Fascism, Reality, Shit, and the German Stage

IF 0.4 2区艺术学 0 THEATER

TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2023-06-01 DOI:10.1017/S1054204323000059

Andrew Friedman

引用次数: 0

Abstract

The controversial performances of Jonathan Meese and the duo Vegard Vinge and Ida Müller uncouple the presumed alliance between fascist politics and aesthetics. Provocatively repurposing fascist iconography and thought, Meese and Vinge/Müller defend art’s autonomy against the contamination of reality and reimagine how contemporary artists grapple with Germany’s past.

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法西斯主义，现实，狗屎，和德国舞台

乔纳森·米斯(Jonathan Meese)和二人组维加德·文奇(Vegard Vinge)和艾达·米勒(Ida maller)备受争议的表演打破了法西斯政治与美学之间的假定联盟。Meese和Vinge/ m勒以挑衅的方式重新定义了法西斯主义的图像和思想，捍卫了艺术的自主性，反对现实的污染，并重新想象了当代艺术家如何与德国的过去作斗争。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

TDR-The Drama Review-The Journal of Performance Studies THEATER-

CiteScore

0.80

自引率

33.30%

发文量

期刊介绍： TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance