthumanism and postnationalism, using German fears of invasive gray squirrels taking over the habitat of native red squirrels to reimagine xenophobic and racist debates about migration.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"85 - 104"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42697503","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Introduction","authors":"Matt Cornish, D. Savran","doi":"10.1017/s1054204323000023","DOIUrl":"https://doi.org/10.1017/s1054204323000023","url":null,"abstract":"","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"6 - 13"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48228103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"From the Spirit of Music","authors":"David Roesner","doi":"10.1017/S1054204323000084","DOIUrl":"https://doi.org/10.1017/S1054204323000084","url":null,"abstract":"Theatre music has been a key driver of theatrical invention, innovation, and style since 2010 in German theatre and arguably for some years before that. This is evidenced in creative partnerships between individual directors and composers (and sometimes bands), in a strong presence of music in the rehearsal rooms, in musical forms of postdramatic writing, and in forms of acting styles and performance aesthetics where music plays a formative role.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"105 - 123"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43376466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Fragments of a Revolution","authors":"Yassaman Khajehi, Mohammad Amin Zamani, R. Schechner","doi":"10.1017/S1054204323000163","DOIUrl":"https://doi.org/10.1017/S1054204323000163","url":null,"abstract":"With the Iranian protest movement “Woman, Life, Freedom,” public spaces have become scenes of collective performance. As women openly defy the authoritarian and religious powers, theatre artists are faced with a question: What role can we imagine for theatre when citizens themselves perform their struggle to reclaim the public space and sphere of power?","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"81 - 89"},"PeriodicalIF":0.3,"publicationDate":"2023-05-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46232247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“Dead as a Dodo”","authors":"S. Ray","doi":"10.1017/s1054204322000843","DOIUrl":"https://doi.org/10.1017/s1054204322000843","url":null,"abstract":"Among the species that went extinct in the last 500 plus years under colonial regimes, the ill-fated dodo became an early icon of the Anthropocene Extinction. While much has been written on the biotechnological apparatuses that expedited the extinction of the dodo, it was the complicity of Western European imperialism and early modern aesthetic regimes that were responsible for the ecocide of the Anthropocene (read Eurocene) Extinction.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"126 - 135"},"PeriodicalIF":0.3,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46591910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}